Inspired by a shocking true story, a tenacious attorney (Mark Ruffalo) uncovers a dark secret that connects a growing number of unexplained deaths to one of the world's largest corporations. In the process, he risks everything - his career, his livelihood, and his family - to expose the truth.
One night in 1990's rural England, a retired couple finds their isolated house besieged by a gang of young criminals. The thieves think it will be easy to make them give up the secret of their safe. But they have no idea what nightmare they've gotten themselves into as they fight to escape the house alive.
Following the death of her father, Alice (Ruth Wilson) returns home for the first time in 15 years, to claim the tenancy of the family farm she believes is rightfully hers. Once there, she encounters her older brother Joe (Mark Stanley), a man she barely recognises, worn down by years of struggling to keep the farm going whilst caring for their sick father (Sean Bean). Joe is thrown by Alice's sudden arrival, angered by her claim and finds her presence increasingly difficult to deal with. Battling to regain control in a fraught situation, Alice must confront traumatic memories and family betrayals to find a way to restore the farm and salvage the bond with her brother before both are irrevocably lost.
Based on a short story by Haruki Murakami, this critically acclaimed South Korean film tells the story of Jongsu (Ah-in Yoo), a part-time worker who bumps into old neighbour Haemi (Jong-seo Jun). She asks him to look after her cat while she's on a trip to Kenya, but when she returns, Haemi introduces Ben (Steven Yeun) to Jongsu. One day, Ben visits Jongsu with Haemi and confesses his own secret hobby.
In 2015, a fire at Bucharest's Colectiv club leaves 27 dead and 180 injured. Soon, more burn victims begin dying in hospitals from wounds that were not life-threatening. Then a doctor blows the whistle to a team of investigative journalists. One revelation leads to another as the journalists start to uncover vast health care fraud. When a new health minister is appointed, he offers unprecedented access to his efforts to reform the corrupt system but also to the obstacles he faces. Following journalists, whistle-blowers, burn victims, and government officials, 'Collective' is an uncompromising look at the impact of investigative journalism at its best.
John River (Stellan Skarsgärd) is a gifted police officer with a secret. As a man haunted by manifestations of the dead, including a tormenting killer, Thomas Cream (Eddie Marsan) and the murder victims whose secrets he must unlock, he walks a tightrope between maintaining respectability at work and managing his own fragile state of mind. His colleague and confidant, Detective Sergeant Jackie Stevie Stevenson (Nicola Walker) lends River the emotional support he so badly needs, whilst his boss, Chief Inspector Chrissie Reid (Lesley Manville) is conflicted between River s obvious talents and his evident problems. Adrift in a London full of other exiled souls, River's own isolation helps him connect with the troubled victims who crash into his world, and to see the truth in ways his colleagues are drawn to admire and question, in equal measure. But as his long-held defences are eroded by love and loss, River is torn between the living and the dead; will he have to choose once and for all?
Wendy (Lena Headey), a hardened immigration officer is offered a high-profile asylum case, judged on her ability to quickly and clinically reject applicants. Through her interrogation, she must uncover whether Haile (Ivanno Jeremiah) is lying and has a more sinister reason for seeking asylum. We follow Haile on his perilous 5000 KM journey over oceans, across borders, and amidst the flurry of the Calais Jungle to find solace and safety in the UK. But now he must cross the final hurdle. Based on multiple true stories, 'The Flood' is a thoughtful and timely reflection on the humanity within the refugee crisis.
Walter Vale (Richard Jenkins), a widower of five years, lives an aimless life as a college economics professor in suburban Connecticut. When Walter reluctantly agrees to fill in for a colleague at a conference in New York City he discovers a young couple, Tarek (Haaz Sleiman) and Zainab (Danai Gurira), have been scammed into illegally renting his vacant flat. Walter agrees to let them stay until they find a place of their own. However when an interaction with the police lands Tarek, an undocumented New Yorker, in an ICE detention centre, Walter emerges as the only person able to visit Tarek. When Tarek s mother Mouna (Hiam Abbass) appears in search of her son, Walter s emotional commitment in Tarek's case is sealed. As the four people struggle to deal with the stark realities of the US immigration system and their own individual lives, their shared humanity is revealed in awkward, humorous and dramatic ways.
John Major (Daniel Mays) had it all: wife, best friend, glittering career in the police force... when his cover was blown and he met an untimely death. One year later, he's back - part AI and better than ever...or so he'd like to believe. Full of glitches, he's got to track down the person who shot him, prove himself as a cop so as not to get shut down, save his marriage and his friendship with his partner to boot.
In the stark beauty of 19th Century Snowdonia a young girl Gwen (Eleanor Worthington-Cox), tries desperately to hold her home together. Struggling with her mother's mysterious illness, her father's absence and a ruthless mining company encroaching on their land, a growing darkness begins to take grip of her home, and the suspicious local community turns on Gwen and her family.
Dr. Steven Murphy (Colin Farrell) is a renowned cardiovascular surgeon presiding over a spotless household with his ophthalmologist wife Anna (Nicole Kiclman) and their two exemplary children. Lurking at the margins of his idyllic suburban existence is Martin (Barry Keoghan), a fatherless teen who Steven has covertly taken under his wing. As Martin begins insinuating himself into the family's life in ever-more unsettling displays, the full scope of his intent becomes menacingly clear when he confronts Steven with a long forgotten transgression that will shatter the Murphy family's domestic bliss.
The film follows acclaimed composer and musician Max Richter and his creative partner, artist and BAFTA winning filmmaker Yulia Mahr, as they navigate an ambitious performance of his celebrated eight-hour opus 'Sleep' at an open-air concert in Los Angeles. Emmy-nominated director Natalie Johns weaves in Mahr's personal archive and performance footage from Berlin, Sydney, and Paris to create a rich portrait of a shared artistic process, along with contributions that illuminate both the science and story behind the work.
Based on the memories of Elia Suleiman's family, this is a unique and deeply personal depiction of Palestine from 1948 up to the present from the internationally acclaimed director of Divine Intervention. Beginning with the surrender of Nazareth to the Israeli army, the film interweaves the personal and the political in a series of brilliant and blackly comic vignettes of life under occupation. Suleiman himself plays a silent, Keatonesque observer of the absurd or tragic incidents. The film is at once a heart-breaking testament to his family, a lesson from history, and a poignant, subversively funny delight.
In this outstanding psychological and political thriller, we get a fascinating insight into the lengths and depths that the East European government went to in order to keep tabs on the lives of its population in 80's. When cold and brutal official Wiesler (Ulrich Mühe) is given the task of spying on acclaimed playwright Dreyman (Sebastian Koch) and his actress girlfriend, he relishes the task, knowing that if he uncovers subversive behaviour he will gain favor with his boss. But the longer he listens in on the couple, their friendships, passions and ideas, the more he realises that his own life and the harsh political regime are lacking in color and joy in many respects. Slowly he begins to doubt morality of is job and politics. As the lines between orders and compassion become blurred, Wiesler becomes more involved with his subject, walking a dangerous path between his duty and his new found reality.
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