Originally released in 1902, this legendary 16-minute film is widely considered to be one of the most important works in film history. Created just six years after the invention of cinema this is where narrative cinema truly began. George Melies' masterpiece features six members of the Astronomers' Club, fired into space by a giant cannon, on a strange and wonderful journey to the moon to meet its inhabitants. The colour version of A Trip to the Moon, hand-painted frame by frame, was considered lost for many years, until a print, in a desperate condition, was found in Spain in 1993. It is this version which has been meticulously restored by Lobster Films, the Groupama Gan Foundation for Cinema and the Technicolor Foundation for Cinema Heritage - one of the most sophisticated and expensive restorations in the history of cinema. The luminous resulting film is accompanied by a new original soundtrack by French duo AIR. Accompanying the film is an hour long documentary, The Extraordinary Voyage, detailing the restoration process and featuring words from esteemed directors such as Michel Gondry, Jean-Pierre Jeunet, Costa-Gavras and Michel Hazanavicius.
Part road movie, part suspense thriller, the plot is high-tension simplicity itself. In the South American jungle, supplies of nitro-glycerine are urgently needed at a remote oil field. The unscrupulous American oil company pays four out-of-work men (Yves Montand, Charles Vanel, Folco Lulli and Peter Van Eyck) to deliver the supplies in two sets of drivers: a tension magnified thousand fold by the unforgiving heat, the lure of filthy lucre and the rough and rocky roads where the slightest jolt can result in agonising death. Which of the disparate, desperate desperadoes will survive the white-knuckle journey and claim the loot and the glory?
Leonardo DiCaprio, Cate Blanchett and Kate Beckinsale soar in this true story of the legendary rebel billionaire. Howard Hughes (DiCaprio) grew famous for his Hollywood movies, aviation records and glamorous women. He held a bold vision of the future and lived his dreams believing nothing could stop him.
Francois (Philippe Marlaud) loves Anne (Marie Rivière). However, his night-shift job at the post office means they rarely get to spend much time together. One day, he sees her leaving home with her ex, Christian (Mathieu Carrière), who had come to break up with her for good. Reeling from the news, Anne lets Francois fall prey to his jealous imagination. Obsessed with the idea that she may have cheated on him, Francois decides to stay up all night. As he wanders, desolate, through the streets of Paris, he comes across his rival sitting in a cafe with a blonde-haired woman. Intrigued, he follows them. A young woman catches on to what he's up to and accosts him in an alley of the Buttes-Chaumont.
1983 Actress Academy Award winner Shirley MacLaine is both harebrained and all wise as Gittel Mosca - the Greenwich Village free spirit with a heart of gold. Robert Mitchum is successfully cast against his usual tough-guy type as the square Nebraska lawyer running from a painful divorce. Together they make the world's most unlikely and touchingly funny couple in this bittersweet romantic comedy of opposites attracting. The film was showered with rave notices and became an instant hit with audiences everywhere. A definite must-see for MacLaine and Mitchum fans and for everyone who likes their love stories spicy and poignant.
Two great actresses star as friends and rivals in The Turning Point. Emma, portrayed by Anne Bancroft, is an aging ballet star whose career has reached its peak. Deedee, played by Shirley MacLaine, is her friend who abandoned a career many years ago for marriage and motherhood. The two are reunited after a number of years when Deedee's daughter shows real promise of becoming an outstanding ballerina. An explosion of new and old conflicts arise, each woman examining the choices they have made in their lives and how they can live with those.
Victor (Cary Grant) and Hillary (Deborah Kerr) are down on their luck to the point that they allow tourists to take guided tours of their castle. But Charles Delacro (Robert Mitchum), a millionaire oil tycoon, visits, and takes a liking to more than the house. Soon, Hattie Durant (Jean Simmons) gets involved and they have a good old fashioned love triangle!
In 1930s Korea, during Japanese occupation, Sookee (Tae-ri Kim) is hired as a handmaiden to a Japanese heiress who lives a secluded life on an enchanting and lavish estate with her domineering uncle. Yet Sookee has a secret, she has been recruited by a swindler posing as an illustrious Count to spy on the Lady so he can eventually seduce her and steal her fortune. However, this swindler is not the only one with a desire to seduce.
Anna Karenina, dutiful wife and doting mother, knows contentment but not passion. That changes when she meets ardent Count Vronsky. For him, she throws away marriage, family, social position and finally her life.
Writer/director/producer M. Night Shyamalan returns with an original thriller that delves mysterious recesses of one man's fractured, gifted mind. Though Kevin (James McAvoy) has revealed 23 personalities to his psychiatrist, there remains one still submerged who is set to materialise and dominate all the others. Compelled to abduct three teenage girls, Kevin reaches a war for survival among all of those contained within him - as well as everyone around him - as the walls between his compartments shatter apart.
A masterwork of the German Silent Cinema whose reputation has only increased over time, 'Diary of a Lost Girl' traces the journey of a young woman from the pit of despair to the moment of personal awakening. Directed with virtuoso flair by the great G.W. Pabst, 'Diary of a Lost Girl' represents the final pairing of the filmmaker with screen icon Louise Brooks, mere months after their first collaboration in the now-legendary Pandora's Box. Brooks plays Thymian Henning, an unprepossessing young woman seduced by an unscrupulous and mercenary character employed at her father's pharmacy (played with gusto by Fritz Rasp, the degenerate villain of such Fritz Lang classics as Metropolis, Spione, and Frau im Mond). After Thymian gives birth to the child and subsequently rejects her family's expectations for marriage, the baby is stripped from her care, and Thymian is relegated to a purgatorial reform school that functions less as an educational institution and more like a conduit for fulfilling the headmistress's sadistic sexual fantasies.
When David Dunn (Bruce Willis) emerges from a horrific train crash as the sole survivor - and without a single scratch on him - he meets a mysterious stranger, Elijah Price (Samuel L. Jackson), who will change David's life forever. Interrupting his life at odd moments, it's Elijah's presence and probing that force David to confront his destiny on a journey of self-discovery and purpose that will absolutely stun you with its power.
Valentine Wilmot (Jameson Thomas), the owner of the popular Piccadilly Club finds his lead male attraction, Victor Smiles (Cyril Ritchard) has quit and that the public has judged Victors partner Mabel (Gilda Gray) as over the hill. Though they are lovers, Valentine must find another dancer to replace Mabel or face an uncertain future. When a customer (Charles Laughton in his first feature film) complains of a dirty dish, Valentine discovers the answer to all his problems down in the clubs scullery...
In this outstanding psychological and political thriller, we get a fascinating insight into the lengths and depths that the East European government went to in order to keep tabs on the lives of its population in 80's. When cold and brutal official Wiesler (Ulrich Mühe) is given the task of spying on acclaimed playwright Dreyman (Sebastian Koch) and his actress girlfriend, he relishes the task, knowing that if he uncovers subversive behaviour he will gain favor with his boss. But the longer he listens in on the couple, their friendships, passions and ideas, the more he realises that his own life and the harsh political regime are lacking in color and joy in many respects. Slowly he begins to doubt morality of is job and politics. As the lines between orders and compassion become blurred, Wiesler becomes more involved with his subject, walking a dangerous path between his duty and his new found reality.
Ernest Hemingway s spare, laconic short story about two professional killers and their encounter with a mysteriously unresisting victim was significantly expanded into this all-time film noir classic, which Hemingway said was the first adaptation of his work that he really admired. As washed-up boxer turned hitman victim Ole 'Swede' Andreson, Burt Lancaster made his screen debut, and was catapulted to instant stardom, not least for the screen chemistry that he showed opposite sultry Ava Gardner, whose Kitty Collins is the very personification of the femme fatale. German émigré Robert Siodmak was one of the filmmakers who helped create film noir, and Elwood Bredell s high-contrast cinematography, all harsh lighting and long shadows, elevates the film far above a conventional crime drama. But even on that level it s a first-rate demonstration of how to maintain narrative tension, with the flashback structure withholding crucial details until almost the very end.
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