Two classics from famous Finish director Aki Kaurismäki.
Leningrad Cowboys Go America (1989)
The Siberian rock band head to the United States of America to seek fame, fortune and everything else that comes with it.
Leningrad Cowboys Meet Moses (1994)
The band's former manager gets back in contact with them saying he is the reincarnation of the Biblical prophet and needs to take them to the promised land...back to Siberia.
Yumiko (Makiko Esumi), her infant son and her husband Ikuo (Tadanobu Asano) live in Osaka, and are an apparently contented family. But Yumiko's life is shattered by Ikuo's sudden death and the lingering question over whether it was an accident or suicide. When she remarries years later it seems she might find happiness again with Tamio (Taskashi Naito) until, after a trip back to Osaka, troubling memories begin to haunt her.
Marcel and Arletty's quiet, economically but emotionally rich life is disrupted when she is diagnosed with a serious disease. At the same time, Marcel takes a young illegal immigrant under his wing.
In the wake of their parent's divorce, 12-year-old Koichi (Koki Maeda) and his younger brother Ryunosuke (Ohshiro Maeda, Koki's real life brother) have been split up against their will. Koichi lives with his mother and grandparents in Kagoshima, in the shadow of a constantly rumbling volcano. Ryunosuke lives a comparatively spirited life with his rock-musician father in Fukuoka. But when Koichi discovers that a new bullet train line is due to open connecting the two towns, he determines that the intense energy generated by two trains passing in opposite directions will work a miracle, and their wish to be reunited will come true.
Two classics from famous Finish director Aki Kaurismäki.
The Man Without a Past (2002)
Following 'Drifting Clouds', this is the second part of Kaurismdki's Finland trilogy. A man arrives in Helsinki only to be severely beaten and mugged. He sustains some head injuries which means he's lost his memory and so has no choice but to start a completely new life, almost literally.
Lights in the Dusk (2006)
A naive security guard becomes involved with a beautiful and mysterious woman who may have motives that are not so wholesome. The final part of the Finland trilogy.
Leading attorney Shigemori (Masaharu Fukuyama) takes on the defence of murder-robbery suspect Misumi (Koji Yakusho) who served prison time for another murder 30 years ago. Shigemori's chances of winning the case seem low - his client freely admits his guilt, despite facing the death penalty if he is convicted. As he digs deeper into the case and hears the testimonies of the victim's family and Misumi himself, the once confident Shigemori begins to doubt whether his client is the murderer after all.
A murdered girl's defiant mother (Frances McDormand) boldly paints three local billboards, each with a controversial message, igniting a furious battle with a volatile cop (Sam Rockwell) and the town's revered chief of police (Woody Harrelson).
"Toni Erdmann" is a touching and remarkably funny portrait of an offbeat father-daughter relationship. Sandra Huller plays Ines, a highly-strung career woman whose life in corporate Bucharest takes a turn for the bizarre with the arrival of her estranged father Winfried (Peter Simonischek). An incessant practical joker, Winfried attempts to reconnect with Ines by introducing the titular eccentric alter ego to catch her off guard, unaware of how capable she is of rising to the challenge... This breakout German comedy, which has been met with universal critical acclaim, is as humanist as it is absurdist - a film about the importance of celebrating the humour of the everyday.
Ryota has earned everything he has by his hard work, and believes nothing can stop him from pursuing his perfect life as a winner. Then one day, he and his wife, Midori, get an unexpected phone call from the hospital. Their 6-year-old son, Keita, is not 'their' son - the hospital gave them the wrong baby. Ryota is forced to make a life-changing decision, to choose between 'nature' and 'nurture'. Seeing Midori's devotion to Keita even after learning his origin, and communicating with the rough yet caring family that has raised his natural son for the last six years, Ryota also starts to question himself: has he really been a 'father' all these years...
Inspired by an infamous true story that made headlines in Japan in 1988, this tough yet tender film from writer-director, Hirokazu Koreeda, follows the lives of four children left to fend for themselves by their wayward mother. Having smuggled her family into a new apartment under the landlord's nose, Keiko (You) puts her 12 year old son Akira (Yûya Yagira) in charge of the youngsters and after a brief period of relative family harmony, disappears. Akira manages as best he can, but limited means and the cramped confines of the apartment force this unorthodox family unit to re-shape their narrow existence to suit their physical and emotional needs.
Melissa McCarthy is masterful in the captivating account - based on a true story - of a down-and-out writer who resorts to lies, deceit and outright crime to get back on top.
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