Trickery. Deceit. Magic. In 'F for Fake', a free-form sort-of documentary by Orson Welles, the legendary filmmaker (and self-described charlatan) gleefully reengages with the central preoccupation of his career: the tenuous lines between illusion and truth, art and lies. Beginning with portraits of the world-renowned art forger Elmyr de Hory and his equally devious biographer, Clifford Irving, Welles embarks on a dizzying journey that simultaneously exposes and revels in fakery and fakers of all stripes - not the least of whom is Welles himself. Charming and inventive, 'F for Fake' is an inspired prank and a clever examination of the essential duplicity of cinema.
The film is essentially a rites of passage story involving a group of friends growing up together in a small provincial town. This seemingly aimless fraternity is led by Fausto in their daily routine of hanging around in bars and wasting their days whilst dreaming of breaking free of their parochial chains to taste the adventure the world has to offer. Events force the womanising Fausto to choose between responsibility and freedom which in turn prompts the other members of the group to look at their own futures in a new light.
Jack Nicholson and an outstanding star-packed cast power this suspenseful, action thriller about a man with a vengeful obsession. For six long years, Freddy Gale (Nicholson) has waited to take his revenge on John Booth (David Morse), the man jailed for a crime that stripped Freddy's life of all happiness and meaning. Now, Booth is getting out of prison and Freddy's giving him just three days to live... before he returns to get even.
When gun fancier Bart Tare sees Annie Laurie Starr's sideshow sharpshooting act, he's a dead-bang goner. He and she go together, as Bart ultimately says, 'like guns and ammunition'. The two become bank robbers on the run, eluding roadblocks and roaring into movie history as one of the benchmark film-noir works. Joseph H. Lewis directs this ferocious thriller, selected for the National Film Registry and often cited as a forerunner to 'Bonnie and Clyde'. Peggy Cummins and John Dall star, meeting in a sexually charged carny shooting contest and soon driven by impulses of violence and arousal they don't fully understand. They're young, foolish, doomed - and point blank in Gun Crazy's unforgiving sights.
'Do we get stupider as we grow up?' In his wildly popular Broadway show 'American Utopia', David Byrne reflects on human connections, life and how on earth we work through it. He joins the dots with his music and it all starts making sense. Spike Lee here transforms the production into immersive, dynamic cinema that radiates with astounding performances, inventive contemporary dance and political urgency. 'American Utopia' flows like an iridescent dream vision. Work by James Baldwin, Janelle Monáe and Kurt Schwitters is highlighted among exhilarating renditions of Byrne's solo work, as well as Talking Heads classics. According to the multi-hyphenate, we love looking at humans more than anything else. Anti-fascist and anti-racist, Byrne illuminates our responsibility to care for one another as he and his co-performers burn down the house.
A rooftop sniper guns down 14 pedestrians on the streets of New York City. A mild-mannered dad takes a shotgun and blows away his wife and children. A cop goes on a sudden shooting spree at the St. Patrick's Day Parade. Each of these unlikely killers makes the same dying confession: "God told me to." Now a repressed Catholic NYPD detective must uncover a netherworld of deranged faith, alien insemination and his own unholy connection to a homicidal messiah with a perverse plan for the soul of mankind.
Vegas, Baby. Where Nomi's (Elizabeth Berkley) dreams and desires to make it big are as sharp as a stiletto heel. When she catches the eye of Cristal (Gina Gershon), the Stardust's sexy headliner, Nomi is on the brink of realising her dreams. But she soon realises that there is room for only one starlet on the marquee...and that either she or Cristal will have to take a fall!
After tragedy forces young Prince T'Challa (Chadwick Boseman) to assume Wakanda's throne, he is faced with the ultimate test, putting the fate of his country and the entire world at risk. Pitted against his own family, the new king must rally his allies and release the full power of Black Panther to defeat his foes and embrace his future as an Avenger.
Adam (Gabe Nicholson) lives a life of quiet isolation. He spends his days hunting, preparing food, and keeping watch for a spiritual presence in the forest called Sator. Adam and his brother, Pete (Michael Daniel), learn of Sator through their grandmother, Nani (June Peterson), who claims that this spirit has been guiding her through life as a whisper in her ear. The presence eventually invades Adam's life, with the impending threat of violence lurking behind the cover of the forest.
"Jojo Rabbit" follows a lonely German boy Jojo (Roman Griffin Davis), whose world view is turned upside down when he discovers his mother Rosie (Scarlett Johansson) is hiding a Jewish girl Elsa (Thomasin McKenzie) in their attic. Aided by his wildly idiotic imaginary friend, Adolf Hitler (Taika Waititi), Jojo must confront his blind nationalism.
Ricky (Kris Hitchen) and his family have been fighting an uphill struggle against debt since the 2008 financial crash. An opportunity to wrestle back some independence appears with a shiny new van and the chance to run a franchise as a self employed delivery driver. It's hard work, and his wife's job as a carer is no easier. The family unit is strong but when both are pulled in different directions everything comes to breaking point.
On October 12th, 1978, Nancy Spungen was found stabbed to death in a bathroom at the Chelsea Hotel, New York. Her lover Sid Vicious, bassist for punk rock legends The Sex Pistols, was immediately arrested for her murder, and died of a drugs overdose whilst awaiting trial. Alex Cox's seminal film takes us on a darkly humorous, visually stunning journey that begins with Sid and Nancy's initial meeting during the rise of British Punk during the late seventies and follows their decline into nightmarish, drug induced squalor in New York City. Visceral, unflinching and ultimately tragic, this is the dark side of sex, drugs and rock'n'roll. Love kills.
With the imminent arrival of the Queen, Britannia Hospital couldn't be any less prepared. With striking workers only allowing patients near to death into the hospital, the kitchen staff refusing to prepare food until union leaders are bought off with promises of O.B.E.'s, and the head surgeon conducting, with public funds, expensive, deranged experiments, like inventing a modern Dr. Frankenstein - there is nothing short of anarchy! With Mick Travis (Malcolm McDowell) hot on their heels as the undercover investigative TV reporter catching all this bedlam on film, this energetic black comedy is a very bleak insight into the wrongs of modern Westernised culture.
Filmed in sumptuous black and white, and full of scenes of lush, strange beauty, it tells the story of Vittoria (Monica Vitti), a young woman who leaves her older lover (Francisco Rabal), then drifts into a relationship with a confident, ambitious young stockbroker (Alain Delon). But this base narrative is the starting point for much, much more, including an analysis of the city as a place of estrangement and alienation and an implicit critique of colonialism.
A satirical, subversive, surreal and irreverent story of rebellion, Vera Chytilova's classic film is arguably the most adventurous and anarchic Czech movie of the 1960's. Two young women, both named Marie, revolt against a degenerate and decayed society by attacking symbols of wealth and bourgeois culture in hilarious and mind-warpingly innovative ways. Defiant feminist statement? Nihilistic, avant-garde comedy? Refreshingly uncompromising, Daisies is a riotous, punk-rock poem of a film that remains a cinematic enigma and continues to provoke, stimulate and entertain audiences and influence filmmakers even today.
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