San Francisco detective Nick Curran (Michael Douglas) is investigating the murder of a once-celebrated rock star and he's made a few unsettling discoveries: a bloody ice pick, a white silk scarf tied to a bedpost and evidence of an otherwise romantic evening. As Nick digs into the case, lie becomes entangled in a deadly affair involving three intriguing women, each with an unexpected motive for the crime. Catherine Tramell (Sharon Stone) is a fast-living novelist whose fictional murders have a strange way of coming true. Roxy (Leilani Sarelle) is Catherine's street-wise, provocative girlfriend. Dr. Beth Garner (Jeanne Tripplehorn) is a police psychologist counselling Nick...
When a good cop (Peter Weller) gets blown away by some ruthless criminals, innovative scientists and doctors are able to piece him back together as an unstoppable crime-fighting cyborg called "RoboCop". Impervious to bullets and bombs, and equipped with high-tech weaponry, RoboCop quickly makes a name for himself by cleaning up the crime-ridden streets of violence-ravaged Detroit. But despite his new hardened exterior, RoboCop is tormented by scraps of memories of his former life, and relives vivid nightmares of his own death at the hands of the vicious killers. Now he is out to seek more than justice...he wants revenge!
When a plane carrying a secret biological weapon crash-lands in the vicinity of a small, rural town, the area descends into chaos. Infected with a virus that sends them into a homicidal frenzy, the locals turn on each other in an orgy of bloody violence. As the army cordons off the town and government agents clash with scientists over the appropriate course of action, a small band of survivors attempt to make their way to safety.
A troubled young man, who believes himself to be a vampire, goes to live with his elderly and religious cousin in a small Pennsylvania town where he tries to redeem his bloodcraving urges after he falls for a lonely housewife, all the while his hostile cousin becomes convinced that the young man is actually Nosferatu.
At the centre of the terror is Carrie (Sissy Spacek), a tortured high-school misfit with no confidence, no friends... and no idea about the extent of her 'secret powers' of telekinesis. But when her psychotic mother and sadistic classmates finally go too far. the once-shy teen becomes an unrestrained, vengeance-seeking powerhouse who, with the help of her 'special gift', causes all hell to break loose in a famed cinematic frenzy of blood, fire and brimstone that will take you to the very depths of horror - and beyond!
The Twilight Zone's timeless episodes featured stories of the bizarre and unexplained, blended with humor and often with unexpected twists to the tale. Created by legendary Rod Serling, its eclectic mix of fantasy and sci-fi has helped to define it as one of televisions most original and celebrated series.
Alan Moore writer, artist and performer, is the world's most critically acclaimed and widely admired creator of comic books and graphic novels. In The Mindscape of Alan Moore we see a portrait of the artist as contemporary shaman, someone with the power to transform consciousness by means of manipulating language, symbols and images. The film leads the audience through Moore's world with the writer himself as guide, beginning with his childhood background, following the evolution of his career as he transformed the comics medium, through to his immersion in a magical worldview where science, spirituality and society are part of the same universe.
When Marcus (Vincent Cassel) and his girlfriend Alex (Monica Bellucci) decide to go to a party with their friend Pierre (Albert Dupontel), they are totally unaware that their world is about to be torn apart in the most unimaginably brutal way possible. Plunged headlong into a nightmarish world of darkness, where an act of extreme sexual and physical violence will serve as the spark for yet more violence, Marcus and Pierre soon discover what they themselves are capable of.
Originally released in 1902, this legendary 16-minute film is widely considered to be one of the most important works in film history. Created just six years after the invention of cinema this is where narrative cinema truly began. George Melies' masterpiece features six members of the Astronomers' Club, fired into space by a giant cannon, on a strange and wonderful journey to the moon to meet its inhabitants. The colour version of A Trip to the Moon, hand-painted frame by frame, was considered lost for many years, until a print, in a desperate condition, was found in Spain in 1993. It is this version which has been meticulously restored by Lobster Films, the Groupama Gan Foundation for Cinema and the Technicolor Foundation for Cinema Heritage - one of the most sophisticated and expensive restorations in the history of cinema. The luminous resulting film is accompanied by a new original soundtrack by French duo AIR. Accompanying the film is an hour long documentary, The Extraordinary Voyage, detailing the restoration process and featuring words from esteemed directors such as Michel Gondry, Jean-Pierre Jeunet, Costa-Gavras and Michel Hazanavicius.
Professor Jekyll (Ralph Bates), an earnest scientist, obsessively works day and night haunted by the fear that one lifetime will not be enough to complete his research; sidetracked from his objective he becomes consumed with developing an immortality serum. Once convinced his findings are complete, he consumes the potion only to discover that he is to become two as he turns into half Jekyll and half Hyde. Desperate to cover up his new found identity he calls her his sister, but things take a turn for the worse when he realises that he needs female hormones if he is to maintain this existence. Before long he is battling with his alter ego Mrs. Hyde, as a number of young girls begin to go missing in the streets of London...
This trio of classic 1930's horror films - 'Murders in the Rue Morgue', 'The Black Cat', and 'The Raven' is also distinguished by a trio of factors regarding their production. Most notably, each film is based on a work by master of the macabre Edgar Allan Poe. Part of the legendary wave of horror films made by Universal Pictures in the 30's, all three feature dynamic performances from Dracula's Bela Lugosi, with two of them also enlivened by the appearance of Frankenstein's Boris Karloff. And finally, all three benefit from being rare examples of Pre-Code studio horror, their sometimes-startling depictions of sadism and shock a result of being crafted during that brief period in Hollywood before the enforcement of the Motion Picture Production Code's rigid guidelines for moral content. Director Robert Florey, who gave the Marx Brothers their cinema start with 'The Cocoanuts' in 1929, worked with Metropolis cinematographer Karl Freund to give a German Expressionism look to 'Murders in the Rue Morgue' (1932), with Lugosi as a mad scientist running a twisted carnival sideshow in 19th-century Paris, and murdering women to find a mate for his talking ape main attraction. Lugosi and Karloff teamed forces for the first time in 'The Black Cat', a nightmarish psychodrama that became Universal's biggest hit of 1934, with Detour director Edgar G. Ulmer bringing a feverish flair to the tale of a satanic, necrophiliac architect (Karloff) locked in battle with an old friend (Lugosi) in search of his family. Prolific B-movie director Lew Landers made 1935's 'The Raven' so grotesque that all American horror films were banned in the U.K. for two years in its wake. Specifically referencing Poe within its story, Lugosi is a plastic surgeon obsessed with the writer, who tortures fleeing murderer Karloff through monstrous medical means. Significant and still unsettling early works of American studio horror filmmaking, these three Pre-Code chillers demonstrate the enduring power of Poe's work, and the equally continuous appeal of classic Universal horror's two most iconic stars.
When an unidentified alien destroys three powerful Klingon cruisers, Captain James T. Kirk (William Shatner) returns to the newly transformed U.S.S. Enterprise to take command. Leonard Nimoy, DeForest Kelley and the cast from the acclaimed original Star Trek television series mobilise at warp speed to stop the alien intruder from its relentless flight toward Earth.
Mitsuko (Reina Triendl) is the sole survivor of a bizarre paranormal incident that kills all of her classmates. Running for her life, Mitsuko seemingly slips into an alternate reality, but death and chaos seems to follow her everywhere. As Mitsuko finds herself in increasingly surreal and violent situations, the true horror behind her nightmare is revealed.
Shamoto runs a small tropical fish shop. His second wife, Taeko, does not get along with his daughter, Mitsuko, and this worries him. One day Mitsuko is caught shoplifting at a grocery store. There they meet a friendly man named Murata, who helps to settle things between Mitsuko and the store manager. Since Murata also runs a tropical fish shop, Shamoto establishes a bond with him and they become friends; Mitsuko even begins working for Murata and living at his house. What Shamoto doesn't know, however, is that Murata hides many dark secrets behind his friendly face. He sells cheap fish to his customers for high prices with his artful lies. If anyone detects his fraud or refuses to go along with his moneymaking schemes, they're murdered and their bodies disposed of by Murata and his wife in grisly ways. Shamoto is taken in by Murata's tactics, and by the time he realizes that Murata is insane, and a serial killer who has made over fifty people disappear, he is powerless to do anything about it. But now Mitsuko is a hostage at Murata's home and Shamoto himself has become the killer's unwilling accomplice. Cruel murders gradually cripple his mind and finally the ordinary man is driven to the edge of the abyss.
By 1986, many fear-fans were probably under the impression that the slasher genre had run out of surprises. However, 'Mountaintop Motel Massacre' indicates that nothing could be further from the truth. Unlike so many of its contemporaries, this positively sleazy, and sanguine-stained, sickie features an older antagonist in the seriously psychotic Evelyn (Anna Chappell) - an elderly and absolutely insane off-road hotel owner that might well give Norman Bates some sleepless nights. When Evelyn is not taking a sickle to the faces of those stupid enough to rent a room at her one-star establishment, she is planting poisonous snakes under their beds or hiding in an underground bunker that gives her plenty of time to plan her next bout of shockingly brutal slaughter.
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