Chihiro, a headstrong 10-year-old girl, is unhappy that her family are moving house and that she will have to make new friends. As they make their way to the new home, Chihiro's father takes a detour to explore a mysterious tunnel in the woods. On the other side is what seems to be a deserted theme park but is in fact a ghostly town. Unwittingly, they have strayed into the Land of the Spirits, a world of dreamlike scenery inhabited by ancient gods and magical beings, ruled over by the sorceress, Yubaba. With her parents held captive and Yubaba set on enslaving them forever, Chihiro must use all her energy to survive in this strange new place. With the help of Haku, a brave young spirit, she is forced to overcome her Pears and join an epic battle for her family's freedom.
Professional frame maker Jonathan (Bruno Ganz) has been diagnosed with a terminal blood disease. A chance encounter with the enigmatic Tom Ripley (Dennis Hopper) offers him a way to ensure a stable future for his family. But as Jonathan embarks on his new and dangerous role, Tom questions his motives for involving his new friend.
Pierre (Pierre Arditi) and Marcel (Andre Dussollier) are both celebrated concert violinists and lifelong friends, in spite of their differing temperaments. Pierre is modest, sensitive and content with his lot; Marcel is hungry, driven, and pursues a solo career that takes him to the four corners of the world. After years apart, the two friends reunite when Pierre invites Marcel to his home for dinner. It is then that Marcel first meets Pierre's wife Romaine (Sabine Azema), sparking a passionate affair that can only end in tragedy before the curtain falls.
"Come and See" is one of the greatest war films ever made and one of the finest achievements of Soviet cinema. A devastating account of the Nazi occupation of Belarussia during World War II, it tells the story of a young boy's abrupt loss of innocence when he joins the Soviet resistance and is thrust headlong into the brutal horrors of combat. Featuring terrifyingly authentic battle scenes and poetic, almost surreal imagery, director Elem Klimov has fashioned a vivid and unforgettably powerful portrait of the terrible atrocities committed by men in the name of war.
Nishi has always loved Myon since they were little. And now as adults, he wants to pursue his dream of becoming a manga artist and marrying his childhood sweetheart. There's one problem, though. She's already been proposed to and thinks Nishi is too much of a wimp. But upon meeting the fiancé while at her family's diner and accepting him as a good guy, they encounter a couple of yakuza, only to have Nishi grasp a certain revelation. And, with his newly acquired look on life, adventures abound as he, Myon, and her sister, Yan, escape the yakuza into a most unlikely location where they meet an old man...
Failed comedian Arthur Fleck (Joaquin Phoenix) encounters violent thugs while wandering the streets of Gotham City dressed as a clown. Disregarded by society Fleck begins a slow descent into madness as he transforms into the criminal mastermind known as Joker in director Todd Phillips' thrilling origin story.
Jiro (voiced by Joseph Gordon-Levitt) dreams of flying and designing beautiful airplanes, inspired by the famous Italian aeronautical designer Caproni (voiced by Stanley Tucci). Nearsighted from a young age and thus unable to become a pilot, Jiro joins a major Japanese engineering company in 1927 and becomes one of the world's most innovative and accomplished airplane designers. The film chronicles much of his life, depicting key historical events including The Great Kanto earthquake of 1923, the Great Depression, the tuberculosis epidemic, and Japan's plunge into war. Jiro meets and falls in love with Nahoko (voiced by Emily Blunt) and grows and cherishes his friendship with his colleague Honjo (voiced by John Krasinski).
Jerry (William H. Macy), a small-town Minnesota car salesman is bursting at the seams with debt... but he's got a plan. He's going to hire two thugs (Steve Buscemi and Peter Stormare) to kidnap his wife in a scheme to collect a hefty ransom from his wealthy father-in-law. It's going to be a snap and nobody's going to get hurt... until people start dying. Enter Police Chief Marge (Frances McDormand), a coffee-drinking, parka-wearing - and extremely pregnant -investigator who'll stop at nothing to get her man. And if you think her small-time investigative skills will give the crooks a run for their ransom... you betcha!
Widely regarded as Tarkovsky's finest film, 'Andrei Rublev' charts the life of the great icon painter through a turbulent period of 15th Century Russian history, a period marked by endless fighting between rival Princes and Tatar invastions. Made on an epic scale, it does not flinch from portraying the savagery of the time, from which, almost inexplicably, the serenity of Rublev's art arose. The great set-pieces - the sack of Vladimir, the casting of the bell, the pagan ceremonies of St. John's night and the Russian crucifixion are tours-de-force of visceral film-making.
Out of nowhere, a gaunt man in a dark suit and a red baseball cap appears tn the burning heat of the desert between the US and Mexico. Travis (Harry Dean Stanton). He drinks the last sip from his water bottle, then he moves on, doggedly, into the inhospitable area that the locals call "The Devil's Playground". Travis might seem to be mute and amnesiac, but he's driven by the desire to reconnect with his family.
Two childhood best friends are asked to share a kiss for the purposes of a student short film. Soon, a lingering doubt sets in, confronting both of them with their preferences, threatening the brotherhood of their social circle and eventually, changing their lives.
A wry and comic look at the shifting of power in sexual relationships, Francois Ozon's film is adapted from a play written but never staged by the celebrated German filmmaker Rainer Werner Fassbinder. When the smooth-talking Leopold (Bernard Giraudeau), a successful businessman of 50, seduces 20-year-old Franz, the youngster falls under his spell and moves in with him. But Leopold soon reveals his true colours and Franz contemplates returning to her girlfriend (Ludivine Sagnier) - until Leopold seduces her too. The arrival of Leopold's former lover Vera, a male to female transsexual, only complicates matters further.
Federlco Fellini's epic 1980 fantasia introduced the start of the Maestro's delirious late period. A surrealist tour-de-force filmed on soundstages and locations alike, and overflowing with the same sensory (and sensual) invention heretofore found only in the classic movie-musicals (and Fellini's own oeuvre), La citta delle donne (City of Women) taps into the era's restless youth-culture, coalescing into nothing less than Fellini's post-punk opus. Marcello Mastroianni appears as Fellini's alter ego in a semi-reprise of his character from 8 1/2, Snaporaz. As though passing into a dream, the charismatic avatar finds himself initiated into a phantasmagoric world where women - or an idea of women - have taken power, and which is structured like an array of psychosexual set-pieces - culminating in a bravura hot-air balloon that decisively sticks the "anti" up into "climax". A great adventure "through the looking-glass", as it were, of Fellini's own phallic lens and life-long libidinal ruminations, La citta delle donne sharply divided critics at the 1980 Festival de Cannes, some of whom had merely anticipated a nostalgic retread of the earlier Mastroianni works. What they were greeted with, and what remains today, is, in the words of Serge Daney, "a victory of cinema".
Gillo Pontecorvo's multi-award winning picture 'The Battle of Algiers' has perhaps never been as pertinent as it is now. Set from 1954 to 1962, the movie uses documentary-style black and white photography to recreate real events. Algerian liberation fighters use terrorist techniques against the French colonial occupiers; the French retaliate with brutal military force. Brilliantly directed set-pieces and remarkable crowd scenes make the film a masterpiece; the ominous familiarity of its subject makes it a must-see" - The Times How to win battle against terrorism and lose the war of ideas. Children shoot soldiers at point blank range. Women plant bombs in Cafes. Sounds familiar? The French have a plan. It succeeds tactically, but fails strategically. To understand why, come to a rare showing of this film.'' - Pentagon tlyer for their in-house screening of Battle Of Algiers All the armies of the world - including the Pentagon - will never, but never, be able to conquer a country which wants to control its own destiny" - Saadi Yacef
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