In 1889, Italian immigrant Francesca Cabrini (Cristiana Dell'Anna) arrives in New York City, greeted only by disease, crime, and impoverished children. Witnessing the vast inequality of the city, Cabrini sets off on a daring mission to help society's most vulnerable, but must first overcome the prejudices and indifference of those in power. However, despite these momentous setbacks, her broken English, and poor health, she remains determined to use her entrepreneurial mind to build an empire of hope unlike anything that the world has ever seen.
The stunning debut from Scottish writer-director Charlotte Wells, 'Aftersun' juxtaposes a hopeful coming-of-age story with a poignant, intimate family portrait that leaves an indelible impression. At a fading vacation resort in the late 1990's, 11-year-old Sophie (Frankie Corio) treasures rare time together with her loving and idealistic father, Calum (Paul Mescal). As a world of adolescence creeps into view, beyond her eye Calum struggles under the weight of life outside of fatherhood. Twenty years later, Sophie's tender recollections of their last holiday become a powerful and heartrending portrait of their relationship, as she tries to reconcile the father, she knew with the man she didn't, in Charlotte Wells' superb and searingly emotional debut film.
Made in 1954, 'Godzilla' was Japan's first foray into big budget sci fi - costing ten times the budget of the average Japanese feature and twice as much as Seven Samurai - released the same year. The film created a monster that would enter the lexicon of popular culture, spawn fifty years of sequels and inspire a new genre: the kaiju eiga or Japanese monster movie. Directed by Ishiro Honda, a friend and collaborator of Akira Kurosawa, and starring Takashi Shimura as the revered paleontologist who uncovers the horrible secret at the heart of the monster (Godzilla is a long dormant Jurassic beast awoken by the atom bomb), the original Godzilla is a fierce indictment of the atomic age. Sold to an American distributor, the film was cut, dubbed into English, re-titled Godzilla: King of the Monsters! and new scenes were added starring Raymond Burr as an American reporter observing the monsters rampage from the sidelines. All trace of the anti-nuclear message was excised in the American version. Now regarded as one of the great classics of cinema and still rated amongst the top twenty Japanese movies of all time, the original Godzilla is perhaps the definitive monster movie - both a bold metaphor for the atomic age and a thrilling tour de force of pioneering special effects.
What if you spent your whole life wishing for something you didn't know you already had? Halllie Parker (Lindsay Lohan) and Annie James (also Lindsay Lohan) are about to find out. Hallie is a cool girl from California. Annie is a fair rose from London. When the two accidentally meet at a summer camp, they think they have nothing in common except they're identical twins (Lindsay Lohan). Now they're up to their freckles in schemes and dreams to switch places, get their parents (Dennis Quaid and Natasha Richardson) back together and have the family they've wished for!
Nora (Maya Vanderbeque), an anxious 7-year-old, must return to school despite her distress and longing to stay with her dad. Despite Nora's age, she soon becomes responsible for her older brother, Abel (Günter Duret), who is being tormented by the other kids. This puts Nora in a quandary - should she tell the adults or remain silent out of solidarity with her brother? Once Nora discovers Abel soaking wet, she feels compelled to take action, but just makes things worse. The authorities at school generally turn a blind eye, and her father remains powerless, kept at a distance from the confines of the school. An eventual confrontation between Nora and Abel leads to a startling climax.
A powerful film about a ruthless journalist and an unscrupulous press agent who'll do anything to achieve success, this fascinating, compelling story crackles with taut direction and whiplash dialogue. Bristling with vivid performances by Curtis and Lancaster, this gutsy expose of big-city corruption is a timeless classic that cuts deep and sends a chilling message. It's late at night in the steamy, neon-lit streets of New York's Times Square, and everything's buzzing with nervous energy. But press agent Sidney Falco (Tony Curtis) is oblivious to the whirlwind of street vendors, call girls and con men bustling around him as he nervously waits for the early edition of The Globe. Whose career did gossip columnist J.J. Hunsecker (Burt Lancaster) launch today… and whose did he destroy?
"Last Holiday" is a 1950 black comedy starring Alec Guinness in fine form as mild-mannered salesman George Bird. Told by his doctor that he has a very short time to live, George is determined not to waste his final days, deciding to go on the holiday of a lifetime to live the rest of his life to the full.
Set in Britain in 1745, two young brothers, Henry (Anthony Steel) and James Durie (Errol Flynn), become caught up in several adventures as they feud over which one of them will be the first to join Prince Charles and the Jacobite Rebellion.
Peerless cook Eugenie (Juliette Binoche) has worked for the famous gourmet Dodin (Benoît Magimel) for the last 20 years. Bonding over a passion for gastronomy and mutual admiration, their relationship develops into romance and gives rise to delicious dishes that impress even the world's most illustrious chefs. But Eugenie is fond of her freedom and has never wanted to marry Dodin. So, he decides to do something he has never done before: cook for her. 'The Taste of Things' is a delectable feast for the senses and a stunningly beautiful romance that simmers with emotion.
Fallen Leaves is a timeless, hopeful and ultimately satisfying love story about two lonely souls' path to happiness - and the numerous hurdles they encounter along the way. Set in contemporary Helsinki, and shot through with Kaurismaki's typically playful, idiosyncratic style and deadpan humor, this tender romantic tragicomedy is a timely reminder of the potency of movie-going from one of cinema's living legends.
Melsa Manton (Barbara Stanwyck) is a wealthy Manhattan debutante who is notorious for headline grabbing pranks. One night, Melsa notices a man running out of a supposedly deserted house and goes to investigate. She discovers a body, but when the police eventually arrive the body has disappeared and Lieutenant Brent (Sam Levene) accuses Melsa of playing one of her jokes. High-flying newspaper reporter, Peter Ames (Henry Fonda), picks up the story and prints an article ridiculing the 'Park Avenue Pranksters'. But Melissa knows there is a killer on the loose and drags Ames all over Manhattan to find him...
"One Life" tells the true story of Sir Nicholas 'Nicky' Winton (Anthony Hopkins), a young London broker who, in the months leading up to World War II, rescued 669 predominantly Jewish children from the Nazis. Nicky visited Prague in December 1938 and found families who had fled the rise of the Nazis in Germany and Austria, living in desperate conditions with little or no shelter and food, and under threat of Nazi invasion. He immediately realised it was a race against time. How many children could he and the team rescue before the borders closed? Fifty years later, it's 1988 and Nicky lives haunted by the fate of the children he wasn't able to bring to safety in England; always blaming himself for not doing more. It's not until a live BBC television show, 'That's Life', surprises him by introducing him to some surviving children - now adults - that he finally begins to come to terms with the guilt and grief he had carried for five decades.
While Constance (Lana Turner) and the other parents in a picture-perfect New Hampshire town strive to keep their teenagers on the straight and narrow, scandals take place around them. A drunken school caretaker traumatises his stepdaughter, which prompts a murder, a trial and the revelation that nothing is as it seems in this beautifully photographed, spell-binding drama filled with top-notch performances.
When Oscar Diggs (James Franco), a small-time circus magician with dubious ethics, is hurled away from dusty Kansas to the vibrant Land of Oz, he thinks he's hit the jackpot-fame and fortune are his for the taking-that is until he meets three witches, Theodora (Mila Kunis), Evanora (Rachel Weisz) and Glinda (Michelle Williams), who are not convinced he is the great wizard everyone's been expecting. Reluctantly drawn into the epic problems facing the Land of Oz and its inhabitants, Oscar must find out who is good and who is evil before it is too late. Putting his magical arts to use through illusion, ingenuity-and even a bit of wizardry-Oscar transforms himself not only into the great wizard but into a better man as well. When small-time magician Oscar Diggs (James Franco) pulls one flimflam too many, he finds himself hurled into the fantastical Land of Oz where he must somehow transform himself into the great wizard-and just maybe into a better man as well.
Trevor Nunn directs Richard Johnson and Oscar-nominee Janet Suzman in this landmark production of Shakespeare's tragedy of power and passion in Ancient Egypt. First broadcast in 1974 and based on Nunn's celebrated staging with the Royal Shakespeare Company, its intensity and originality raised the bar for small-screen adaptations of Shakespeare's plays. Emphasising the futility of the protagonists' unworldly love against the coldly calculating might of Octavian, adopted son of Julius Caesar, this intimately staged production earned a BAFTA award for director Jon Scoffield, with Janet Suzman receiving a BAFTA nomination for her mesmerising portrayal of the doomed Egyptian queen. 'Antony and Cleopatra' also features early appearances by Ben Kingsley, Tim Pigott-Smith and Patrick Stewart - who won universal praise in the role of Antony's loyal, agonised confidante, Enobarbus.
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