graham-willis's - Rented List

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Something very strange is happening in the quiet coastal village of Potters Bluff where tourists and transients are warmly welcomed, then brutally murdered! Even more shocking is when these slain strangers suddenly reappear as normal friendly citizens around town...

Now the local sheriff and an eccentric mortician must uncover the horrific secret of a community where some terrifying traditions are alive and well: no one is ever truly dead and buried!

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Steve Martin makes his film-starring debut in this wild and crazy comedy hit The Jerk. Steve portrays Navin Johnson, adopted son of a poor black sharecropper family, whose crazy inventions lead him from rags to riches and right back to rags.

Along the way, he's smitten with a lady motorcycle racer, survives a series of screwball attacks by a deranged killer, becomes a millionaire by inventing the "Opti-grab" handle for eyeglasses - and shows why he's on of the hottest comic performers in the world.

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Experienced manservant Barrett (Dirk Dirk Bogarde) starts working for foppish aristocrat Tony (James Fox) in his smart new townhouse. Much to the chagrin of Tony's girlfriend (Wendy Craig), Barrett slowly insinuates himself in the house and manipulates his master by slyly rearranging the decor.

The arrival of Barrett's alluring and sexually permissive 'sister' (Sarah Miles) fatally severs the class barriers and the boundaries between master and servant, as Tony succumbs to the will of his stronger adversary.

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Allison (Florence Pugh) and Nathan (Chinaza Uche) are engaged when Allison is responsible for a car accident that takes the life of Nathan's sister and her husband.

Devastated, she struggles with addiction in the aftermath of the accident until a chance meeting with her would-be father-in-law Daniel (Morgan Freeman) changes the course of her recovery. He is also having a difficult time raising his teenage granddaughter Ryan (Celeste O'Connor) and as they bond, they find solace in each other.

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It's said that it takes a village to raise a child but 12-year-old Georgie (Lola Campbell) has other ideas. Living alone since her beloved mum died, Georgie fills the flat they shared with her own special magic.

But when her absent father Jason (Harris Dickinson) turns up out of the blue, she's forced to confront reality. A dreamy, witty and unmissable tale of family and fresh starts, "Scrapper" is a film that believes life's not so much about chasing rainbows but snatching fistfuls in both hands.

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People from all walks of life have been invited to a special screening in an isolated movie theatre, several of the attendance are disgusted by the picture, a brutal stalk and slash flick that centres around demonic possession and graphic murder.

Meanwhile a young girl who cut her face on a display mask in the foyer begins to undergo a hideous transformation. She contaminates her companion and panic spreads around the cinema. In terror everyone rushes for the exits only to discover that they have been walled in. As the evil spreads, events escalate into an orgy of bloodshed and madness, climaxing in a crescendo of violence.

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Nora (Greta Lee) and Hae Sung (Teo Yoo), two deeply connected childhood friends, are wrest apart after Nora's family emigrates from South Korea.

Two decades later, they are reunited in New York for one fateful week as they confront notions of destiny, love, and the choices that make a life, in this heartrending modern romance.

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Out of nowhere, a gaunt man in a dark suit and a red baseball cap appears tn the burning heat of the desert between the US and Mexico. Travis (Harry Dean Stanton).

He drinks the last sip from his water bottle, then he moves on, doggedly, into the inhospitable area that the locals call "The Devil's Playground". Travis might seem to be mute and amnesiac, but he's driven by the desire to reconnect with his family.

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Eight-year-old Peter (Woody Norman) is plagued by a mysterious, constant tap, tap from inside his bedroom wall - a tapping that his parents insist is all in his imagination.

As Peter's fear intensifies, he believes that his parents (Lizzy Caplan and Antony Starr) could be hiding a terrible, dangerous secret and questions their trust. And for a child, what could be more frightening than that?

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During the last desperate days of WWII, a solitary prospector (Jorma Tommila) crosses paths with Nazis on a scorched-earth retreat in northern Finland. When the Nazis steal his gold, they quickly discover that they have just tangled with no ordinary miner.

While there is no direct translation for the Finnish word "sisu", this legendary ex-commando will embody what sisu means: a white-knuckled form of courage and unimaginable determination in the face of overwhelming odds. And no matter what the Nazis throw at him, the one-man death squad will go to outrageous lengths to get his gold back – even if it means killing every last Nazi in his path.

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Julianne Moore gives an astonishing performance as Carol White, a typically bored, affluent Californian housewife whose carefully controlled domestic environment suddenly turns against her. Gradually she develops nosebleeds, vomiting and breathing problems before finally collapsing.

In desperation to remain 'safe' from her allergies she opts for the virtual isolation of a porcelain igloo in the Texan desert where the inhabitants drag around oxygen cylinders and therapists behave like preachers.

When a group of friends discover how to conjure spirits using an embalmed hand, they become hooked on the new thrill, until one of them goes too far and unleashes terrifying supernatural forces.

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Beautiful Jennifer O'Neill plays Virginia who has psychic powers which have traumatised her since childhood. She is now newly-married and rich but becomes plagued by waking visions of bloody deaths and meaningless images which torment her.

With the aid of her parapsychologist friend (Marc Porel) who carries a torch for her, they try to elucidate the meaning of these horrific unwanted visions only to discover that these are premonitions of deaths...

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From the best-selling novel comes a captivating mystery. 'Where the Crawdads Sing' tells the story of Kya (Daisy Edgar-Jones), an abandoned girl who raised herself to adulthood in the dangerous marshlands of North Carolina.

For years, rumors of the "Marsh Girl" haunted Barkley Cove, isolating the sharp and resilient Kya from her community. Drawn to two young men from town, Kya opens herself to a new and startling world; but when one of them is found dead, she is immediately cast by the community as the main suspect. As the case unfolds, the verdict as to what actually happened becomes increasingly unclear, threatening to reveal the many secrets that lay within the marsh.

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The year is 2018. There are no wars. There is no crime. There is only... the Game. In a world where ruthless corporations reign supreme, this vicious and barbaric "sport" is the only outlet for the pent-up anger and frustrations of the masses.

Tuned to their televisions, the people watch "Rollerball": a brutal mutation of football, motocross and hockey. Jonathan E. (James Caan) is the champion player - a man too talented for his own good. The Corporation has taken away the woman Jonathan loves (Maud Adams) but they can't take away his soul - even if the diabolical corporate head (John Houseman) tells him he'd better retire... or suffer the old-fashioned way.