It is Cord Jefferson's hilarious directorial debut, which confronts our culture's obsession with reducing people to outrageous stereotypes. Jeffrey Wright stars as Monk, a frustrated novelist who's fed up with the establishment profiting from "Black" entertainment that relies on tired and offensive tropes. To prove his point, Monk uses a pen name to write an outlandish "Black" book of his own, a book that propels him to the heart of hypocrisy and the madness he claims to disdain.
In this wild and incredible tale, young Bella Baxter (Emma Stone) is brought back to live by a brilliant and unorthodox scientist. Eager to learn and hungry for the worldliness she lacks, Bella runs off on an adventure that inspires in her a fantastical evolution leading to a fierce dedication to equality and liberation.
The Holdovers follows a curmudgeonly instructor (Paul Giamatti) at a New England prep school who is forced to remain on campus during Christmas break to babysit the handful of students with nowhere to go. Eventually he forms an unlikely bond with one of them — a damaged, brainy troublemaker (Dominic Sessa) — and with the school's head cook, who has just lost a son in Vietnam (Da'Vine Joy Randolph).
Holland (Alec Guinness) is a shy, retiring man who works as a bank transfer agent for the delivery of gold bullion. One day he befriends Pendlebury (Stanley Holloway), a maker of souvenirs. Holland remarks that, with Pendlebury's smelting equipment, one could forge the gold into harmless-looking toy Eiffel Towers and smuggle them into France. Soon after, they gain the services of professional criminals Lackery (Sidney James) and Shorty (Alfie Bass) and the four plot what they believe will be the perfect crime - which turns out to be anything but!
German-occupied Poland, summer of 1943. More than anything, Hedwig (Sandra Hüller), an indefatigable mother of five, wants to keep her well-organised life as is. After all, she has worked her fingers to the bone to create a fragrant slice of paradise to raise her children, and nothing will change that. If only her husband, the distinguished SS officer and Auschwitz commander Rudolf Hoess (Christian Friedel), weren't always burdened by his duties. But perfection is a fleeting illusion. As the oblivious life of the commandant's wife unravels in cloudless bliss, Rudolf finds himself swamped with work, saddled with testing a new ventilation design and overseeing the installation of a highly effective Topf and Sons multi-muffle, non-stop incineration oven system. Indeed, it's hard to imagine that just a hair's breadth away from the peaceful and idyllic Höss household, the unimaginable horrors of the Final Solution were unfolding in full swing. And as noisome fumes and muffled, blood-curdling noises blemish Hedwig's fragrant utopia, a question emerges. When evil becomes banal and apathy requires no effort, what separates man from beast?
Kim Ki Taek's (Song Kang Ho) family are all unemployed and living in a squalid basement. When his son, Ki Woo, gets a tutoring job at the lavish home of the Park family, the Kim family's luck changes. One by one they gradually infiltrate the wealthy Park's home, attempting to take over their affluent lifestyle, but as their deception unravels events begin to get increasingly out of hand in ways you simply cannot imagine.
Gregory Peck won an Oscar for his brilliant performance as the Southern lawyer who defends a black man accused of rape in this film version of the Pulitzer Prize winning novel. The setting is a dusty Southern town during the Depression. A white woman accuses a black man of rape. Though he is obviously innocent, the outcome of his trial is such a foregone conclusion that no lawyer will step forward to defend him - except Peck, the town's most distinguished citizen. His compassionate defense costs him many friendships but earns him the respect and admiration of his two motherless children.
"Schindler's List" tells the incredible true story of the enigmatic Oskar Schindler (Liam Neeson), who saved the lives of more than 1,100 Jews during the Holocaust and whose lessons of courage continue to inspire generations.
Underground (1995)Bila jednom jedna zemlja / Once Upon a Time There Was a Country
This extraordinarily dramatic black tragicomedy is an epic tale of love, friendship and betrayal set against the complex historical backdrop of the former Yugoslavia. The story follows two likeable crooks - Marko (Miki Manojlovic), a charmer who manipulates everyone within his reach, and the foolish but loveable Blacky (Lazar Ristovski) - and Natalija (Mirjana Jokovic), an actress of easy virtue with whom they are both in love. The three become embroiled in a world of conflict, self-delusion and deceit - but where there are also moments of tenderness and love - in this visionary allegory of Balkan vitality, energy, humour and the will to survive.
Directed by Jonathan Demme, Talking Heads concert film 'Stop Making Sense' film has been re-mixed and re-mastered allowing the brilliance of the music and visuals to take full advantage of state-of-the-art technology.
Tracklisting:
1. Psycho Killer
2. Heaven
3. Thank You for Sending Me An Angel
4. Found a Job
5. Slippery People
6. Burning Down the House
7. Life During Wartime
8. Making Flippy Floppy
9. Swamp
10. What a Day That Was
11. Nave Melody (This Must Be the Place)
12. Once In a Lifetime
13. Genius of Love
14. Girlfriend is Better
15. Take Me To the River
16. Cross-Eyed and Painless
Bonus Tracks:
17. Cities
18. Big Business / I Zimbra
1942: The Libyan war zone, North Africa. After a German invasion a British ambulance crew are forced to evacuate their base but become separated from the rest of their unit. Somehow they must make it to Alexandria, but how? Their only hope is a dilapidated ambulance named "Katy" and an irrational, alcoholic soldier known as Captain Anson. Facing landmines, Nazi troops, spies and the merciless, scorching, brutal environment of the desert, can Captain Anson face his demons and make the road to hell a journey to freedom?
Originally released in 1902, this legendary 16-minute film is widely considered to be one of the most important works in film history. Created just six years after the invention of cinema this is where narrative cinema truly began. George Melies' masterpiece features six members of the Astronomers' Club, fired into space by a giant cannon, on a strange and wonderful journey to the moon to meet its inhabitants. The colour version of A Trip to the Moon, hand-painted frame by frame, was considered lost for many years, until a print, in a desperate condition, was found in Spain in 1993. It is this version which has been meticulously restored by Lobster Films, the Groupama Gan Foundation for Cinema and the Technicolor Foundation for Cinema Heritage - one of the most sophisticated and expensive restorations in the history of cinema. The luminous resulting film is accompanied by a new original soundtrack by French duo AIR. Accompanying the film is an hour long documentary, The Extraordinary Voyage, detailing the restoration process and featuring words from esteemed directors such as Michel Gondry, Jean-Pierre Jeunet, Costa-Gavras and Michel Hazanavicius.
Zorg is a handyman working at in France, maintaining and looking after the bungalows. He lives a quiet and peaceful life, working diligently and writing in his spare time. One day Betty walks into his life, a young woman who is as beautiful as she is wild and unpredictable. After a dispute with Zorg's boss they leave and Betty manages to get a job at a restaurant. She persuades Zorg to try and get one of his books published but it is rejected which makes Betty fly into a rage. Suddenly Betty's wild manners starts to get out of control. Zorg sees the woman he loves slowly going insane. When their relationship turns to the worst, can his love prevail?
Yasujiro Ozu's elegiac final film, 'An Autumn Afternoon', charts the inevitable eclipse of older generations by irreverent youth. Revisiting the story of his earlier masterpiece Late Spring (1949), Ozu once again casts Chishu Ryu in the role of Hirayama, the concerned father to unmarried Michiko. Harangued on all sides to marry off Michiko, Hirayama reluctantly prepares to bid his old life farewell. A cast of tragi-comic characters weaves seamlessly through this gently satirical portrayal of life's inevitable, endless cycle.
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