griggs's - Japanuary 2025 Watchlist

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Filmed on the virtually deserved Setonaikai archipelago in south-west Japan. The Naked Island tells the story of a small family unit and their subsistence as the only inhabitants of an arid, sun-baked island.

Daily chores, captured as a series of cyclical events, result in a hypnotizing, moving, and beautiful film harkening back to the silent era.

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After a successful shoplifting spree, Osamu (Lily Franky) and his son rescue a little girl in the freezing cold and invite her home with them. Osamu's wife Nobuyo (Sakura Ando) reluctantly agrees to shelter her.

Although the family is poor, they live happily together until an unforeseen incident upsets the delicate balance they have created, revealing long-buried secrets...

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The story is told through the eyes of Yuichi, a teenage boy in love with pop music and pop stars. Particularly beholden to Yuichi is the ethereal star Lily Chou Chou, the subject of her own website where a loyal coterie of 'Lilyphiles' trade gossip, information, and speculation.

Yuichi takes increasing solace in her fictional world, gradually using it as a weapon with which to fight his crippling shyness and the harsh realities of the outside world.

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Inspired by an infamous true story that made headlines in Japan in 1988, this tough yet tender film from writer-director, Hirokazu Koreeda, follows the lives of four children left to fend for themselves by their wayward mother.

Having smuggled her family into a new apartment under the landlord's nose, Keiko (You) puts her 12 year old son Akira (Yûya Yagira) in charge of the youngsters and after a brief period of relative family harmony, disappears. Akira manages as best he can, but limited means and the cramped confines of the apartment force this unorthodox family unit to re-shape their narrow existence to suit their physical and emotional needs.

'Tokyo Twilight' is film focused on family disintegration; it is also darkest masterpiece. Two adult sisters return to the family home and discover their long missing mother living with another man, leading to a destructive path of despair and isolation.

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Ryota has earned everything he has by his hard work, and believes nothing can stop him from pursuing his perfect life as a winner. Then one day, he and his wife, Midori, get an unexpected phone call from the hospital.

Their 6-year-old son, Keita, is not 'their' son - the hospital gave them the wrong baby. Ryota is forced to make a life-changing decision, to choose between 'nature' and 'nurture'. Seeing Midori's devotion to Keita even after learning his origin, and communicating with the rough yet caring family that has raised his natural son for the last six years, Ryota also starts to question himself: has he really been a 'father' all these years...

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Regarded by many as the world's finest director, and renowned for his exact, formalist style, Yasujiro Ozu made his first film in 1927 and went on to direct 55 films before his death in 1963.

It was only during his final years, however, that his genius as a film-maker was recognised in the West alongside such contemporaries as Bunuel, Bergman and fellow countryman Kurosawa. Early Summer (1951) further explores Noriko's relationship with her family, and examines her role as a modern woman in a traditional society.

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In a magnificent performance. Tatsuya Nakadai stars as Hanshiro Tsugumo. a masterless down-and-out samurai who enters the manor of Lord lyi. requesting to commit ritual suicide on his property.

Suspected of simply fishing for charity, Hanshiro is told the gruesome tale of the last samurai who made the same request - but Hanshiro will not be moved...

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In this gently probing family drama, 40-year-old Ryota (Hiroshi Abe) arrives with his wife and stepson at the home of his elderly parents to commemorate his older brother, who drowned some years earlier.

Hirokazu Koreeda's most Ozu-influenced film is a subtle, moving account of family tensions that delves deep into the differing assumptions and value systems of its generations. This was the director's first film to feature veteran actress Kirin Kiki, who would become a regular collaborator.

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A Tokyo suburb buzzing with gossip is the backdrop to Ozu’s cheerful comedy, 'Good Morning' (1959). Disillusioned with the meaningless talk of their elders, two brothers take a vow of silence when their parents refuse to buy them a TV.

'Good Morning' pokes fun at the silliness of everyday chatter whilst gently acknowledging its fundamental necessity. Also included here is Ozu’s superb early comedy 'I Was Born, But...' (1932) The forerunner of 'Good Morning', this silent masterpiece contains many similar themes but has a darker edge. As brothers Ryoichi and Keiji struggle to outwit the local bully and scale the pecking order in their new neighbourhood they find out that injustice does not end with school.

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Framed within the classic Japanese conflict between giri (feudal loyalty) and ninjo (human feeling) Samurai Rebellion finds ultimate value in the mutual love of a husband and and wife... a rare enough moral resolution in any Japanese warrior film.

This is made even more unusual by the fact that the director Kobayashi was a Marxist critic of society, who might have regarded romantic love as a bourgeois luxury. Mifune played Isaburo Sasahara, a man who has spent his life of self abnegation in the service of his lord. A fine swordsman, his only equal is Tatewaki Asano, played by Nakadai. Unused to protesting against personal or social injustice, Sasahara is finally roused by his lord's seizure of his daughter in law. Not only is he brought into direct opposition with his own clan, but with his former friend, Asano.

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Chihiro, a headstrong 10-year-old girl, is unhappy that her family are moving house and that she will have to make new friends. As they make their way to the new home, Chihiro's father takes a detour to explore a mysterious tunnel in the woods.

On the other side is what seems to be a deserted theme park but is in fact a ghostly town. Unwittingly, they have strayed into the Land of the Spirits, a world of dreamlike scenery inhabited by ancient gods and magical beings, ruled over by the sorceress, Yubaba. With her parents held captive and Yubaba set on enslaving them forever, Chihiro must use all her energy to survive in this strange new place. With the help of Haku, a brave young spirit, she is forced to overcome her Pears and join an epic battle for her family's freedom.

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Kurosawa's transposition of Shakespeare's Macbeth to sixteenth century Japan is immensely successful in capturing the spirit of the original. A truly remarkable film combining beauty and terror to produce a mood of haunting power.

'Throne of Blood' also shows Kurosawa's familiar mastery of atmosphere, action and the savagery of war.

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Akira Kurosawa's acclaimed study of power, revenge and retribution is set against the magnificent backdrop of feudal warfare in sixteenth century Japan.

Transposing the events of Shakespeare's King Lear to the blood-thirsty 'Period of Warring States', 'Ran' tells the story of a bitter power struggle within the family of Warlord Hidetora Ichimonji (Tatsuya Nakadai). After fifty years of ruthless slaughter Hidetora divides his kingdom among his sons, seeking peaceful retirement. However, as his life descends into chaos, he is unable to escape the corruption within his family and the torment within his soul.

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The widowed Keiko (Hideko Takamine) manages a hostess bar in Tokyo's Ginza district. She remains faithful to the memory of her husband and supports her mother, brother and his son. The smiling mask she wears allows her to make a living, but the pressure to sell herself is unrelenting.

Her business is failing and she must decide whether to raise the money to buy her own bar or marry one of her admiring affluent patrons. A superb, heart-rending film.