A singular work in film history, Chantal Akerman's 'Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles' meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow (Delphine Seyrig) - whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman's film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or one of cinema's most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades
After he saves her from drowning in the bay, Scottie's (James Stewart) interest shifts from business to fascination with the icy, alluring blonde. When tragedy strikes and Madeleine (Kim Novak) dies, Scottie is devastated. But when he finds another woman remarkably like his lost love, the now obsessed detective must unravel the secrets of the past to find the key to his future.
Orson Welles makes his feature-length directorial debut with this classic drama which often tops critics' polls of the best films of all time. In 1940, newspaper tycoon Charles Foster Kane (Welles) dies after uttering the word 'Rosebud'. An anonymous reporter (William Alland) is assigned the task of uncovering the meaning of Kane's dying word, and in the course of his enquiries he receives varying accounts of his life from former colleagues Jedediah Leland (Joseph Cotten) and Bernstein (Everett Sloan), and ex-wife Susan Alexander (Dorothy Comingore). The film, which Welles also produced and co-wrote, was not-so-loosely based on the life of newspaper magnate William Randolph Hearst.
A constant fixture in critics' polls, Yasujiro Ozu's most enduring masterpiece, 'Tokyo Story', is a beautifully nuanced exploration of filial duty, expectation and regret. From the simple tale of an elderly husband and wife's visit to Tokyo to see their grown-up children, Ozu draws a compelling contrast between the measured dignity of age and the hurried insensitivity of a younger generation.
Hong Kong, 1962. Chow (Tony Leung) is a junior newspaper editor with an elusive wife. His new neighbour Li-zhen (Maggie Cheung) is a secretary whose husband seems to spend all his time on business trips. They become friends, making the lonely evenings more bearable. As their relationship develops they make a discovery that changes their lives forever...
"2001: A Space Odyssey" is a countdown to tomorrow, a road map to human destiny, a quest for the infinite. It is a dazzling, Academy Award-winning visual achievement, a compelling drama of man vs. machine, a stunning meld of music and motion. It may be the masterwork of director Stanley Kubrick (who co-wrote the screenplay with Arthur C. Clarke) and it will likely excite, inspire and enthrall for generations. To begin his voyage into the future, Kubrick visits our prehistoric ape-ancestry past, then leaps millennia (via one of the most mind-blowing jump cuts ever conceived) into colonized space, and ultimately whisks astronaut Bowman (Keir Dullea) into uncharted realms of space, perhaps even into immortality.
Amid the azure waters and sunbaked desert landscapes of Djibouti, a French Foreign Legion sergeant (Denis Lavant) sows the seeds of his own ruin as his obsession with a striking young recruit (Gregoire Colin) plays out to the thunderous, operatic strains of Benjamin Britten.
Los Angeles, city of angels. Amnesiac and wounded, a mysterious femme fatale wanders on the sinuous road of Mulholland Drive. She finds a shelter at Betty's house (Naomi Watts). an aspiring actress just arrived from her hometown and in search of stardom in Hollywood. First of all intrigued by the stranger who calls herself Rita (Laura Elena Harring), Betty discovers that her handbag is dull of dollar bundles. The two women get to know each other better and decide to investigate in order to discover Rita's true identity....
Voted the greatest documentary of all time in the 2014 'Sight and Sound' poll, Vertov's groundbreaking 'Man with a Movie Camera' uses an array of dazzling cinematic techniques to record the people of the city at work and at play, and the machines that keep the city going. Presented with Michael Nyman's celebrated score, this classic film is accompanied by an exciting selection of new extras, including Vertov's 'Three Songs of Lenin' and two of his radical mid-1920s documentary films, both of which feature equally radical new soundtracks by electronic experimentalists Mordant Music.
Silent movies are giving way to talking pictures - and a hoofer-turned-matinee idol (Gene Kelly) is caught in that bumpy transition, as are his buddy (Donald O'Connor), prospective ladylove (Debbie Reynolds) and shrewish costar (Jean Hagen).
F. W. Murnau, Germany's finest director, was imported to Hollywood in July 1926. William Fox of the Fox Film Corporation promised and gave him complete artistic freedom. Fox told Murnau to take his time, spend whatever he had to, and make any film he wished to make. The film that resulted was Sunrise, made entirely without studio interference. Sunrise, a psychological thriller from the silent movie era, begins when the pleasant and peaceful life of a naive country Man (George O'Brien) is turned upside down when he falls for a cold-blooded yet seductive Woman from the City (Margaret Livingston). She persuades him to drown his virtuous Wife (Janet Gaynor) in order to be with her. This is one of the most moving stories ever told on screen - a tale of temptation, reconciliation, reconsecration, and redemption, told with a lyrical simplicity that gives it the timeless universality of a fable.
In late 1940's New York, Mafia 'Godfather' Vito Corleone (Marlon Brando) gathers his three sons around him for daughter Connie (Talia Shire)'s wedding; the hot-headed Sonny (James Caan), ineffectual Fredo (John Cazale) and war hero Michael (Al Pacino), who chooses to distance himself from the family 'business'. When Vito is shot and wounded for refusing to sanction a rival family's heroin sales on his territory, Sonny temporarily takes over and embarks on bloody gang warfare. This results in him being killed in an ambush, and Michael finds himself nominated to succeed the ailing Vito.
Denigrated by the public, vilified by the critics, re-cut at the insistence of its producers, and finally banned by the French government as 'demoralising' and unpatriotic, La Regle du jeu was a commercial disaster at the time of its original release. On the surface, a series of interlinked romantic intrigues taking place at a weekend shooting party in a country chateau, the film is in fact a study of the corruption and decay within French society on the eve of the outbreak of World War II.
Agnes Varda's classic 'Cleo from 5 to 7' from 1962 manages to successfully capture Paris at the height of the sixties in this intriguing tale expertly presented in real time about a singer (Corinne Marchand) whose life is in turmoil as she awaits a biopsy test result.
With 'The Searchers', John Wayne and director John Ford forged an indelible saga of the frontier and the men and women who challenged it. Wayne plays Ethan Edwards, an ex-Confederate who sets out to find his niece, captured by Comanches who massacred his family. He won't surrender to hunger, thirst, the elements or loneliness. And in his obsessive quest, Ethan finds something unexpected: his own humanity. One of the most influential movies ever made.
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