griggs's - Sight and Sound’s Greatest Films of All Time 2022 List

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"Tie Xi Qu" was filmed over the course of two years between 1999 and 2001 and details the slow decline of Shenyang's industrial Tiexi district, an area that was once a vibrant example of China's socialist economy.

With the rise of free market and the move towards other industries, however, the factories of Tiexi have all begun to be closed down, and with them, much of the district's worker-based infrastructure and social constructs.

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A proud woman in red draws leers and admiration. A bosomy tobacconist sparks the fantasies of adolescent boys. A mentally challenged uncle takes refuge in a tree and announces: "I want a woman!" They are among moments and events knit by memory...and a legendary filmmaker in peak form.

'Amarcord', which means "I Remember", is Federico Fellini's lusty, often funny look at growing-up perhaps not unlike his own. The setting is a village in 1930's Italy. Teen hormones are surging. Family, church and friendship are proving grounds of love and loyalty. Fascism's rise is just down the street. Sex is around any corner. And life viewed in the local cinema is a touchstone for life lived. The memories, big and small, endure.

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After a lavish dinner party in a stately mansion, the guests find themselves mysteriously unable to leave the room.

As the days pass the elaborate pretences and facades that they've built up by virtue of their position in society collapse completely as they become reduced to living like animals to survive.

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In a vast and opulent hotel, an unnamed man (Giorgio Albertazzi) attempts to persuade a similarly unnamed married woman (Delphine Seyrig) that they have not only met before, but they were also romantically involved and had planned to escape together.

The woman recalls no such encounter and so begins a sensual and philosophical examination into the uncertainty of truth.

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"Out 1" is a very precise picture of post May 1968 malaise - when Utopian dreams of a new society had crashed and burned, radical terrorism was starting to emerge in unlikely places and a great many other things.

Two marginals who don't know one another stumble into the remnants of a "secret society": Colin, a seemingly deaf-mute who all of a sudden begins to talk and Frederique, a con artist working the "short con" (stealing drinks and tricking men who think she's a hooker out of their money). Meanwhile, there are two theater groups rehearsing classic Greek dramas: "Seven Against Thebes" and "Prometheus Bound". A member of the Moretti group passes a note to Leaud about "The 13" which sends Leaud on a search for "The 13". His search brings him eventually to Bulle Ogier's shop in Les Halles "L'Angle du Hasard". Berto follows much the same path when she steals a cachet of letters from Jacques Doniol-Valcroze and tries to get money from their owners for their return...

Un Chien Andalou is Bunuel's first film and collaboration with Salvador Dali, a surreal exploration of desire and passion. L'Age D'or is another collaboration with Dali, a surrealist dissection of civilised values.

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In his one-of-a-kind fiction/documentary hybrid 'Symbiopsychotaxiplasm: Take One (1968), the pioneering William Greaves presides over a beleaguered film crew in New York's Central Park, leaving them to try to figure out what kind of movie they're making.

A couple enacts a breakup scenario over and over, a documentary crew films a crew filming the crew, locals wander casually into the frame: the project defies easy description. Yet this wildly innovative sixties counterculture landmark remains one of the most tightly focused and insightful movies ever made about making movies, expanded thirty-five years later by its unconventional follow-up, 'Symbiopsychotaxiplasm: Take 2 1/2 (2005). The "sequel" sees 'Take One' actors Audrey Henningham and Shannon Baker reunited in a more personal, metatheatrical exploration of the effects of the passage of time on technology, the artistic process, and relationships - real and fabricated.

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Thief Neil McCauley (Robert De Niro) and policeman Vincent Hanna (Al Pacino), both obsessed with their professions and determined to achieve big things, find themselves caught in a cat and mouse chase as McCauley sets plans in motion for one last heist before his retirement.

When Hanna gets assigned to the case of the notorious thief, he dedicates himself to making McCauley's arrest the pinnacle of his career.

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An alien entity inhabits the earthly form of a seductive young woman who combs the Scottish highways in search of the human prey it is here to plunder. It lures its isolated and forsaken male victims into an otherworldly dimension where they are stripped and consumed.

But life in all its complexity starts to change the alien. It begins to see itself as 'she', as human, with tragic and terrifying consequence. 'Under the Skin' is about seeing ourselves through alien eyes.

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Clint Eastwood returns as the invincible "Man With No Name", this time teaming with two gunslingers (Lee Van Cleef and Eli Wallach) to pursue a fortune in stolen gold.

But teamwork doesn't come naturally to such strong-willed outlaws, and they soon discover that their greatest challenge may be to stay focused - and stay alive - in a country ravaged by war.

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A French actress (Emmanuelle Riva) and a Japanese architect (Eiji Okada) engage in a brief, passionate affair in post war Hiroshima.

Their deeply intense connection brings out scarred but fading memories of love and suffering, which Resnais communicates with the use of flashback techniques innovative to the time.

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Set in Midwestern America, 'The Magnificent Ambersons' tells the tale of Isabel Amberson Minafer (Dolores Costello) and her son George (Tim Holt), an upper middle class family experiencing social decline at the turn of the century.

With the industrial and technological age taking full force, the chances within the family are self destructing. After the death of her husband Wilbur (Don Dillaway), Isabel is romantically linked with Eugene Morgan (Joseph Cotten) whom she knew from years previous to her marriage. George, unhappy with this courtship, proceeds to do everything in his power to destroy their relationship despite falling for Eugene's daughter Lucy (Anne Baxter). Disaster strikes for the Amberson family and events do not turn out as George expected...

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Bresson's classic film, adapted from a story by Tolstoy, tells of the tragic chain of events which ensue when two schoolboys pass a forged banknote in a photography shop. The note is transferred to the unwitting Yvon (Christian Patey), a delivery driver, who is arrested for possessing it.

Despite being cleared by the court, Yvon loses his job and becomes trapped in a disastrous spiral of theft, imprisonment and murder. Considered to be the last masterpiece of his

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Sister Clodagh (Deborah Kerr) leads a group of Anglican nuns to a remote Himalayan range of mountains, there to set up a mission in an abandoned harem.

This is her first position of authority and she finds both her physical and her spiritual limits being taxed as she has to maintain order and discipline in a claustrophobically hostile environment. Slowly but surely, however, the privations and hardship they must endure, the extremes of climate and the peculiar amorality of the local natives all combine to slowly corrupt the women's faith, pushing them further into jealousy, anger and madness...

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Philandering concert pianist Stefan arrives home to find a letter which begins 'by the time you read this I may be dead'. So unfolds the story of Lisa, one of many woman with whom he had shared a brief encounter over the years and swiftly forgotten.

Her life has been spent loving him unfalteringly and now he would learn the truth about his past.