The German invasion of England took place in July 1940 after the British retreat from Dunkirk. Strongly resisted at first, the German army took months to restore order, but the resistance movement, lacking outside support, was finally crushed. Then, in 1944, it reappeared. That is what happened when history was rewritten: Nazi Germany has won the Second World War and England is under occupation. Kevin Brownlow was only 18 when he and Andrew Mollo - just 16 - embarked on this ambitious neorealist-tinged drama, which took eight years to complete. The result is a chilling and timely reminder of what might have been had Nazism not been defeated.
Overworked true crime magazine editor George Stroud (Ray Milland) has been planning a vacation for months. However, when his boss, the tyrannical media tycoon Earl Janoth (Charles Laughton), insists he skips his hols, Stroud resigns in disgust before embarking on an impromptu drunken night out with his boss's mistress, Pauline York (Rita Johnson). When Janoth kills Pauline in a fit of rage, Stroud finds himself to have been the wrong man, in the wrong place, at the wrong time: his staff have been tasked with finding a suspect with an all too familiar description...Stroud's very own!
Salvador Mallo (Antonio Banderas) is a veteran film director, afflicted by multiple ailments, the worst of which is his inability to continue filming. His physical condition doesn't allow it and, if he can't film, his life has no meaning. His mixture of medications, along with the occasional flirtation with heroin, means that Salvador spends most of his days prostrate and forlorn. This drowsy state transports him back to reflect on his childhood in the 60's, when his family emigrated to Paterna, a village in Valencia, in search of prosperity, through to the appearance of his first desire and his first adult love in the Madrid of the 80's. In recovering his past, Salvador finds the urgent need to recount it, and in that need he may also find his salvation.
Up-and-coming executive Diane (Connie Nielsen) lets nothing stand in her way when it comes to landing the lucrative Tokyo Anime contract for the Volf Corporation, guaranteeing worldwide exclusive rights to the latest in cutting-edge hentai. Despised by her assistant (Chloe Sevigny) and engaged in a risky game of corporate espionage, her ruthless ambition meets its match in Elaine (Gina Gershon), the charismatic representative of an American Internet porn company called Demonlover. However, the company is only the front for an online portal to the Hellfire Club, which gives its users control over the next big thing in interactive extreme pornography: real women, tortured according to subscribers whims, in real time. Diane wants a piece of the action, and will stop at nothing to get it; but as she delves deeper into the twisted world of the Hellfire Club, reality slips away and the stakes of the game are raised to the point of no return.
Named after the apocryphal exclamation of Soviet security chief Lavrentiy Beria as he rushed to Stalin's deathbed, this blackly funny, deliriously immersive satire distils the anticipation and anxiety in the Moscow air as the Soviet despot lay dying. Late winter 1953. The lives of nearly half the planet are in Stalin's hands. A military surgeon, General Yuri Georgievich Klensky (Yuri Tsurilo), finds himself a target of the Doctors' Plot: the anti-Semitic conspiracy accusing Jewish doctors in Moscow of planning to assassinate the Soviet elite. Pursued, abused, and marked for the gulags, Yuri is chased and dragged through a Stalinist Soviet nightmare. His desperate, jolting journey encapsulates the madness of the era.
Eastwood stars as Earl Stone, a man in his 80's who is broke, alone and facing foreclosure of his business when he is offered a job that simply requires him to drive. Easy enough, but, unbeknownst to Earl, he's just signed on as a drug courier for a Mexican cartel. And even as his money problems become a thing of the past, Earl's past mistakes start to weigh heavily on him, and it's uncertain if he'll have time to right those wrongs before law enforcement or the cartel's enforcers catch up to him.
December 30th, 1999, is it the end of the world or the beginning of a new one. Lenny Nero (Ralph Feinnes) stalks the streets of Los Angeles, a street hustler, an ex-cop, a seller of stolen dreams. Lenny deals in "clips", digital recordings of real-life experiences packaged for a vicious thrill. He doesn't deal in "blackjacks" - recordings of death - but when a close associate is murdered by a ruthless killer, Lenny gets drawn into a sleazy and psychotic world of wealth, power and paranoia. Trying to protect his ex-love Faith (Juliette Lewis), Lenny is aided by the only two people he can trust, personal security expert Mace (Angela Bassett) and ex-cop and former colleague Max (Tom Sizemore), as he tries to stay alive to see the next millennium.
One of the most influential, radical science-fiction films ever made and a mind-bending free-form travelogue, 'La Jetee' and 'Sans Soleil' couldn't seem more different - but they're the twin pillars of an unparalleled and uncompromising career in cinema. Filmmaker, poet, novelist, photographer, editor, videographer, and digital multimedia artist, Chris Marker challenged moviegoers, philosophers, and himself for years with his investigations of time, memory, and the rapid advancement of life on this planet. These two films - a tale of time travel told in still images and a journey to Africa and Japan - remain his best-loved and most widely seen.
La Jetee (1962)
This unique film was the inspiration for Terry Gilliam's Twelve Monkeys. It is a cinematic landmark using black and white stills almost entirely to narrate the story. Set in Paris destroyed by a third world war, the survivors have been forced to retreat underground where scientists conduct strange time travel experiments to escape from a terrible present to a better past or future...
Sans Soleil (1983)
Director Chris Marker takes the viewer into a different dimension, weaving footage from Japan, Africa, Iceland, France and the USA to produce a study of 'the dreams of the human race'. He is particularly attracted to the two extremes of Japan and Africa, and discusses the images that he creates with the woman, ever mindful of the astonishing store of memory he has created.
Richard Wanley (Edward G. Robinson), a middle aged, world-weary, psychology professor, who finds himself suddenly captivated by a portrait of a beautiful young woman in the window of a local gallery. In a strange twist of fate the woman in the picture (a radiant Joan Bennett) appears before Richard and invites him back to her apartment. Everything seems to be going fine until Wanley is attacked by her possessive boyfriend and ends up murdering him in self-defence. Alice convinces Richard to cover up the crime, but as Richard's district attorney friend (Raymond Massey) investigates and the boyfriend's bodyguard (Dan Duryea) begins to apply pressure to Richard, the walls begin to close in...
Blood, gore, severed heads, but a tender love story at heart. Takashi Miike is back! One night in Tokyo. Leo (Masataka Kubota), a young boxer down on his luck, meets his 'first love' Monica (Sakurako Konishi), a callgirl and an addict, but still an innocent. Unwittingly caught up in a drug-smuggling scheme, Leo and Monica find themselves pursued through the night by a corrupt cop, a yakuza, his nemesis, and a female assassin hired by the Chinese Triads. Prepare for unadulterated mayhem and carnage and fall for 'First Love'.
A satirical, subversive, surreal and irreverent story of rebellion, Vera Chytilova's classic film is arguably the most adventurous and anarchic Czech movie of the 1960's. Two young women, both named Marie, revolt against a degenerate and decayed society by attacking symbols of wealth and bourgeois culture in hilarious and mind-warpingly innovative ways. Defiant feminist statement? Nihilistic, avant-garde comedy? Refreshingly uncompromising, Daisies is a riotous, punk-rock poem of a film that remains a cinematic enigma and continues to provoke, stimulate and entertain audiences and influence filmmakers even today.
Living in Bangkok, where he fights bare-knuckle in the local gyms, heroin addict Billy Moore (Joe Cole) is arrested and sent to Klong Prem jail for selling drugs. There, unable to speak the language, it's a matter of daily survival, as he is forced to live in unimaginable, unsanitary conditions, forever fearful of beatings from guards and other prisoners. It's only when Billy takes up Muay Thai boxing that he is able to see a way out of this hellish environment.
Internationally acclaimed filmmaker Bela Tarr's epic rendering of Laszlo Krasznahorkai's novel, about the decline of Communism in Eastern Europe, is a unique and visionary masterpiece that defies classification and transcends genre. Set in a struggling Hungarian agricultural collective, a group of lost souls reeling from the collapse of their Communist utopia face an uncertain future, until the arrival of a charismatic stranger in whom they believe lies their salvation. The collective's individual experiences and fates are gradually revealed in Tarr's immaculately composed, brilliantly photographed and bleakly comic tour-de-force, which confirmed his place as one of contemporary cinema's few genuine auteurs.
Soon after architect Mark Lamphere (Michael Redgrave) marries Celia (Joan Bennett), she gradually begins to suspect that he has a past life that he's been keeping from her. But she doesn't know the half of it, and when he leaves on a business trip, she starts to uncover the sinister secret of his purpose-designed house and its apparent surplus of rooms, the seventh of which is kept firmly locked. What lies beyond its door?
Nervous spinster Charlotte Vale (Bette Davis) is stunted from growing up under the heel of her puritanical Boston Brahmin mother (Gladys Cooper), and remains convinced of her own unworthiness until a kindly psychiatrist (Claude Rains) gives her the confidence to venture out into the world on a South American cruise. On board, she finds her footing with the help of an unhappily married man (Paul Henreid). Their thwarted love affair may help Charlotte break free of her mother's grip - but will she find fulfillment as well as independence?
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