Carfree artist Erik Vonk lives a life of excess. Existing according to his own rules, he pursues women with an almost predatory glee. But everything changes when he meets the beautiful and sexually voracious Olga. Caught in a whirlwind of intense erotic pleasure, the couple decide to marry. Soon, however, events take an unforeseen and tragic turn, and Erik is left facing the most difficult choice of his life.
When Kris Kelvin (Donatas Banionis) is sent on a mission to the Solaris Space Station, he is confronted with a skeleton crew who are psychologically unstable due to the presence of what they call "visitors". Kris soon begins to encounter his own visitor - his late wife. Taunting him with illusory compassion, Kris must choose whether to cling to reality or submit to the planet's gift of a lost love regained.
In a magnificent performance. Tatsuya Nakadai stars as Hanshiro Tsugumo. a masterless down-and-out samurai who enters the manor of Lord lyi. requesting to commit ritual suicide on his property. Suspected of simply fishing for charity, Hanshiro is told the gruesome tale of the last samurai who made the same request - but Hanshiro will not be moved...
As the Black Death continues to wipe out the population of Europe, knight Antonius Block (Max von Sydow) returns from the Crusades, disillusioned and worn. When suddenly Death (Bengt Ekerot) appears before him, he asks for the chance to live, proposing a game of chess to decide his fate. The knight takes his squire, a troupe of traveling players and a deaf and dumb girl under his protection as the game is played out. One by one Death exacts his toll, and it is up to Block to stall his opponent for as long as possible if he is to help save the lives of those he is trying to protect. All the while, the villages and towns about them fall further into ruin and religion takes a stranglehold on those desperate for a means of survival.
Holly Martins (Joseph Cotten) a naive writer of pulp westerns, arrives in Vienna to meet his old friend Harry Lime (Orson Welles) but finds that Lime has apparently been killed in a suspicious accident. Martins, too, curious for his own good, hears contradictory stories about the circumstances of Limes' death and as witnesses disappear he finds himself chased by unknown assailants. Complicating matters are the sardonic Major Calloway (Trevor Howard), head of the British forces, and Limes' stage actress mistress, Anna (Alida Valli). Will Martin's curiosity lead him to discover things about his old friend that he'd rather not know?
This spectacular adventure pits Godzilla, the world's most famous monster, against malevolent creatures that, bolstered by humanity's scientific arrogance, threaten our very existence.
A constant fixture in critics' polls, Yasujiro Ozu's most enduring masterpiece, 'Tokyo Story', is a beautifully nuanced exploration of filial duty, expectation and regret. From the simple tale of an elderly husband and wife's visit to Tokyo to see their grown-up children, Ozu draws a compelling contrast between the measured dignity of age and the hurried insensitivity of a younger generation.
In 16th century Japan a poor village is raided every year by a group of bandits until, driven to the brink of starvation, the villagers decide to hire professional warriors to protect them. With only three meager meals a day to offer as payment, their request seems an impossible one. A simple plot, flawlessly executed - 'Seven Samurai' combines comedy, pathos, memorable characters, gripping tension and some of the finest action scenes ever filmed.
When college nostalgia inspires a group of middle-aged businessmen to match-make for the widow - played with measured dignity by Setsuko Hara (Tokyo Story) - of one of their friends and her daughter, they have no idea of the strife their careless interference will cause. Late Autumn's examination of familial upheaval moves effortlessly from comedy to pathos and is amongst the finest of legendary director Yasujiro Ozu's post-war films.
Yasujiro Ozu (Tokyo Story) honed his craft in the early 1930s, a time when young Japanese directors were experimenting with cinematic conventions. This two-disc set features three gangster-genre films in which Ozu mixes a Hollywood-infused dynamism with elements of his later style.
Walk Cheerfully (aka 'Hogaraka Ni Ayume') 1930
Kenji 'the Knife' Koyama, leader of a gang of hooligans, falls for the virtuous Yasue. Will he go straight to win her heart or carry on his life of petty crime? Reminiscent of Sternberg's Underworld with its expressionist lighting, 'Walk Cheerfully' combines international cinematic influences with Ozu's own comic touches.
That Night's Wife (aka 'Sono Yo No Tsuma') 1930
Young father Shuji turns to crime to pay his daughter's medical bills. Enter Detective Kagawa for a tense night-time stand-off with Shuji's wife, Mayumi. 'That Night's Wife' demonstrates Ozu's dramatic mastery as the film reaches its emotional climax.
Dragnet Girl (aka 'Hijosen No Onna') 1933
Typist by day, gangster's moll at night, sweet-faced Tokiko (Kinuyo Tanaka) is forced to reassess her life when her boyfriend strays. Hugely popular when it was released, 'Dragnet Girl' remains one of Ozu's most enduring silent films.
Take a trip and break out of your shell with Barb (Annie Mumolo) and Star (Kristen Wiig) . From the gals who brought you 'Bridesmaids' (co-stars and co-writers Kristen Wiig and Annie Mumolo) comes to 'Barb and Star Go to Vista Del Mar'. Lifelong friends Barb and Star embark on the adventure of a lifetime when they decide to leave their small Midwestern town for the first time…ever. Romance, friendship, and a villain's evil plot…Hold onto your culottes!
Liverpool 1978: What starts as a vibrant affair between a legendary femme fatale, the eccentric Academy Award-winning actress Gloria Grahame (Annette Bening), and her young lover, British actor Peter Turner (Jamie Bell), quickly grows into a deeper relationship, with Turner being the person Gloria turns to for comfort. Their passion and lust for life is tested to the limits by events beyond their control.
Marina Vidal's life is thrown into turmoil following the sudden death of her partner, Orlando. Met with suspicion from the police and contempt from her lover's relatives. As tensions rise between her and Orland's family, she is evicted from their shared home and banned from attending his funeral. But faced with the threat of losing everything, Marina finds the strength to fight back. Sebastián Lelio returns with a groundbreaking, deeply humane and Oscar-winning story about a trans woman's fight for acceptance. Anchored by a powerhouse performance from rising star Daniela Vega, 'A Fantastic Woman' is an urgent call for compassion.
Rudolf Klein-Rogge plays Dr. Mabuse, the criminal mastermind whose nefarious machinations provide the cover for - or describe the result of - the economic upheaval and social bacchanalia at the heart of Weimar-era Berlin. Initiated with the arch-villain's diabolical manipulation of the stock-market, and passing through a series of dramatic events based around hypnotism, charlatanism, hallucinations, Chinese incantations, cold-blooded murder, opiate narcosis and cocaine anxiety, Lang's film maintains an unrelenting power all the way to the final act... which culminates in the terrifying question: "Where is Mabuse?!"
"One Cut of the Dead" opens in a run-down, abandoned warehouse where a film crew are making a zombie film. Yet this is no ordinary warehouse. It's been said that it's the site of military experiments on humans. From nowhere, real zombies arrive and terrorize the crew! This may sound like a the plot of a cliched zombie film, but 'One Cut of the Dead' is something completely different! Starting off with a non-stop one-take 37 minute shot, the film then completely switches direction and turns the zombie genre completely upside-down into a charming, audience-friendly comedy with an ending you won't see coming!
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