ian's - Rented List

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The Cold War may be over but at the forefront of the new world is a group of covert mercenaries whose skills in surveillance, reconnaissance and attack are for sale to the highest bidder.

Five of these operatives, known as Ronin, are assembled in Paris by a mysterious client for a dangerous mission: steal a top-secret briefcase. What seems to be a straight-forward assignment soon becomes a deadly pursuit as other underworld organisations vie for the same prize. Betrayer becomes betrayed as the film reaches its shattering climax.

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The award-winning team behind the worldwide phenomenon returns with 'Frozen 2', featuring the original cast and all-new music.

Elsa (voices of Idina Menzel / Eva Bella / Mattea Conforti), Anna (voices of Kristen Bell / Livvy Stubenrauch / Hadley Gannaway), Kristoff (voice of Jonathan Groff), Olaf (voice of Josh Gad) and Sven venture into the enchanted forest and dark seas beyond Arendelle - where Elsa discovers not only the truth about her past, but a threat to her kingdom.

Welcome to the second season of the adventures of the USS Voyager, stranded in unknown and hostile space. This season's highlights include murderous crewman Lon Suder, intelligent Cardassian weapons of mass destruction, a suicidal Q super-being, and the Kazon occupation of Voyager!

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Kurt Russell stars as a sociopathic stuntman whose taste for stalking young ladies gets him into big trouble when he tangles with the wrong gang of badass babes.

Their confrontation escalates to a hair-raising, 18-minute automotive duel with one of the girls strapped to the hood of a thundering Dodge Challenger that will have you on your seat mile after mile.

Ralph (voice of John C. Reilly) and fellow misfit Vanellope (voice of Sarah Silverman) risk it all by travelling to the internet in search of a part to save her game. When Vanellope embraces this thrilling new world, Ralph realises he may lose the only friend he's ever had.

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"Star Trek: Voyager", the first Trek spin-off to be made without any input at all from Gene Roddenberry, made its debut in 1995 and quickly established itself both as markedly different from cosmic cousin Deep Space Nine and as the successor to The Next Generation.

Despite a lack of originality in its premise (Lost in Space anyone?), Voyager was nonetheless often a bigger ratings success than any of its predecessors. It is 2371... In this year, the temporal flux phenomenon known as the Nexus will pass through the Veridian system. Unknown to Starfleet, the El-Aurian scientist, Dr Tolian Soran, will attempt to divert the Nexus to pass directly through the planet Veridian III. To do this, he must destroy the Veridian star, killing 230 million people on Veridian IV. With the help of the Klingon sisters L'ursa and B'Etor, Soran has the ability to do this. However, the USS Enterprise-D, commanded by Captain Jean-Luc Picard, will intercept Soran during a distress call. When Soran escapes, the Enterprise-D will pursue him to the Veridian system, where Jean-Luc Picard will meet a Starfleet legend long since thought dead. Also in this year, at the very edge of Federation space, the power of the Dominion, enforced by the dread forces of the Jem'Hadar, continues to show its dominance as every advance by Alpha Quadrant forces is comprehensively rebuffed. At the forefront of the struggle against the Dominion, the crew of the space station Deep Space 9 have immediate issues: Quark has to deal with restoring the greed of the Ferengi Grand Nagus, becoming the head of a Klingon house, persuading his nephew not to join Starfleet, and disciplining his own mother: a female who insists upon making profit and wearing clothes; Jadzia Dax's Trill heritage threatens first her life, then her friendships as one by one the personalities of the past Dax hosts come back to haunt her; Kira Nerys learns that she was once Cardassian, then rejoins her former Resistance Cell leader, taking up arms against her own people; and Benjamin Sisko travels back in time only to assume a role which means he must intentionally cause the deaths of hundreds of innocent humans. While Starfleet officers deal with short-term problems, and Cardassian and Romulan hawks unsuccessfully take a direct approach to conflict, the forces of the Dominion are quietly following a strategy that could alter forever the balance of power in the galaxy.

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Anthony Hopkins plays the eponymous role of a mischievious and highly independent man who, as he ages, refuses all assistance from his daughter Anne (Olivia Colman). Yet, such help has become essential following Anne's decision to move to Paris with her partner.

As Anne's father tries to make sense of his changing circumstances, he begins to doubt his loved ones, his own mind and even the fabric of his reality.

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Jerry Maguire (Tom Cruise) is a top sports agent, long on ambition but short on scruples. After he suddenly and ceremoniously loses his job and his fiancee, both his personal and professional lives hit an all-time low.

The only two people who stand by Jerry are his sole client Rod Tidwell, a second rank football player and Dorothy Boyd, a single mother inspired by his zest for life. Only through his shared journey to success with Rod and his relationship with Dorothy and her son does he begin to understand the values that really matter.

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A sly piece of pop subversion, this irresistible satire of Reagan-era materialism features Tom Cruise in his star-is-born breakthrough as a Chicago suburban prepster whose college-bound life spirals out of control when his parents go out of town for the week and an enterprising call girl (Rebecca

De Mornay) invites him to walk on the wild side. While Cruise boogying in his briefs yielded one of the most iconic pop-cultural moments of the 1980s, it is the film's unexpected mix of tender romance (enhanced by a moody synth score by Tangerine Dream) and sharp-witted capitalist critique that remains fresh and daring.

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The final episode of the acclaimed series joins the employees of Reynholm Industries as they turn it off and on again for one last time. An accident involving spilt coffee, a tiny barista and a van with breasts leads to Roy (Chris O'Dowd) and Jen (Katherine Parkinson) being shamed on the internet.

Suddenly, their reputations and that of Reynholm Industries are at risk, and everything they do only makes it worse. Can Jen and Roy restore their good names? Will a newly confident Moss (Richard Ayoade) be able to help? How will Douglas (Matt Berry) fare on 'Secret Millionaire'? Will a hastily-drawn chart be the key that saves the day? No, no, badly, no.

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The seventh and final series of "Deep Space Nine" came down to loose ends, tying some existing ones together and allowing others to unravel.

Symptomatic of the unwillingness to let DS9 go was the immediate arrival of a replacement Dax, though poor Nichole deBoer as Ezri Dax had to have known she'd already missed the boat. Her appearance encouraged last-minute romances to blossom, with Bashir finally getting some action, Odo finally getting together with Kira and Sisko finally proposing to Kassidy. Another contributing cute factor were numerous trips to the Holosuite wherein the all-knowing Vic Fontaine dished out philosophical advice. That was when the crew weren't in there to play baseball against the Vulcans or when Nog wasn't commiserating about the loss of a leg.

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Deep Space Nine's sixth series began ambitiously with a six-part story arc devoted to the Dominion War. This was a brave move in many ways, but a sensible one too. Whereas other SF shows wouldn't commit to showing the impact of war (Babylon 5), here there were numerous visible sacrifices.

Characters were frequently kidnapped and held prisoner, allowing screen time for other members of the ever-growing cast (at its peak there were as many as 18 individuals with speaking roles per episode). This year also introduced the idea of Starfleet Intelligence and its sinister Section 31; alliances were built only to crumble almost immediately; Sisko led a suicide mission and at long last his destiny as the Emissary took a serious turn. Amid all this sturm und drang the writers felt it necessary to inject some levity. In fact, there was so much comedic sidetracking this year it actually seemed sometimes as if they were afraid of the series' dark tone. Witness: Quark undergoing a temporary sex change, leading a Magnificent Seven-style band of Ferengi (with a cameo from Iggy Pop), Morn's non-speaking character being sorely missed, the blend of Troi and Guinan into 60's crooner Vic Fontaine and, in one fan favourite episode ("Far Beyond the Stars"), Sisko having visions of himself and the crew as 1950s staff writers on pulp magazine Incredible Tales. There were also cute reconciliations amongst Worf's extended family (leading to Trek's first cast wedding), and even the revelation of Bashir's genetically enhanced origins quickly became a subject for easy jokes.

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Whilst Reynholm Industries boss, Douglas, is spending the pension fund on gold flakes in the water supply, the dysfunctional IT department - Moss, Roy and Jen - build up the courage to face the frightening world of people who somehow communicate without using a keyboard.

As well as the usual bickering, time wasting and incompetence, the co-dependent trio become the victims of sexual harassment, create a fundraising nude erotic calendar, confront the builders from hell and join a social networking site.
Episodes Comprise:
1. From Hell
2. Are We Not Men?
3. Tramps Like Us
4. Speech
5. Friendface
6. Calendar Geeks

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The multi award winning IT Crowd returns for the fourth series with Moss (Richard Ayoade), Roy (Chris O'Dowd) and Jen (Katherine Parkinson) still trying to survive in the IT department of Reynholm Industries - under the totally unenlightened rule of Douglas (Matt Berry).

Written and Directed by Graham Linehan, the new series sees each character taking on new challenges; See Jen become a pimp! Witness Moss enter the dangerous world of Street Countdown! LEARN that Roy is not a window cleaner! Regret seeing Douglas lead an exercise class! All human life is here, and less!

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Tom Cruise stars as a brash Navy lawyer who's teamed with a gung-ho litigator (Demi Moore) in a politically explosive murder case.

Charged with defending two Marines accused of killing a fellow soldier, they are confronted with complex issues of loyalty and honour - including its most sacred code and its most formidable warrior (Jack Nicholson).