The next chapter of 'The X-Files' is a thrilling, 10-episode installment of the mind-bending series that straddles the line between science and scepticism, between that which can be proved and what we choose to believe. David Duchovny and Gillian Anderson return as FBI agents Fox Mulder and Dana Scully, investigating unsolved cases rife with unexplainable mysteries, government conspiracies and alien cover-ups. Mulder and Scully's desperate pursuit of the truth continues with a search for their long-lost son, William, but they're not the only ones looking for him, and the fate of the world could be at stake. One thing is certain: secrets will he revealed...and the truth may finally he within reach!
In a small village in rural France, Garbrielle (Marion Cotillard) dreams of a more passionate life, much to her family's chagrin. With the intent of making her into a respectable woman, they marry her off to honest farmer Jose (Alex Brendemühl). Once married Gabrielle develops an illness and is sent to the Alps for treatment. There she meets a dashing injured veteran of the Indochina War (Louis Garrel). The affair rekindles the passion buried deep inside her. With this newfound love, she is determined to run away and free herself from the marriage that imprisons her. This time she's determined to follow her dream.
When her estranged rabbi father suddenly passes away, Ronit (played by Oscar-winner and co-producer Rachel Weisz) returns from New York to the north London Orthodox Jewish community that rejected her years previously after a scandalous transgression. Ronit's presence immediately courts further controversy when she runs into Esti (Rachel McAdams), the wife of her strictly religious cousin Dovid (Alessandro Nivola) and the woman for whom she shared an illicit attraction in their childhood. This happy reunion soon reignites the two women's burning, long-unrequited passions, an act of defiance that could alter the course of their lives forever. 'Disobedience' is a timely and emotionally powerful tale set at the crossroads of tradition and modernity, of personal desires and the demands of faith.
Almodovar's third feature is a kitsch, colourful display and enjoyably bitchy delight that showcases his masterful direction of and adoration for his female stars; Carmen Maura, Marisa Paredes and Cecilia Roth all feature. Blighted by drugs and amour fou, nightclub singer Yolanda (Cristina Sanchez Pascual) has herself committed to a charity movement. The nuns there include a writer of sensationalist pulp fiction, a drug addict and a masochist. But their private lives and perverse foibles are plunged into doubt when a new mother superior arrives to take charge. An unbridled visual delight, the paretic Dark Habits offers a powerful denigration of the Catholic Church, a recurring motif in the director's later work.
From acclaimed director Mike Leigh comes this epic portrayal of events surrounding the infamous 1819 'Peterloo Massacre' in Manchester, when armed government forces charged into a crowd of 60,000 peaceful protesters who were desperate for greater democracy and improved working conditions. Featuring stellar performances from Maxine Peake and Rory Kinnear, 'Peterloo' is an explosively visceral retelling of a defining moment in British history.
Marine Vacth (Jeune et Jolie) plays Chloé, a young woman who falls in love with her psychoanalyst Paul (Jérémie Renier). When they decide to move in together, everything seems perfect until a series of discoveries lead her to believe that he may be living a double life. As she searches for the truth, Chloé's investigations plunge her into a dark and bewildering world of smoke, mirrors and doppelgangers where nothing is as it seems, and no one can be trusted.
When newly weds (Ian Carmichael) and Peggy (Janette Scott) face eviction, they are tricked into buying a run down houseboat. After rebuilding the engine, they take their friends Sid (Sid James) and Sandra (Liz Fraser) on a local trip down the river to Folkstone, but somehow they end up in France. With no fuel and supplies, they resort to desperate measures to sail their way back home.
Based on the international bestselling novel by Fredrik Backman and nominated for 2 Oscars (including Best Foreign Language Film), 'A Man Called Ove' is a heartwarming tale of unreliable first impressions and a wonderful reminder that life is sweeter when it's shared. An ageing retiree with strict principles and a short fuse, Ove (Rolf Lassgard) is the quintessential angry old man next door. Having entirely given up on life, his days are spent in a constant monotony of enforcing housing association rules and visiting his wife Sonja's gravesite. But when a boisterous young family moves into the neighbourhood, immediately incurring his wrath, things take an unexpected turn. Pregnant Parvaneh (Bahar Pars) and her lively children are the complete antithesis of what ill-tempered Ove thinks he needs -and yet, from this inauspicious beginning an unlikely friendship blooms and Ove's past happiness and heartbreaks come to light.
This gripping and intelligent film by Stephane Brize is in the social realist tradition of the Dardennes and of Laurent Cantet, examining the dehumanizing effects of unemployment and also the workplace itself. At the age of 51 and after twenty months of unemployment, Thierry (Vincent Lindon) starts a new job in security at a supermarket that soon brings him face to face with a moral dilemma. How much is he willing to accept in order to keep his hard-won job is the central question that Measure of a Man (La Loi du Marche) addresses.
Recalling her youth in 1950s northern Spain, Estrella revisits her relationship with her beloved father Agustin, raised in the south, and realises how little she knew of him and his secrets. Victor Erice's delicate and mysterious film reveals his abiding fascination with memory and loss, missed opportunities and the links between private dreams and political realities. The performances, like the meticulously lit compositions and evocative soundtrack, are superb; Omero Antonutti is a charismatic Agustin, while Sonsoles Aranguren and Iciar Bollain shine as, respectively, the young and teenaged Estrella. Exquisitely beautiful, profoundly moving.
Isabelle (Juliette Binoche) is a stylish and accomplished artist living in Paris. Divorced and looking to find true love at last, she meets a handsome, kind and intelligent younger man who she thinks might finally be the one. But when he calls their affair a mistake and returns to his wife, Isabelle must again face the issue of mid-life loneliness. Sifting through former lovers, new admirers, jealous friends and chance encounters, will she find a fulfilling match? Or will she discover a new path to happiness along the way?
Sachi, Yoshino and Chika are three sisters living happily together in a relaxed seaside town south of Tokyo. When their long-estranged father passes away they meet their shy teenage half-sister at his funeral. Bonding quickly, they invite the orphaned Suzu to live with them and she eagerly agrees, sparking a journey of self-discovery for all four sisters, looking back into painful pasts in order to reach forward to more hopeful futures.
In the ruins of post-war Poland, Wiktor (Tomasz Kot) and Zula (Joanna Kulig) fall deeply, obsessively and destructively in love. As performing musicians forced to play into the Soviet propaganda machine, they dream of escaping to the creative freedom of the West. But one day, as they spot their chance to make a break for Paris, both make a split decision that will mark their lives forever. Pawel Pawlikowski follows his Oscar-winning 'Ida' with the stunning 'Cold War', an epic romance set against the backdrop of Europe after World War II. Sumptuously shot in luminous black and white, it spans decades and nations to tell a love story that is as tragic as it is moving, and as transportive as it is honest.
The story of Barnabas Collins (Johnny Depp), a dashing aristocrat who is turned into a vampire by a jilted lover and entombed for two centuries. Emerging from his coffin into the world of 1972, he returns to his once-majestic home, only to find the few dysfunctional descendants of the Collins family who remain. Determined to return his family name to its former glory, Barnabas is thwarted at every turn by his former lover - the seductive witch Angelique (Eva Green).
The sequel to the hot movie Save the Last Dance continues in New York as Sarah (Izabella Miko) is one step closer to realising her dreams at Juilliard. Her commitment is put to the test as she finds herself torn between her talent for classical dance and her undeniable passion for the urban hip-hop scene. Does she follow the advice of smart, sexy musician, Miles Sultana (Columbus Short) or her stern instructor Monique Delacroix (Jacqueline Bisset)?
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