Craig Schwartz (John Cusack) is a struggling street puppeteer. In order to make some money, Craig takes a job as a filing clerk. One day he accidentally discovers a door...a portal into the brain of John Malkovich (played by John Malkovich)! For 15 minutes, he experiences the ultimate head trip – He is being John Malkovich! Then he's dumped onto the New Jersey turnpike! With has beautiful office mate Maxine (Catherine Keener) and his pet-obsessed wife (Cameron Diaz), they hatch a plan to let others into John's brain for just $200 a trip.
There is more to karate than fighting. This is the lesson that Daniel (Ralph Macchio), a San Fernando Valley teenager, is about to learn from a most unexpected teacher: Mr. Miyagi (Pat Morita), an elderly handyman who also happens to be a master of martial arts. When he rescues Daniel from the Cobra Kai, a vicious gang of karate school bullies, Miyagi instils in his young friend the importance of honour and confidence as well as skills in self-defense, vital lessons that will be called into play when a hopelessly outclassed Daniel faces Johnny (William Zabka), the sadistic leader of the Cobra Kai, in a no-holds-barred karate tournament for the championship of the Valley.
Forty years after the death of Elvis Presley, Eugene Jarecki's new film takes the King's 1963 Rolls-Royce on a musical road trip across America. From Memphis to New York, Las Vegas, and beyond, the journey traces the rise and fall of Elvis as a metaphor for the country he left behind. In this groundbreaking film, Jarecki paints a visionary portrait of the state of the American Dream and a penetrating look at how the hell we got here. A diverse cast of Americans, both famous and not, join the journey, including Alec Baldwin, Rosanne Cash, Chuck D, Emmylou Harris, Ethan Hawke, Van Jones, Mike Myers, and Dan Rather, among many others.
Fred MacMurray stars as a ranch herder Will Keough who wants nothing more than to tend to his cattle and live in peace in 'Gun for a Coward'. His two younger brothers, Hade (Dean Stockwell) and Bless (Jeffrey Hunter) are as different as night and day Hade is wild and reckless and Bless refuses to use a gun, branding him a coward. Making matters worse is the brothers merciless mother (Josephine Hutchinson) and Will's sweetheart (Janice Rule) who finds herself drawn to the sensitive Bless. Ultimately, a showdown will have to take place but which sibling will survive?
Ted "Theodore" Logan (Keanu Reeves) and Bill S. Preston Esquire (Alex Winter) won't graduate if they don't do well in their history presentation. This would be both bogus and uncool! A dude called Rufus from the future appears in the nick of time, providing a time-travelling phone booth, as their lives are important to the future of mankind! The two jump in and out of different eras, collecting historical figures (from Socrates to Billy the Kid), confronting them with West Coast culture and generally being excellent!
Marlon Brando gives one of the screen's most electrifying performances and was named Best Actor at the 1954 Academy Awards for this film. Ex-fighter Terry Malloy (Brando) could have been a contender, but now toils for boss Johnny Friendly (Lee J. Cobb) on the gang-ridden waterfront. Terry is guilt-stricken, however, when he lures a rebellious worker to his death, but it takes the love of Edie Doyle (Eva Marie Saint), the dead man's sister, to show Terry how low he has fallen. When his crooked brother Charley the Gent (Rod Steiger) is brutally murdered for refusing to kill him, Terry battles to crush friendly's underworld empire.
John Travolta gives a sensual and intelligent performance as the troubled Tony Manero - Brooklyn paint store clerk by day and undisputed King of the dance floor by night. Every Saturday, Tony puts on his wide collared shirt, flared trousers and platform shoes and heads out to the only place where he's seen as a god rather than just some young punk. But in the darkness, away from the strobe lights and glitter ball, is a tragic story of disillusionment, violence and heartbreak. Without a doubt, Travolta's performance made him a Hollywood legend, but 'Saturday Night Fever' is more than just a movie that defined the music and fashion of a generation. It's a powerful and provocative urban tragedy that carries as much significance today as it did in 1977.
Perception: The Everyday World is Real. Reality: That World is a hoax, an elaborate deception spun by all-powerful machines of artificial intelligence that control us. Mind blowing stunts. Techno-slamming visuals. Megakick action. Keanu Reeves and Laurence Fishburne lead the fight to free humankind in 'The Matrix', the cyber thriller that you will watch again and again.
After losing his horse in a bull-riding contest, rancher Pat Brennan (Randolph Scott) hitches a lift home on the stagecoach out of the frontier town of Contention. At a remote way station, the stage is ambushed by a ruthless bandit gang led by Usher (Richard Boone). They don't intend leaving any witnesses - until they discover that one of the passengers is copper heiress Doretta Mims (Maureen O'Sullivan). Now they want $50,000 in ransom from her father - or everybody dies. As tension mounts almost to breaking point, Brennan must discover a way to outwit -and outgun - the outlaw gang before they murder all of their hostages.
Victor Moore and Beulah Bondi, two of the great Hollywood character actors, portray the couple whose house the bank has foreclosed upon, and who are forced subsequently to move into their children's homes in the city. A near-musical restructuring of gratitude and debt ensues once the offspring deem the couple's lodging an imposition: the two are separated, then reunited weeks later... as they glide inexorably into an uncertain future.
Upset by her widowed father's plans to remarry, Angel (Kumiko Ohba) sets off with six of her schoolgirl friends in tow for a summer getaway at her aunt's isolated mansion. In this house of dormant secrets, long-held emotional traumas have terrifyingly physical embodiments and the girls must use their individual talents if any are to survive.
Growing up in the sheltered society of 1920s England, Gudrun (Jackson) and Ursula (Jennie Linden) know little about the ways of love. So when they pursue thrilling, torrid affairs with a notorious playboy (Alan Bates) and a brooding philanderer (Oliver Reed), what they discover about their lovers, and themselves, may be all consuming - and dangerously volatile - than they ever dared imagine.
As the Black Death continues to wipe out the population of Europe, knight Antonius Block (Max von Sydow) returns from the Crusades, disillusioned and worn. When suddenly Death (Bengt Ekerot) appears before him, he asks for the chance to live, proposing a game of chess to decide his fate. The knight takes his squire, a troupe of traveling players and a deaf and dumb girl under his protection as the game is played out. One by one Death exacts his toll, and it is up to Block to stall his opponent for as long as possible if he is to help save the lives of those he is trying to protect. All the while, the villages and towns about them fall further into ruin and religion takes a stranglehold on those desperate for a means of survival.
They double-crossed Walker, took his $93,000 cut of the heist and left him for dead, but they didn't finish the job. Big mistake. He - someday, somehow - is going to finish them. Lee Marvin is in full antihero mode as remorseless Walker, talking the talk and walking the walk in John Boorman's (Deliverance) edgy neo-noir classic filled with imaginative New Wave style, blunt dialogue and Walker's relentless quest that, one by one, smashes into the corporate pecking order of a crime group called the Organisation. Angie Dickinson plays the accomplice who uses her seductive wiles to ensnare one of Walker's prey.
A middle-class schoolteacher, stuck in a government-enforced teaching post in an arid backwater, stops off in the mining town of Bundanyabba on his way home for the Christmas holidays. Discovering a local gambling craze that may grant him the financial independence to move back to Sydney for good, the opportunity proves irresistible. But the bad decisions are just beginning and a reliance on local standards of hospitality in "the Yabba" may take him on a path darker than ever expected.
We use cookies to help you navigate our website and to keep track of our promotional efforts. Some cookies are necessary for the site to operate normally while others are optional. To find out what cookies we are using please visit Cookies Policy.