A novice teacher faces a class of rowdy, undisciplined working-class teenagers in this classic film that reflected some of the problems and fears that existed among young people in the 1960s. Sidney Poitier gives one of his finest performances as Mark Thackeray, an out-of-work engineer who turns to teaching in London's tough East End. The graduating class, led by Denham (Christian Roberts), Pamela (Judy Geeson) and Barbara (Lulu, who also sings the hit title song), sets out to destroy Thackeray as they did his predecessor, by breaking his spirit. But Thackeray, no stranger to hostility, meets the challenge by treating the students as young adults who will soon enter a work force where they must stand or fall on their own. When offered an engineering job, Thackeray must decide if he wants to stay.
Kirsty is a young woman living with her sister and widowed mother. Prior to his untimely death, Kirsty's father had encouraged her to seek a life beyond the island, and when romance burgeons between her and local lad Murdo, the opportunity to see the world seems within reach. When the young men must leave the island for the war, a road dance is held in their honour, and on that night Kirsty's life takes a dramatic and tragic turn.
In the aftermath of a personal tragedy, Harper (Jessie Buckley) retreats alone to the beautiful English countryside, hoping to have found a place to heal. But someone or something from the surrounding woods appears to be stalking her. What begins as simmering dread becomes a fully-formed nightmare, inhabited by her darkest memories and fears in visionary filmmaker Alex Garland's feverish, shape-shifting new horror film.
Prepare to enter the realm of fantasy and imagination - where reality and dreams collide in a kaleidoscopic mindscape of sheer visual genius. The magical tale centers on a revolutionary machine that allows scientists to enter and record a subject's dream. After being stolen, a fearless detective and brilliant therapist join forces to recover the device - before it falls into the hands of a "dream terrorist" in this gripping anime thriller from acclaimed director Satoshi Kon.
CoIm Bairead's beautifully understated feature debut finds a young girl coming to terms with loss and the importance of family in rural Ireland. Cait (Catherine Clinch), a quiet, neglected young girl, is sent away from her dysfunctional family to live with relatives for the summer. At first intimidated by her new environment, she quickly blossoms in the care of Eibhlin (Carrie Crowley) and her farmer husband, Sean (Andrew Bennett). As this new home becomes an idyll for her, Cait senses that something is plaguing her new foster parents - an unspoken pain that Eibhlin and Sean never discuss, which Cait's youthful curiosity begins to uncover.
In Tokyo, three homeless people's lives are changed forever when they discover a baby girl in a garbage dump on Christmas Eve. As the New Year fast approaches, these three forgotten members of society band together to solve the mystery of the abandoned child and the fate of her parents. Along the way, encounters with seemingly unrelated events and people force them to confront their own haunted pasts, as they learn to face their future together.
A stylistic departure for Studio Ghibli, with writer-director Isao Takahata using digital production to create the feel of a moving watercolour sketch, My Neighbours The Yamadas follows the exploits of the Yamada family. Takahata charts the day-to-day life of husband and wife Takashi and Matsuko who, along with their two children, their dog and Matsuko's live-in mother, navigate the pitfalls of modern life to often comic effect.
It's summer 1994, an ex-mining village just outside Doncaster. Trevor (Tom Varey) sits at Decoy Ponds, hoping to catch a glimpse of Nessie, the carp of local legend. Misfit Pogo (Esme Creed-Miles) wanders around town with a cassette recorder, taping broken fragments of the world around her. Lovesick Malcolm (Angus Imrie) is trying to mend his broken heart, while best friends Shane (Gianluca Gallucci) and David (Ethan Wilkie) have nothing better to do. When rumours of giant carp sightings begin to swirl, this young community embark on a fishing expedition they will never forget.
Modern-day Cornish fisherman Martin (Edward Rowe) is struggling to buy a boat while coping with family rivalry and the influx of London money, Airbnb and stag parties to his harbour village. The summer season brings simmering tensions between the locals and newcomers to boiling point, with tragic consequences.
Set in Japan during World War II, the film focuses on Seita and his little sister Setsuko. After their mother is killed in an air raid, and with their father serving in the navy, they are forced to fight for survival in the devastated Japanese countryside. Food and shelter are scarce, and even their own relatives are too concerned with their own survival. All they have is each other and their belief that life must carry on.
Beginning in extraordinary fashion with a hold up on a Tehran jewellery store that ends in tragedy, the film then backtracks to detail the events that drove an essentially ordinary, decent man to crime. Scripted by Abbas Kiarostami and based on a true story, the film guides us around Tehran, building into an engrossing and moving portrait of a man, Hussein (Hussein Emadeddin) feeling humiliated and essentially helpless in a world of social injustice, and a city split irrevocably between the privileged and the desperate.
They are both on the run: the man with the dog he is not allowed to own because the law deems it to be unclean, and the young woman who took part in an illicit party on the shores of the Caspian Sea. They barricade themselves in a secluded villa with curtained windows and eye each other suspiciously. Why has he shaved his head? How does she know he is being followed by the police? They are now prisoners in a house without a view in the midst of a hostile environment The voices of police can be heard in the distance, but so too can the calming sound of the sea. Are we looking at outlaws, or are the man and the young woman merely phantoms, figments of the imagination of a filmmaker who is no longer allowed to work?
Set over the course of a single day, Jafar Panahi's powerful film is an ensemble piece that tells the stark tales of several young Iranian women and the harsh society in which they live. Beginning with a childbirth, and the ensuing despair at the discovery that the baby is a girl, the film touches upon the myriad hardships endured by women living in Iran's male dominated world of bureaucracy, constant surveillance and age old inequalities. But even in the midst of this stifling environment, the spirit, strength and courage of the circle of women cannot be extinguished.
For a soccer-mad young girl, a crucial world cup qualifying match for Iran's national football team at the Azadi stadium in Tehran is the game of her dreams. But with women banned from the country's football grounds, she and several other equally dedicated and rebellious girls have only one way of infiltrating the crowd...by disguising themselves as boys. But with sharp-eyed soldiers policing the event and obstacles such as the lack of women's bathrooms to overcome, the street-smart girls find they have to use their wits and every trick in the book to see the match. A hilarious and engaging comedy, 'Offside' entertainingly illustrates the fight for women's rights in Iran.
This clandestine documentary, shot partially on an iPhone and smuggled into France in a cake for a last-minute submission to Cannes, depicts the day-to-day life of acclaimed director Jafar Panahi. While appealing his sentence - six years in prison and a 20 year ban from filmmaking - Panahi is seen talking to his family and lawyer on the phone, discussing his plight with Mirtahmasb and reflecting on the meaning of the art of filmmaking.
We use cookies to help you navigate our website and to keep track of our promotional efforts. Some cookies are necessary for the site to operate normally while others are optional. To find out what cookies we are using please visit Cookies Policy.