"The Phenix City Story" begins when John Patterson (Richard Kiley) returns to his Alabama hometown after a stint in the Army. He plans to start practicing law with his father, Albert (John McIntire), but John's wife (Lenka Peterson) is reluctant to live in Phenix City because of the large number of casinos and brothels in the town that are controlled by a local crime syndicate. However, after the syndicate is involved with beatings, theft, and even murder, John and Albert decide to stay in Phenix City and help a group of concerned citizens clean up the town by having Albert run for Alabama attorney general.
When peasant farmer Ze (Leonardo Villar) learns that his prized donkey is seriously ill, he makes a deal with God: If the animal recovers, Ze will carry a large cross to the village church. When the donkey pulls through, Ze begins his long journey. But when he arrives at the church, he finds that the priest is less than thrilled with his sacrifice.
This is the true story of Yuan Ling-Yu (Maggie Cheung), the first movie star of the 1930's. Hailing from an obscure background, she became the prima donna of the Chinese screen. Students worshipped her as a cult symbol. Men looked at her with dreamy eyes, and women looked at her sideways and full of hate. Yes, for nine years since her first movie at sixteen, Yuan Ling-Yu managed to star in 29 movies. Her roles were usually pathetic ones: girl student, rustic maid, factory hand, prostitute, socialite, and authoress. And her endings were invariably tragic: incarceration in a prison, mental breakdown, forced marriages, starvation, illness, and even suicide.
Filmmaker Ross McElwee grew up in the South and always marveled at how the folks there were affected by Union general William Tecumseh Sherman's legacy. Aiming to delve deeper into the region's interest, McElwee revisits the path of the general's march that took down the Confederacy. But the tone of his documentary changes when he learns his girlfriend has left him, causing him to second-guess himself with each woman he meets during the shoot.
Three days into his Miami honeymoon, New York Jewish Lenny (Charles Grodin) meets tall, blonde Kelly (Cybill Shepherd). This confirms him in his opinion that he has made a serious mistake and he decides he wants Kelly instead. Her rich father is less than keen and lets everyone - including Lenny - know that he hates everything about him and the way he is going on.
A terminal “road-movie”, 'Last Chants' single-mindedly follows the path of its central character, Tom Bates (Tom Blair), through an unspecified period of time as he talks to a hitch-hiker and then throws him out of his truck, visits his wife and has a fierce argument with her, talks to a man in a breakfast cafe, picks up a woman in a bar and has a one night stand with her; leaves the woman, and cruising in his truck on a back road, pulls over to help a man with his broken-down car, and shoots and kills the man, for a few dollars.
Literally, a film like no other, this weird, wild and extraordinary photoplay is both melodrama and deadpan parody. With striking black and white cinematography and stylized set design, Guy Maddin tells a tale of obsessive love in the arctic Russian town of Archangel, where Bolsheviks, White Russians and German Huns converge during World War I.
A film about Las Hurdes, an area in western Spain about which Luis Bunuel in 1932 made the feature Las Hurdes, tierra sin pan. In this film Bunuel portrayed the area as a black hell on earth: a land of starvation, disease, dwarves, insane and prematurely-aged women. A land forsaken by God. More than sixty years later, a curse still rests on the film by Bunuel: the local inhabitants still combat the black legend that circulates about their area. A small film crew returns to Las Hurdes in 1999 with a screen and a copy of Bunuel's film. In the local square, the film is shown. We hear wonderful stories of the villagers and see their occasionally fierce reactions to the film.
Life story of a charming scoundrel, with little dialogue other than the star/director's witty narration. As a boy, only he survives a family tragedy when he's deprived of supper (poisonous mushrooms!) for stealing...concluding that dishonesty pays. Through years of dabbling in crime and amusing adventures, two women appear and reappear in his life, a dazzling blonde jewel thief and a stunning brunette gambler. Finally, he meets the mysterious Charbonnier who had saved his life in World War I, leading to the surprising next phase in his career...
Set in the mid through late 19th century, it depicts Zola's friendship with Post-Impressionist painter Paul Cézanne, and his rise to fame through his prolific writing, with particular focus on his involvement late in life in the Dreyfus affair. Struggling writer Émile Zola (Paul Muni) shares a drafty Paris attic with his friend, painter Paul Cézanne (Vladimir Sokoloff). A chance encounter with a street prostitute (Erin O'Brien-Moore) hiding from a police raid inspires his first bestseller, Nana, an exposé of the steamy underside of Parisian life. Other successful books follow. Zola becomes rich and famous; he marries Alexandrine (Gloria Holden) and settles down to a comfortable life in his mansion. One day, his old friend Cézanne, still poor and unknown, visits him before leaving the city, and tells Zola that with his success he has become complacent, a far cry from the zealous reformer of his youth. Meanwhile, a French secret agent steals a letter addressed to a military officer in the German embassy. The letter confirms there is a spy within the top French army staff. With little thought, the army commanders decide that Jewish Captain Alfred Dreyfus (Joseph Schildkraut) is the traitor, is courtmartialed and imprisoned on Devil's Island in then French Guyana...
In this little Provencal village, a new baker, Aimable (Raimu), settles down. His wife Aurelie (Ginette Leclerc) is beautiful and much younger than he. She departs with a shepherd the night after Aimable produces his first breads. Aimable is so afflicted that he can not work anymore. Therefore, the villagers, who initially laughed at his cuckoldry, take the matter very seriously (they want the bread) and organize a plan to find Aurelie and to bring her back to the bakery.
The film is a domestic horror thriller telling of a family's destruction by the introduction of a sexually predatory femme fatale into the household. A composer, Dong-sik Kim has just moved into a two-story house with his wife and two children. When his pregnant wife becomes exhausted from working at a sewing machine to support the family, the composer hires a housemaid, Myung-sook to help with the work around the house. The new housemaid behaves strangely, catching rats with her hands, spying on the composer, seducing him and eventually becoming pregnant by him. The composer's wife convinces the housemaid to induce a miscarriage by falling down a flight of stairs. After this incident, the housemaid's behaviour becomes increasingly more erratic. She tricks the composer's son Chang-soon into believing that he has ingested poisoned water and in a panic he falls to his death down a flight of stairs. She threatens to kill the composer's newborn son, and actually does kill the composer's crippled daughter Ae-soon by force-feeding her poisoned rice. Myung-sook persuades the composer to commit suicide with her by swallowing rat poison. The film ends with the composer reading the story from a newspaper with his wife. The narrative of the film has apparently been told by the composer, who then all smiles warns the film audience that this is just the sort of thing could happen to anyone.
A shockumentary consisting of a collection of mostly real archive footage displaying mankind at its most depraved and perverse, displaying bizarre rites, cruel behavior and bestial violence.
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