It started like any other night...Ambulance driver Frank Jessup (Robert Mitchum) gets a call from the house of Catherine Tremayne (Barbara O'Neil), little realising where this routine call will take him. Mrs Tremayne has a beautiful, willful stepdaughter Diane (Jean Simmons); she's attracted to Frank and insists he take a job as the family chauffeur. Frank's wary of getting too close to the kid, however, especially when he realises she's not as sweet as she looks. But Diane has a habit of getting what she wants and it doesn't matter what - or who - it costs...
"Whirlpool" is an intriguing blend of film noir and women's picture, Gene Tierney, the star of 'Laura', Preminger's first big success, here plays the well-dressed wife of a successful psychoanalyst, played with chilling remoteness by Richard Conte. When arrested for shoplifting, she is saved from inevitable scandal by the intervention of a suave but lightly sinister hypnotist. However, the salvation proves deceptive and she soon finds herself enmeshed in a web of blackmail and murder. The script is by Ben Hecht, one of Hollywood's most brilliant screenwriters, who according to Hitchcock, was 'in constant touch with prominent psychoanalysts'. Preminger turns the story into an examination of people - and a marriage - under stress, and the conventional ending does little to dispel his somewhat bleak vision. The film may have a noirish theme, but the plot unfolds in a sumptuously photographed world of glossy interiors, luxurious decor and expensive clothes.
New York, 1941. Socially conscious scriptwriter Barton Fink (John Turturro) has made it big on Broadway. Now Tinsel Town is taking notice. Hired by Hollywood to write a wrestling picture, Barton quits the city smog for movie stardom. L.A. has got the Barton Fink feeling. Barton Fink has got writer's block. Enlisting the help of able assistant Audrey (Judy Davis) and amiable neighbour Charlie Meadows (John Goodman), Fink finds the real-life inspiration he seeks comes from the most sinister of sources.
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