When Avril is given the chance to explore the world outside her convent before taking her vows, she immediately accepts, mostly because she wants to meet her fraternal brother with whom she was separated at birth. An attractive, friendly man offers to give Avril a lift, and the pair eventually come across her brother David, and his boyfriend, Jim, at a beachfront retreat. The unlikely foursome form a tight bond during a secular vacation by the coast, spending their days frolicking in the surf, dancing in the moonlight and getting merry with bottles of calvados. Before long, Avril must return to the repressive lifestyle she left behind, but not before putting up a fight to convince the nuns that the world outside is not the fearsome place they had her believe.
When David Owen moves to New York, he likes everything about the city except the noise. At first even the noise seems to him the throb of urban vitality which makes New York so exciting. Yet gradually this incessant and 'unnecessary' din begins to drive him crazy. So David begins to take arms. He quietly vandalizes cars whose alarms are going off: lets the air out of tires, leaves notes on the windshield. This has no effect, so he goes further: 'keys' the paint job, cracks a taillight... Eventually he is caught in the act, arrested, spends a night in jail. His wife, shocked to learn what he has been doing, worries that this is irrational behaviour. David promises to stop. But he can't; the noise is 'wrong'. He alone, is prepared to do something about it. He is arrested again and again. Will David win his battle or will the 'noise' get the better of him?
As his fiftieth birthday approaches, life holds no fears for Stephen Fleming (Jeremy Irons), a respected Conservative Member of Parliament and Junior Minister marked by the Prime Minister for high ministerial office. Secure in his enduring marriage to Ingrid (Miranda Richardson), he has no premonition of the storm that is about to engulf him when he meets Anna (Juliette Binoche) at an embassy cocktail party. Although she is already involved in a relationship with his journalist son, Martyn (Rupert Graves), she acknowledges the immediate physical bond between them and they are quickly enmeshed in a passionate affair. Stephen is unwilling to break free from his obsession with Anna and continues to maintain the facade of normality. The relationship intensifies despite the announcement of Martyn and Anna's engagement. When tragedy finally and inevitably strikes, Anna is a survivor and it is Stephen and his family who must pay the price.
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