Holly Martins (Joseph Cotten) a naive writer of pulp westerns, arrives in Vienna to meet his old friend Harry Lime (Orson Welles) but finds that Lime has apparently been killed in a suspicious accident. Martins, too, curious for his own good, hears contradictory stories about the circumstances of Limes' death and as witnesses disappear he finds himself chased by unknown assailants. Complicating matters are the sardonic Major Calloway (Trevor Howard), head of the British forces, and Limes' stage actress mistress, Anna (Alida Valli). Will Martin's curiosity lead him to discover things about his old friend that he'd rather not know?
From the moment she glimpses her idol at the stage door, Eve Harrington (Anne Baxter) moves relentlessly towards her goal: taking the reins of power from the great actress Margo Channing (Bette Davis). The cunning Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend (Gary Merrill), her playwright (Hugh Marlowe) and his wife (Celeste Holm). Only the cynical drama critic (George Sanders) sees through Eve, admiring her audacity and perfect pattern of deceit. Thelma Ritter and Marilyn Monroe co-star in this acclaimed classic, which won six Academy Awards and received the most nominations (14) in film history.
A masterwork of the German Silent Cinema whose reputation has only increased over time, 'Diary of a Lost Girl' traces the journey of a young woman from the pit of despair to the moment of personal awakening. Directed with virtuoso flair by the great G.W. Pabst, 'Diary of a Lost Girl' represents the final pairing of the filmmaker with screen icon Louise Brooks, mere months after their first collaboration in the now-legendary Pandora's Box. Brooks plays Thymian Henning, an unprepossessing young woman seduced by an unscrupulous and mercenary character employed at her father's pharmacy (played with gusto by Fritz Rasp, the degenerate villain of such Fritz Lang classics as Metropolis, Spione, and Frau im Mond). After Thymian gives birth to the child and subsequently rejects her family's expectations for marriage, the baby is stripped from her care, and Thymian is relegated to a purgatorial reform school that functions less as an educational institution and more like a conduit for fulfilling the headmistress's sadistic sexual fantasies.
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