Humphrey Bogart stars as an American who gets caught up with a warlord and missionaries in China in the late 1940s. Humphrey Bogart stars as Joe Brody, an American fighter pilot turned adventurer in 1947 China. To escape the wrath of a savage warlord (Lee J. Cobb), he masquerades as a man of God. While hiding out in a remote Catholic mission, Brody finds he is comfortable posing as a priest and restores some order to the feuding villages in the area. However things change when he falls in love with a beautiful nurse, Anne (Gene Tierney) who, though ashamed of her feelings, is drawn to him. When the warlord catches up with him, Bogart must take the most desperate gamble of his life.
Thelma (Eili Harboe) has just left her religious family to study at a university in Oslo. A sudden bout of violent seizures coincides with her growing affections for fellow student Anja (Kaya Wilkins), who reciprocates Thelma's attraction. As it becomes clear that the seizures are symptoms of mysterious and dangerous psychological abilities, Thelma is confronted with secrets from her past and the terrifying implications of her newfound powers.
Everyone in Justine's (Garance Marillier) family is a vet, and a vegetarian. At 16, she's a brilliant and promising student. When she starts at veterinary school, she enters a decadent, merciless and dangerously seductive world. During the first week of hazing rituals, desperate to fit in whatever the cost, she strays from her family principles when she eats raw meat for the first time. Justine will soon face the terrible and unexpected consequences of her actions as her true self begins to emerge.
After unearthing a mysterious VHS cassette, loner Kumiko (Oscar-nominee Rinko Kikuchi) becomes convinced that a satchel of money buried in a cult Hollywood film is, in fact, real. Abandoning her structured life in Tokyo she heads for the frozen Minnesota wilderness armed with only a hand-embroidered map. Ill-prepared but determined, she encounters unexpected help along the way. But is it just a mythical fortune?
A virtuoso James Stewart plays a small-town Michigan lawyer who takes on a difficult case: the defense of a young army lieutenant (Ben Gazzara) accused of murdering a local tavern owner who he believes raped his wife (Lee Remick). This gripping envelope-pusher, the most popular film by Hollywood provocateur Otto Preminger, was groundbreaking for the frankness of its discussion of sex - but more than anything else, it is a striking depiction of the power of words. Featuring an outstanding supporting cast - with a young George C. Scott as a fiery prosecutor and the legendary attorney Joseph N. Welch as the judge - and an influential score by Duke Ellington...
Adapted from a pair of plays by Frank Wedekind, 'Pandora's Box' tells the story of sex worker Lulu (Louise Brooks), a free spirit whose open sexuality breeds chaos in its wake. When Lulu's latest lover, the newspaper editor Dr. Ludwig Schdn (Fritz Kortner), announces plans to leave her to marry a more respectable woman, Lulu is devastated. Cast in a musical revue written by Schon's son, Aiwa (Francis Lederer), Lulu seduces Schon once more - only to have their tryst exposed, and Schon's plans for a more socially acceptable marriage shattered. Left with no choice but to marry Lulu, Schon meets with tragedy on their wedding night. Lulu stands trial for the incident, facing years of imprisonment. With the aid of her former pimp (Carl Goetz), an infatuated lesbian countess (Alice Roberts) and Aiwa, she flees toward a fate of increasing squalor and peril, finally crossing paths one Christmas Eve with Jack the Ripper.
Saul Auslander (Géza Röhrig) is a member of the Sonderkommando, the Jewish prisoners forced to assist in the machinery of the Nazi concentration camps. While at work, he discovers the body of a boy he recognises as his son. As the Sonderkommando plan a rebellion, Saul vows to carry out an impossible task: to save the child's body from the flames and to find a rabbi to offer the boy a proper burial.
A masterwork of the German Silent Cinema whose reputation has only increased over time, 'Diary of a Lost Girl' traces the journey of a young woman from the pit of despair to the moment of personal awakening. Directed with virtuoso flair by the great G.W. Pabst, 'Diary of a Lost Girl' represents the final pairing of the filmmaker with screen icon Louise Brooks, mere months after their first collaboration in the now-legendary Pandora's Box. Brooks plays Thymian Henning, an unprepossessing young woman seduced by an unscrupulous and mercenary character employed at her father's pharmacy (played with gusto by Fritz Rasp, the degenerate villain of such Fritz Lang classics as Metropolis, Spione, and Frau im Mond). After Thymian gives birth to the child and subsequently rejects her family's expectations for marriage, the baby is stripped from her care, and Thymian is relegated to a purgatorial reform school that functions less as an educational institution and more like a conduit for fulfilling the headmistress's sadistic sexual fantasies.
'Wadjda' is the story of a young Saudi girl whose burning desire for a bicycle leads her into bold defiance of her society's restrictive codes of gender and religion. After a fight with her friend Abdullah, a neighborhood boy she shouldn't be playing with, Wadjda sees a beautiful green bicycle for sale. She wants the bicycle desperately so that she can beat Abdullah in a race. But Wadjda's mother won't allow it, fearing repercussions from a society that sees bicycles as dangerous to a girl's virtue. Wadjda decides to try and raise the money herself. Although her cunning plans are continuously thwarted, she is determined to continue fighting for her dreams...
Romeo (Adrian Titieni), a physician living in a small mountain town in Transylvania, has raised his daughter Eliza (Maria-Victoria Dragus) with the idea that once she turns 18, she will leave to study abroad in the UK. But on the day before Eliza's first entrance exam to university, she is assaulted in an attack which threatens to jeopardise her entire future. Now Romeo has a decision to make: there are ways of solving her predicament, but not without betraying the moral principles that he, as a father, has taught Eliza throughout her life.
A constant fixture in critics' polls, Yasujiro Ozu's most enduring masterpiece, 'Tokyo Story', is a beautifully nuanced exploration of filial duty, expectation and regret. From the simple tale of an elderly husband and wife's visit to Tokyo to see their grown-up children, Ozu draws a compelling contrast between the measured dignity of age and the hurried insensitivity of a younger generation.
Marina Vidal's life is thrown into turmoil following the sudden death of her partner, Orlando. Met with suspicion from the police and contempt from her lover's relatives. As tensions rise between her and Orland's family, she is evicted from their shared home and banned from attending his funeral. But faced with the threat of losing everything, Marina finds the strength to fight back. Sebastián Lelio returns with a groundbreaking, deeply humane and Oscar-winning story about a trans woman's fight for acceptance. Anchored by a powerhouse performance from rising star Daniela Vega, 'A Fantastic Woman' is an urgent call for compassion.
Chico & Rita is an epic animated story of love and heartbreak, set against the colour and bustle of Havana, New York, Las Vegas, Hollywood and Paris in the late 1940s and early '50s.
From master storyteller, Guillermo del Toro, comes 'The Shape of Water', an otherworldly fairy tale set against the backdrop of Cold War-era America circa 1962. In the hidden, high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of isolation. Elisa's life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment.
1850 Saint-Pierre, a forgotten small island near Canada. Neel Auguste is found guilty and condemned to death, but in Saint-Pierre there is neither guillotine nor executioner to carry out the sentence. While waiting for a guillotine to arrive from France, Neel is placed under the custody of the Captain and his wife, Madame La. She is particularly interested in Neel in whom she sees goodness and simplicity. Little by little the condemned man becomes indispensable and his popularity soars. But when the guillotine arrives by boat, justice must be done and the battle to save Neel's life escalates.
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