monsieurk's - Favourites List

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In a vast and opulent hotel, an unnamed man (Giorgio Albertazzi) attempts to persuade a similarly unnamed married woman (Delphine Seyrig) that they have not only met before, but they were also romantically involved and had planned to escape together.

The woman recalls no such encounter and so begins a sensual and philosophical examination into the uncertainty of truth.

A powerful front line cast, including Sean Penn, Nick Nolte, Woody Harrelson, and George Clooney, explodes into action in this hauntingly realistic view of military and moral chaos in the Pacific during World War II.

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"Two Women" tells the story of a young widow, Cesira (Sophia Loren) and her 12 year old daughter who flee war-ravaged Rome to Cesira's native village in Ciociaria.

Yet, as the allied forces push back the German occupation, the two women fall victim to a devastatingly brutal act at the very hand of the country's liberators.

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In an absorbing performance Ben Gazzara plays small-time Sunset Strip entrepreneur Cosmo Vittelli, owner of the Crazy Horse West night spot.

An obsessive showman, Cosmo navigates a murky world of loan sharks and crooks to keep his club afloat, but when a gambling debt spirals out of control he is blackmailed into accepting a murderous commission.
Featuring stand-out turns by Seymour Cassel and Timothy Carey as the underworld racketeers out to fleece Cosmo, John Cassavetes' portrayal of one man's hubristic descent subverts the conventions of its genre to explore the darker side of the American dream.

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Holly Martins (Joseph Cotten) a naive writer of pulp westerns, arrives in Vienna to meet his old friend Harry Lime (Orson Welles) but finds that Lime has apparently been killed in a suspicious accident.

Martins, too, curious for his own good, hears contradictory stories about the circumstances of Limes' death and as witnesses disappear he finds himself chased by unknown assailants. Complicating matters are the sardonic Major Calloway (Trevor Howard), head of the British forces, and Limes' stage actress mistress, Anna (Alida Valli). Will Martin's curiosity lead him to discover things about his old friend that he'd rather not know?

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In their first film since the Palme d'Or winning 'Rosetta', brothers Jean-Pierre & Luc Dardenne present a subtle and disquieting study of a man whose life has been devastated by tragedy.

Olivier Gourmet won the Best Actor Award at Cannes for his masterfully understated portrayal of a carpenter who teaches teenagers at a rehabilitation school. He is disturbed by the arrival of a new student, Francis (Morgan Marinne), and he struggles to maintain a professional distance in the boy's presence. An ambiguous relationship develops between the two until the eventual revelation of a terrible secret from the past that binds them together. Utilising their trademark pared-down visual aesthetic to great effect, the Dardennes have crafted a riveting, strikingly powerful film of profound emotional and moral complexity.

Focusing on four families working and living on the farm of a landowner in the Bergamo region of northern Italy, Ermanno Olmi presents a year in their lives, charting their daily activities and the natural flow of existence: birth, marriage, death, and the trials and tribulations in between.

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Edward Yang's multi-award-winning film looks at several turbulent weeks in the life of the Jian family. Husband and father NJ (Nien-Jen Wu) is a partner in a failing software company, which might just save itself by teaming up with an innovative Japanese games designer.

Meanwhile his wife Min-Min (Elaine Jin) has gone off to a mountain retreat with a dubious guru, his teenage daughter Ting Ting (Kelly Lee) is getting her first, rough lessons in love, his young son Yang-Yang (Jonathan Chang) is asking difficult questions and getting into trouble at school - and his mother-in-law has suffered a stroke and lies in a coma. In the middle of all the confusion NJ runs into his childhood sweetheart Sherry, the girl he jilted twenty years earlier, and starts to wonder about starting over.

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Made under the Franco regime, Victor Erice's astonishing 1973 feature debut is quite simply one of the most remarkable, influential and purely poignant films to emerge from the 1970's. A bona-fide classic of European cinema, the film brought Erice instant and widespread acclaim.

An audacious critique of the disastrous legacy of the Spanish Civil War, The Spirit of the Beehive is set in a rural 1940's Spanish village haunted by betrayal and regret. Following a travelling cinema's screening of James Whale's Frankenstein, seven year-old Ana (the mesmerising Ana Torrent, later to grow into an international star of some standing) becomes fascinated with Boris Karloff's monster. Obsessed with meeting the initially gentle creation, she transfers her entrancement to tending a wounded army deserter. Atmospherically rendered by legendary Director of Photography Luis Cuadrado, it's impeccably performed by both Torrent and veteran actor Fernando Fernan Gomez in the role of her emotionally scarred, bee-keeping father. Existing in a highly evocative dreamlike state, it's a powerfully symbolic, richly allegorical tale that is as unique as it is beautiful.

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Perhaps his most famous film, La Dolce Vita slices into the decadent amoral core of Roman society with Fellini's trademark attention to detail and spectacular photography.

Marcello Mastroianni plays a gossip columnist (the term 'paparazzi' derives from the in a film) who aspires to be a more serious writer but knows he never will be, because like society, he is fascinated by the decadent hedonist pursuits which are seemingly everywhere. The Vatican was appalled by the film, but the public adored it, relishing the images Fellini fed them, most notably the now infamous scene of Mastroianni and Anita Ekberg frolicking in the Trevi Fountain.

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Milos Hrma, a bumbling dispatcher's apprentice at a village railway station in occupied Czechoslovakia, longs to liberate himself from his virginity.

Oblivious to the war and the resistance that surrounds him, he embarks on a journey of sexual awakening and self-discovery, encountering a universe of frustration, eroticism, and adventure within his sleepy backwater depot. Milos becomes involved in a plot to blow up a German ammunition train, but when the plan backfires, he is forced to commit the ultimate act of courage.

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Roger Livesey brilliantly portrays a British officer, Clive Candy, through the trials and tribulations of three wars, three lovers and a lifelong friendship across enemy lines. During the Boer War, candy is sent to Berlin to trap a German spy.

There he befriends a German officer, Theo (Anton Walbrook), who marries the girl (Deborah Kerr) Candy is in love with. During the First World War, Candy marries a girl who resembles his lost love and helps Theo - now a POW - to get repatriated. Candy comes back in the Second World War as Brigadier General and once again encounters Theo. On joining a Home Guard exercise, Candy is captured, however, and the two are forced to either aid or betray each other.

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'Bicycle Thieves' tells the story of Antonio (Lamberto Maggiorani), a long unemployed man who finally finds employment putting up cinema posters for which he needs a bicycle.

His wife pawns all the family linen to redeem their already pawned bicycle and for Antonio salvation has come, until it is stolen. Antonio and his son take to the streets in a desperate search to find the bicycle which is so crucial to his livelihood.

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The tale of an eccentric band of culinary ronin who guide the widow of a noodle-shop owner on her quest for the perfect recipe, this rapturous "ramen western" by Japanese director Juzo Itami is an entertaining, genre bending adventure underpinned by a deft satire of the way social conventions

distort the most natural of human urges - our appetites. Interspersing the efforts of Tampopo (Nobuko Miyamoto) and friends to make her cafe a success with the erotic exploits of a gastronome gangster and glimpses of food culture both high and low, the sweet, sexy, and surreal 'Tampopo' is a lavishly inclusive paean to the sensual joys of nourishment, and one of the most mouthwatering examples of food on film ever made.

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At the Victorine Studios in Nice, a French movie-maker, Ferrand (Francois Truffaut) starts shooting his latest film: "Meet Pamela". As ever, this proves eventful from the outset: ups and downs on the shoot, actors whims, complicated love-lives and the producer putting on the pressure...

Ferrand wonders whether his film will ever get made. In 'Day for Night', Truffaut provides the answer to the question asked by all film lovers "what goes on behind the cameras?". He films the shoot as it really is, straightforwardly, without artefacts, with honesty and accuracy, making it seem like a documentary. Often funny, sometimes tragic, 'Day for Night' is one of Truffaut's most autobiographical films and won the Oscar for Best Foreign Film in 1973.