In late 1940's New York, Mafia 'Godfather' Vito Corleone (Marlon Brando) gathers his three sons around him for daughter Connie (Talia Shire)'s wedding; the hot-headed Sonny (James Caan), ineffectual Fredo (John Cazale) and war hero Michael (Al Pacino), who chooses to distance himself from the family 'business'. When Vito is shot and wounded for refusing to sanction a rival family's heroin sales on his territory, Sonny temporarily takes over and embarks on bloody gang warfare. This results in him being killed in an ambush, and Michael finds himself nominated to succeed the ailing Vito.
Al Pacino heads the star cast as Michael Corleone, heir to the criminal empire established by his Mafioso father, the late Don Corleone. The time is mid-1940's: Michael is now in charge of all gambling activities in Nevada, making certain that any and all political or mob enemies are quickly bought off, compromised, or disposed of. Throughout the film, Michael's travels are paralleled with the early experiences of his father, played in flashbacks by Robert DeNiro.
In the final instalment of the Godfather Trilogy, an aging Don Michael Corleone (Al Pacino) seeks to legitimise his crime family's interests and remove himself from the violent underworld. Now in his sixties, Michael is dominated by two passions: freeing his family from crime, and finding a suitable successor. That successor could be fiery Vincent (Andy Garcia)...but he may also be the spark that turns Michael's hopes of business legitimacy into an inferno of mob violence.
Celebrating the 30th Anniversary of 'The Godfather: Part III', director/screenwriter Francis Ford Coppola brings a definitive new edit and restoration of the final film in his epic Godfather trilogy - Mario Puzo's 'The Godfather Coda: The Death of Michael Corleone'. Michael Corleone (Al Pacino), now in his 60's, seeks to free his family from crime and find a suitable successor to his empire. That successor could be fiery Vincent (Andy Garcia)...but he may also be the spark that turns Michael's hope of business legitimacy into an inferno of mob violence. The film's meticulously restored picture and sound, under the supervision of American Zoetrope and Paramount Pictures, includes a new beginning and ending, as well as changes to scenes, shots, and music cues. The resulting project reflects author Mario Puzo and Coppola's original intentions of 'The Godfather: Part III', and delivers, in the words of Coppola, a more appropriate conclusion to 'The Godfather' and 'The Godfather: Part II'.
Newly arrived in Ramsdale, New Hampshire, European emigre Humbert Humbert is smitten, so much so that he comes up with a master plan. He'll marry Charlotte Haze. That way he'll always be close to his dear one - Charlotte's precocious daughter! Filmmaker Stanley Kubrick explores the theme of sexual obsession (a subject he would revisit 37 years later in 'Eyes Wide Shut') with this darkly comic and deeply moving version of Vladimir Nabokov's novel.
Created by writer-comedian Paul Feig and executive produced by Judd Apatow (The Larry Sanders Show), 'Freaks and Geeks' followed the Weir siblings-former math whiz Lindsay (Linda Cardellini) and her younger brother Sam (John Francis Daley) - as they navigated the perils and pleasures of a Michigan high school circa 1980. What separated Freaks and Geeks from most other scholastic series was its brutal honesty-Lindsay and Sam, as well as their friends and parents, were given very human personas that showed failure, malice, indecision, and moments of great clarity. Likewise, the plotlines rarely offered pat solutions to the characters' conflicts-the show unfolded in a naturalistic manner, which was a welcome respite for viewers tired of flashy high school dramas. When combined with its smart dialogue and winning performances (the cast included SCTV veteran Joe Flaherty and Spider-Man star James Franco, as well as the sublime and criminally underrecognized Martin Starr and Seth Rogen as Sam's pal Bill and dry-witted Ken, respectively), the show became a haven for fans of quality television, if only for a brief period of time.
When Uncle Charlie comes to visit his relatives in the sleepy town of Santa Rosa, the foundation is laid for one of his most engaging and suspenseful excursions. Joseph Cotten stars as the charming Uncle Charlie, a beguiling killer who travels from Philadelphia to California just one step ahead of the law. But soon his unknowing niece and namesake, "Young Charlie" (Teresa Wright), begins to suspect her uncle of being the Merry Widow murderer, and a deadly game of cat-and-mouse begins. As his niece draws closer to the truth, the psychopathic killer has no choice but to plot the death of his favourite relative in one of Hitchcock's most riveting psychological thrillers.
Former tennis pro Tony Wendice (Ray Milland) hatches a cunning plot to get rid of his socialite wife, Margot (Grace Kelly), when he discovers that she has been having an affair with author Mark Halliday (Robert Cummings). Wendice blackmails a corrupt former schoolmate into murdering her, but the man bungles the job, and Margot, having killed her would-be assailant in self-defence, then finds herself under suspicion of premeditated murder...
Alicia Huberman (Ingrid Bergman) gains notoriety when her father, a Nazi spy is convinced of treason against the US following World War II. At a party thrown soon after, Alice meets a handsome stranger named Devlin (Cary Grant) who reveals after a clash of wits and temperament that he is a U.S. Intelligence Agent. Because she has fallen in love with the dashing FBI Agent, Alicia is persuaded into helping Devlin trap and catch Nazi mastermind Alex Sebastian. The more she gets involved in her work, the more at risk she becomes...
Like a brand, the letter M has made it's mark on film history; it's disturbing theme having lost none of its impact or relevance. Sinister, dark and foreboding, M tells the story of Hans Beckert (Peter Lorre) - child molester and murderer. Tension builds - a child late home - another child missing. Posters reveal the fate of earlier victims, and the Police seem to have few clues as to the perpetrator of the crimes. Gangsters, beggars and petty criminals, incensed by both the crimes and the Police crackdown, track the killer themselves. Cornered, caught and dragged off to face an equally barbaric form of justice, Beckert endures his own personal torment.
Best friends Anthony (Luke Wilson), Dignan (Owen Wilson), and Bob (Robert Musgrave) stage a wildly complex, mildly successful robbery of a small bookstore, then go "on the lam". During their adventures, Anthony falls in love with a South American housekeeper, Inez (Lumi Cavazos), and they befriend local thief extraordinaire Mr. Henry (James Caan). 'Bottle Rocket' is a charming, hilarious, affectionate look at the folly of dreamers, shot against radiant southwestern backdrops, and the film that put Anderson and the Wilson brothers on the map.
This dramatisation of John Le Carre's novel proved a landmark in British Television. It received supreme critical acclaim for the screenplay by Arthur Hopcraft, the star Alec Guiness and the camerawork of Tony Pierce-Roberts. In Alec Guiness's first major TV role he plays George Smiley, a retired agent who is secretly brought into 'the Circus' (the code name for British Secret Intelligence Service) to root out a top-level mole. Gradually piecing together the story, the weary but determined Smiley trawls through the murky waters of Cold War espionage and his own past.
'House Of Cards' is a delicious tale of greed, corruption and burning ambition. At its heart is Francis Urquhart (Ian Richardson), a black-hearted villain with a smiling face, who shares with the viewers his estranged humour and innermost thoughts to destroy each of his political rivals. One by one his opponents tumble, until at last there is just one wild card left in the pack...
In this outstanding psychological and political thriller, we get a fascinating insight into the lengths and depths that the East European government went to in order to keep tabs on the lives of its population in 80's. When cold and brutal official Wiesler (Ulrich Mühe) is given the task of spying on acclaimed playwright Dreyman (Sebastian Koch) and his actress girlfriend, he relishes the task, knowing that if he uncovers subversive behaviour he will gain favor with his boss. But the longer he listens in on the couple, their friendships, passions and ideas, the more he realises that his own life and the harsh political regime are lacking in color and joy in many respects. Slowly he begins to doubt morality of is job and politics. As the lines between orders and compassion become blurred, Wiesler becomes more involved with his subject, walking a dangerous path between his duty and his new found reality.
Raimunda (Penelope Cruz) and her sister Sole (Lola Duenas) are visited by the apparition of their Mother (Carmen Maura), who has returned to reconcile with her daughters and resolve an issue that has haunted the family since her death. In Pedro Almodovar's latest critically-acclaimed film, the living and deceased co-exist without discord, creating a filmic experience which is at once hilarious and yet filled with a deep, genuine emotion. VOLVER is a film about life in Almodovar's native La Mancha; a film about the way the presence of the dead continues to add richness and humanity to the lives of those they leave behind.
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