The Little Tramp punches in and wigs out inside a factory where gizmos like an employee feeding machine may someday make the lunch hour last just 15 minutes. Bounced into the ranks of the unemployed, he teams with a street waif (Paulette Goddard) to pursue bliss and a paycheck, finding misadventures as a roller-skating night watchman, a singing waiter whose hilarious song is gibberish, a jailbird and more. In the end, as tramp and waif walk arm in arm into an insecure future we know they've found neither bliss nor a paycheck but, more importantly, each other. The times and satire remain timeless in 'Modern Times'.
As the AIDS epidemic tears through their community, the members of ACT UP Paris are fighting for survival. One day, as outspoken radical Sean (Nahuel Perez Biscayart) strikes up a conversation with shy newcomer Nathan (Arnaud Valois), they have no idea that their lives are about to change forever. From the writer of Palme d'Or winner 'The Class', Robin Campillo, and based on his own experiences, this vibrant and deeply emotional drama rushes with youthful energy, balancing powerful themes of social justice with euphoric moments of spine-tingling sensuality. Urgent and effecting, it's a film about life, death, passion, tragedy - and, above all, the will to survive.
In 'Rosie', award-winning Irish novelist Roddy Doyle brings his signature brand of warmth and authenticity to a modern story of a Dublin family who have found themselves with nowhere left to go. Hailed as the most important Irish film of the year, 'Rosie' follows a young mother as she searches to find a room for the night for her family - a tense race against time as the hours count down and their options run out. Set over 36 hours, 'Rosie' tracks a normal family faced with impossible choices and exposes just how easy it is to slip through the cracks. Directed by Paddy Breathnach, 'Rosie' is a cinematic tour de force about love, family and how you protect your children when you have nowhere to call home.
Featuring Marilyn Monroe's legendary rendition of "Diamonds Are a Girl's Best Friend", this fun musical comedy is a knockout. Marilyn and Jane Russell star as two showgirls who set sail on a luxury liner bound for France. Hijinks on the high seas ensue as Lorelei (Monroe) and Dorothy (Russell) discover they're being tailed by a private detective hired by the father of Lorelei's landlocked boyfriend. By the time the ship reaches Paris, a missing diamond tiara lands the girls in hot water, but by following their hearts, they'll get out of trouble and on to the altar.
She's an ex-gun moll and showgirl suddenly forced to protect a kid whose parents have been rubbed out by the mob. Now the mob wants the kid dead too - but first they'll have to deal with Gloria. Director John Cassavetes, known for his unique approach to filmmaking, creates a powerful, tension-filled story. An accountant (Buck Henry) is in possession of a ledger which could put a number of mob bosses behind bars for a long time. Before he is killed, however, he manages to entrust the ledger and his son to a neighbour, Gloria (Gena Rowlands in an Oscar nominated performance, Best Actress, 1980), for protection. Gloria reluctantly takes the kid on the run while keeping the mob at bay, sometimes at gunpoint. Finally, tired of running, she decides to confront them head on!
"Terms of Endearment" dazzled critics and audiences alike with its believable, insightful story of two captivating people, mother and daughter, unforgettably played Shirley MacLaine and Debra Winger. Jack Nicholson turns in a great comic performance as MacLaine's neighbour, a boozy, womanizing former astronaut.
Paula Biren, Ruth Elias, Ada Lichtman, Hanna Marton: Four Jewish women, witnesses and survivors of the most insane and pitiless barbarism, and who, for that reason alone, but for many others also, deserve to be inscribed forever into the memory of humankind. What they have in common, beside the specific horrors to which each of them were subjected, is a searingly sharp, almost-physical intelligence, which rejects all pretence or faulty reasoning. In a word, idealism. Filmed by Claude Lanzmann during the preparation of what would become 'Shoah', each of these four extraordinary women deserved a film in their own right, to fully illustrate their exceptional fibre, and to reveal through their gripping accounts four little-known chapters of the extermination.
Mary and Max chronicles Mary's trip from adolescence to adulthood, and Max's passage from middle to old age and explores a "bond that survives much more than the average friendship's ups-and-downs. Both hilarious and poignant Mary and Max is a journey that explores friendship, autism, taxidermy, psychiatry, alcoholism, where babies come from, obesity, kleptomania, sexual differences, trust, copulating dogs, religious differences, agoraphobia and many more of life's surprises.
As the mourners and guests at a British country manor struggle valiantly to "keep a stiff upper lip," a dignified ceremony devolves into a hilarious, no-holds-barred debacle of misplaced bodies, indecent exposure, and shocking family secrets. Packed with extras including audio commentaries and an hilarious gag reel, Death at a Funeral blows the lid off the proverbial coffin.
An extraordinary motion picture, Ordinary People is an intense examination of a family being torn apart by tension and tragedy. Donald Sutherland and Mary Tyler Moore star as the upper-middle-class couple whose "ordinary" existence is irrevocably shattered by the death of their oldest son in a boating accident, suicide and guilt left by the drowning, Judd Hirsch is the empathetic psychiatrist who provides his lifeline to survival. Mary Tyler Moore gives a riveting portrayal of the inexplicably aloof mother. Robert Redford's achievement as director, after more than twenty years as a superstar in front of the camera, earned him an Oscar. Superb performances and masterful direction complement the award-winning screenplay, based upon the novel by Judith Guest.
Jeff Bridges, Cynthia Erivo, Dakota Johnson, Jon Hamm and Chris Hemsworth lead an all-star cast in this powerful thriller filled with gripping suspense and startling revelations. Seven strangers, each with a secret to bury, meet at Lake Tahoe's El Royale, a rundown hotel with a dark past. Over the course of one fateful night, everyone will have a last shot at redemption...before everything goes to hell.
During a long hot summer in south London, Jamie (Glen Berry) is bunking off school more than usual, scurrying back to the TV and the flat on the Thamesmead estate where he lives with his mother Sandra (Linda Henry). Meanwhile his neighbour Leah (Tameka Empson), who's been kicked out of school, spends her days listening to Mama Cass records. In the same block is Jamie's sporty classmate Ste (Scott Neal), whose home life is punctuated by the regular beatings he receives from both his father and brother. One night, in a bid to escape the violence, Ste takes refuge in Sandra's flat and sleeps head to toe with Jamie. As Sandra struggles with a job promotion and her relationship with her hippy boyfriend Tony (Ben Daniels), Jamie and Ste gradually discover their affection for each other.
Upset by her widowed father's plans to remarry, Angel (Kumiko Ohba) sets off with six of her schoolgirl friends in tow for a summer getaway at her aunt's isolated mansion. In this house of dormant secrets, long-held emotional traumas have terrifyingly physical embodiments and the girls must use their individual talents if any are to survive.
While on a forgettable first date together in Ohio, a black man (Daniel Kaluuya) and a black woman (Jodie Turner-Smith), are pulled over for a minor traffic infraction. The situation escalates, with sudden and tragic results, when the man kills the police officer in self-defense. Terrified and in fear for their lives, the man, a retail employee, and the woman, a criminal defense lawyer, are forced to go on the run. But the incident is captured on video and goes viral, and the couple unwittingly become a symbol of trauma, terror, grief and pain for people across the country. As they drive, these two unlikely fugitives will discover themselves and each other in the most dire and desperate of circumstances and will forge a deep and powerful love that will reveal their shared humanity and shape the rest of their lives.
"Bacurau" is a wild, genre-blending siege thriller from Kleber Mendonga Filho (Aquarius, Neighbouring Sounds) and Juliano Dornelles. Set in the remote back-country of Brazil, it follows a tight-knit village community's bloody and brutal fight for its own survival. With unforgettable turns from Udo Kier and Sonia Braga, this is an audacious, original and spectacularly violent blend of neo-Western, revenge thriller and political allegory.
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