A remarkably assured debut from Swiss director Andreas Fontana, 'Azor' invites us into the alluring world of the ultra-wealthy in 1980's Argentina. Set in Buenos Aires, the film follows private banker Yvan (Fabrizio Rongione) as he arrives from Geneva with his wife Ines (Stéphanie Cléau) to replace a mysteriously missing colleague and placate their moneyed clientele. Moving through the smoke-filled lounges and lush gardens of a society under intense surveillance, he finds himself untangling a sinister web of colonialism, high finance, and a nation's "Dirty War".
There is a philosophical theory that we should be born with a small amount of alcohol in our blood; that modest inebriation opens our minds to the world around us diminishing problems and increasing creativity. Intrigued Martin (Mads Mikkelsen) and three of his friends all weary high school teachers, embark on a risky experiment to maintain a constant level of intoxication throughout the workday. Initial results are positive, but as the units are knocked back and stakes are raised, it becomes increasingly clear that some bold acts carry severe consequences.
Two women, Janis (Penélope Cruz) and Ana (Milena Smit), meet in a hospital where they are about to give birth. Both are single and became pregnant by accident. Janis, middle-aged, has no regrets and is exultant. The other, Ana, an adolescent, is scared and repentant. Janis tries to encourage her as they move like sleepwalkers through the hospital corridors. The few words they exchange in these hours will create a very close link between them, which by chance will develop and complicate, changing their lives in a decisive way.
The marriage of Princess Diana (Kristen Stewart) and Prince Charles (Jack Farthing) has long since grown cold. Though rumors of affairs and a divorce abound, peace is ordained for the Christmas festivities at the Queen's (Stella Gonet)'s Sandringham Estate. There's eating and drinking, shooting and hunting. Diana knows the game. But this year, things will be profoundly different. 'Spencer' is an imagining of what might have happened during those few fateful days.
Ridley Scott returns to the universe he created, with 'Alien: Covenant', a new chapter in the groundbreaking Alien franchise. The crew of the colony ship Covenant, bound for a remote planet on the far side of the galaxy, discovers what they think is an uncharted paradise, but is actually a dark, dangerous world. When they uncover a threat beyond their imagination, they must attempt a harrowing escape.
In the aftermath of a personal tragedy, Harper (Jessie Buckley) retreats alone to the beautiful English countryside, hoping to have found a place to heal. But someone or something from the surrounding woods appears to be stalking her. What begins as simmering dread becomes a fully-formed nightmare, inhabited by her darkest memories and fears in visionary filmmaker Alex Garland's feverish, shape-shifting new horror film.
Return to a world of two realities: everyday life...and what lies behind it. To truly know himself, Neo (Keanu Reeves) must follow the white rabbit once again into the Matrix. Of course, Neo already knows what he has to do. What he doesn't know is that the Matrix is more dangerous than ever. Deja vu.
His crime: nonconformity. His sentence: the chain gang. Paul Newman plays one of his best-loved roles as Cool Hand Luke, the loner who won't - or can't - conform to the arbitrary rules of his captivity. It recalls other hallmark Newman performances: Luke is The Hustler without a dream of victory, Harper without a moral mission, Hud without a father to defy. A cast of fine character actors, including George Kennedy in his Academy Award-winning role of Dragline, gives Newman solid support as fellow prisoners. And Strother Martin is the Captain who taunts Luke with the famous line, "What we've got here is...failure to communicate." No failure here. With rich humour and vibrant storytelling power, 'Cool Hand Luke' succeeds resoundingly.
Joel (Jim Carrey) is stunned to discover that his girlfriend, Clementine (Kate Winslet), has had their tumultuous relationship erased from her mind. Out of desperation, he contacts the inventor of the process, Dr Howard Mierzwiak (Tom Wilkinson), to get the same treatment. But as his memories of Clementine begin to fade, Joel suddenly realizes how much he still loves her.
Wrongly accused city banker Andy Dufresne (Tim Robbins) arrives at Shawshank Prison in 1947 after receiving a double life sentence for the brutal murders of his wife and her lover. He discovers that when they send you to Shawshank for life...that's exactly what they take. His quiet strength slowly earns him the respect and friendship of the prison fixer Red (Morgan Freeman). He also becomes popular with the warden and prison guards, as he is able to use his banking experience to help the corrupt officials amass fortunes. But Andy's seemingly stoic acceptance of his unjust imprisonment hides a fierce determination for freedom and provides a unique chance to change his fate.
Following a plane crash a group of schoolboys find themselves on a deserted island. They appoint a leader and attempt to create an organised society for the sake of their survival. Democracy and order soon begin to crumble when a breakaway faction forms and quickly regresses to brutal savagery with horrifying consequences. Peter Brook's classic adaptation of William Golding's novel has lost none of the impact it made when given an 'X' certificate on its 1963 release. Shot with a raw style the film has a chilling air of realism and still retains the power to shock.
One of the most popular screen Western ever made, this Academy Award-winning classic blends adventur, romance and comedy to tell the true story of the West's most likeable outlaws. No-one is quicker then Butch Cassidy (Paul Newman) when it comes to get rich quick schemes, and his sidekick Sundance (Robert Redford) is a wizard with a gun. When these two bungling bank and train robbers tire of running from the law, they set out for Bolivia with Sundance's girlfriend (Katherine Ross). Though they can barely speak enough Spanish to communicate: "This is a stick-up!", that's only a minor detail to the two nicest "bad-guys" who ever rode the West.
From visionary director Robert Eggers comes 'The Northman', an action-filled epic that follows a young Viking prince on his quest to avenge his father's murder.
Brad Washburn was the greatest aerial mountain photographer of all time. More than eighty years after he first photographed Denali, Alaska from the air, climbing buddies Renan Ozturk and Freddie Wilkinson look at some of Washburn's images and have a crazy idea: rather than go up, their dream is to go sideways - across the range's most forbidding peaks, the Moose's Tooth massif. While the climbing action unfolds, Washburn's own incredible story comes to life through stunning archivals and recreations. Filmed over a period of five years, 'The Sanctity of Space' brings together visual elements of the highest order - from Washburn and Ansel Adams's stunning large format black and white photographs to state-of-the-art helicopter cinematography to space photography - with an unforgettable story spanning generations. It's both a white-knuckle adventure tale, and a celebration of the spirit of exploration.
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