Gloria (Julianne Moore) is a free-spirited divorcee who spends her days at a straight-laced office job and her nights on the dance floor. One evening, she meets Arnold (John Turturro) and finds herself thrust into an unexpected new romance, filled with both the joys of budding love and the complications of harmonising this new life with an old past.
Oiao (the extraordinary Zhao Tao) lives in a depressed mining town. Her boyfriend, Bin (Liao Fan), is a dashing gangster who works for a corrupt property developer. After his boss is murdered, Bin ascends in rank within the Jianghu (a criminal brotherhood) but finds himself vulnerable to rivals. When they both are arrested, Qiao makes a fateful decision: she takes the blame to save Bin. After five years in prison, she emerges to find her world has transformed. Her former associates have moved into legitimate businesses, while Bin has found another woman. Qiao seeks revenge, but, more importantly, she searches for a new identity in a changing China - a search that will take her to Three Gorges Dam and toward a powerful revelation.
Up-and-coming young lawyer Andrew Beckett (Tom Hanks) has just been fired by his prestigious law firm. They say he hasn't got what it takes. Andrew knows it's because he's got AIDS. Determined to defend his professional reputation, Andrew hires fierce, brilliant personal-injury attorney Joe Miller (Denzel Washington) to sue his former employers for wrongful dismissal. Joe is initially reluctant to take on the case. Although he as grown up knowing the pain of prejudice, he's never had to confront his own prejudices against homosexuality and AIDS...until now. One man is fighting for his reputation, his life and for justice. The other is battling to overcome his own and society's ignorance and fear.
Writer-director Greta Gerwig (Lady Bird) has crafted a 'Little Women' that draws on both the classic novel and the writings of Louisa May Alcott, and unfolds as the author's alter ego, Jo March, reflects back and forth on her fictional life. In Gerwig's take, the beloved story of the March sisters - four young women each determined to live life on their own terms - is both timeless and timely. Portraying Jo, Meg, Amy, and Beth March, the film stars Saoirse Ronan, Emma Watson, Florence Pugh, Eliza Scanlen, with Timothee Chalamet as their neighbour Laurie, Laura Dern as Marmee, and Meryl Streep as Aunt March.
John Boyega is the rebellious Jake Pentecost, a once-promising Jaeger pilot whose legendary father gave his life to secure humanity's victory against the monstrous "Kaiju". Now an even more fearsome alien threat has been unleashed on the world and Jake is called back into action by his former co-pilot, Lambert (Scott Eastwood), and a 15-year-old Jaeger hacker, Amara (Cailee Spaeny). Rising up to become the most powerful defence force to ever walk the earth, they will set course for a spectacular all-new adventure on a towering scale.
James Mason is Johnny McQueen, the idealistic leader of an illegal organisation in Northern Ireland. Shot during an armed raid he is badly wounded. Stumbling through the back streets of Belfast his friends, enemies and the police begin to close in as he tries to find a place to hide...
Set in 1946, this engrossing drama follows Rachael Morgan (Keira Knightley), a British woman whose colonel husband (Jason Clarke) is charged with rebuilding war-ravaged Hamburg. When she joins him there during the bitter winter months, she learns they will be sharing their home with a German widower (Alexander Skarsgard) and his troubled daughter. Before long, the unusual arrangement intensifies political divides and stirs deep personal wounds. In this increasingly charged environment, enmity and grief give way to unexpected passion and betrayal.
One of the biggest box office hits of all time delivers the ultimate encounter when mysterious and powerful aliens launch an all-out invasion against the human race. The spectacle begins when massive spaceships appear in Earths skies. But wonder turns to terror as the ships blast destructive beams of fire down on cities all over the planet. Now the worlds only hope lies with a determined band of survivors, uniting for one last strike against the invadersbefore its the end of mankind.
Tom Hanks portrays Mister Rogers in 'A Beautiful Day in the Neighbourhood', a timely story of kindness triumphing over cynicism, based on the true story of a real-life friendship between Fred Rogers and journalist Tom Junod. After a jaded magazine writer (Emmy winner Matthew Rhys) is assigned a profile of Fred Rogers, he overcomes his skepticism, learning about kindness, love and forgiveness from America's most beloved neighbour.
Master filmmaker Paolo Sorrentino (Youth, The Great Beauty) teams up once again with longtime collaborator Toni Servillo (II Divo) to reveal the scandalous and, until now, unseen private life of Italy's most infamous politician, Silvio Berlusconi. Told from the point of view of a corrupt pimp, 'Loro' depicts a world of unbridled hedonism and greed for power with a wickedly satirical sting. Biopics don't come more unauthorised than this!
From director Todd Douglas Miller (Dinosaur 13) comes a cinematic event 50 years in the making. Crafted from a newly discovered trove of 65mm footage, and more than 11,000 hours of uncatalogued audio recordings, 'Apollo 11' takes us straight to the heart of NASA's most celebrated mission - the one that first put men on the moon, and forever made Neil Armstrong and Buzz Aldrin into household names. Immersed in the perspectives of the astronauts, the team in Mission Control, and the millions of spectators on the ground, we vividly experience those momentous days and hours in 1969 when humankind took a giant leap into the future.
Marcello Mastroianni is (Fellini's alter ego) Guido, a successful filmmaker who, embarking on his next film, discovers he has a complete "director's block": he has no story to tell! Harassed by his producers, his mistress (Sandra Milo) and his wife (Anouk Aimee), while struggling to find the inspiration for his film, he increasingly retreats in dreamy recollections of his life and lovers, until fantasy, memories and reality merge in the director's mind - and on screen, in an astonishing, masterful spectacle, culminating in an electrifying triumph of optimism. As Guido-Federico says at the end of 8 1/2: "Life is a party, let's live it together!"
Academy Award nominee Agnieszka Holland brings to the screen the extraordinary and powerful story of the real-life Welsh journalist who uncovered Stalin's genocidal famine in Ukraine, which killed almost 10 million during The Holodomor of 1932 and 1933. Gareth Jones (James Norton) is an ambitious Welsh journalist, who gained fame after his report on being the first foreign journalist to fly with Hitler. On leaving a government role, Jones decides to travel to Moscow in an attempt to get an interview with Stalin himself. Hearing murmurs of government-induced famine, Jones travels clandestinely to Ukraine, where he witnesses the atrocities of man-made starvation. Deported back to London, Jones publishes an article revealing the horrors he witnessed, but is accused of being a liar by those who have an interest in silencing him. As the death count mounts, Jones has to fight for the truth.
As the Iranian Revolution takes over the U.S. Embassy in Tehran, six Americans escape. Now only one man can get them out from behind enemy lines. Tony Mendez (Ben Affleck) is a brilliant CIA agent who specialises in impossible escapes, but his new plan is as daring as it is desperate. Disguised as a film crew, Tony and the fugitives must hide in plain sight, where the slightest slip up could end in instant death.
The film paints the relationship between L.S. Lowry (Timothy Spall), one of Britain's most iconic artists, and his mother Elizabeth (Vanessa Redgrave), with whom he lived until her death. We see Lowry in the beginnings of his career, as he yearns for his work to be appreciated in London. However, his disdainful mother actively tries to dissuade her bachelor son from pursuing his artistic ambitions. At the same time, the film explores how Elizabeth is the very reason Lowry paints anything at all, as he desperately seeks to create something, anything, which will make her happy. This powerful yet humorous story imagines the impact this obsessive mother and son relationship had on the great artist.
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