In the high-stakes game of big-wall climbing, the Shark's Fin on Mount Meru may be the ultimate prize. It's a deadly route that has seen more failed attempts by elite climbing teams over the past 30 Years than any other ascent in the Himalayas. When Conrad Anker, Jimmy Chin and Renan Ozturk attempted the 21,000ft climb they suffered set back after set back including dwindling supplies, 10 feet snow storms and sub-zero temperatures. Beaten back even when the summit is in sight, heartbroken and totally defeated, Anker, Chin and Ozturk face up to some extraordinary challenges that makes Meru a unique story of friendship, sacrifice, hope and obsession.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of 'Meru', comes 'Free Solo' a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold, as he prepares to achieve his lifelong dream: climbing the face of the world's most famous rock...the 3,200-foot El Capitan in Yosemite National Park...without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold's climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement. 'Free Solo' is an edge-of-your seat thriller and an inspiring portrait of an athlete who challenges both his body and his beliefs on a quest to triumph over the impossible, revealing the personal toll of excellence. The result is a triumph of the human spirit that represents what The New York Times calls "a miraculous opportunity for the rest of us to experience the human sublime".
A marriage that has fallen on hard times is further tested by the couple's implication in a murder. Jenny Lamour (Suzy Delair) is a music hall chanteuse married to her pianist husband Maurice (Bernard Blier). Keen to get ahead, Jenny leaps at the chance when an ageing wealthy businessman (Charles Dullin) offers her the chance of some gigs. However, when she agrees to a meeting at his home and he is found dead later in the evening - Maurice's untamed jealousy is in the frame. A Maigret-esque detective, Antoine, played by Louis Jouvet leaves no stone unturned in his exceedingly private investigations of the down-at-heel showbiz couple's sad, tempestuous life. 'Quai des Orfevres' was Henri-Georges Clouzot's first film in four years. He had been banned from film making following the controversy surrounding the release Le Corbeau.
Agnes Varda's classic 'Cleo from 5 to 7' from 1962 manages to successfully capture Paris at the height of the sixties in this intriguing tale expertly presented in real time about a singer (Corinne Marchand) whose life is in turmoil as she awaits a biopsy test result.
After saving the lives of his platoon during the Korean War, Sergeant Raymond Shaw (Laurence Harvey) is hailed as a bona fide American hero. This couldn't have come at a better time for his mother (Angela Lansbury) who is hell-bent on boosting the career of his stepfather, a senator straight from the McCarthyite wing of the US political spectrum with designs on the Presidency. So far so familiar - but why does Shaw's former captain (Frank Sinatra) have recurring nightmares that suggest that his distinguished comrade-in-arms might not be all that he seems?
C.C. "Bud" Baxter (Jack Lemmon) knows the way to success in business...it's through the door of his apartment! By providing a perfect hideaway for philandering bosses, the ambitious young employee reaps a series of underserved promotions. But when Bud lends the key to big boss J.D. Sheldrake (Fred MacMurray), he not only advances his career, but his own love life as well. For Sheldrake's mistress is the lovely Fran Kubelik (Shirley MacLaine), elevator girl and angel of Bud's dreams. Convinced that he is the only man for Fran, Bud must make the most important executive decision of his career: lose the girl... or his job.
Hired to work on a yacht belonging to the disabled husband of femme fatale Rita Hayworth, Welles plays an innocent man drawn into a dangerous web of intrigue and murder.
Released in 1971 to critical acclaim and public controversy, Peter Bogdanovich's 'The Last Picture Show' garnered eight Academy Award nominations (including Best Picture) and was hailed by many as the most important work by a young American director since Citizen Kane. A surprisingly frank, bittersweet drama of social and sexual mores in small-town Texas, the film features a talented cast led by Jeff Bridges, Cybill Sheperd and Timothy Bottoms.
A priest tortures a confession out of an old woman accused of witchcraft; meanwhile his young wife (whose own mother has been suspected of being a witch) meets and falls in love with the priest's son by a former marriage.
The plot concerns a yachting trip by a small group of jaded socialites, including Sandro (Gabriele Ferzetti), an aging architect who sold out for easy money long ago, his mistress Anna (Lea Massari), and her friend Claudia (Monica Vitti), who doesn't fit in with the wealthy jet-setters' dissolute ethics. When Anna disappears during a tour of a volcanic island, Claudia initially blames Sandro's emotionally barren behavior toward her. As they search the island, however, Claudia and Sandro grow closer and - when it is apparent that Anna is gone forever - become lovers. Unfortunately, Sandro cannot find anything decent inside himself and betrays Claudia with a local prostitute. Caught in the act, Sandro has a heartrending breakdown on a desolate beach, but Claudia silently forgives him.
Regina (Audrey Hepburn) is about to divorce her husband when he is found murdered. Shortly before his death he had been converting all of his goods into cash, which has also disappeared. Enter onto the scene Peter Joshua (Cary Grant), seemingly interested in Regina but really more interested in the whereabouts of her late husband's money. He is not alone, for there are former partners of her husband's also on the trail…
The story of the fragile sentimentalism of a former prostitute who visits her sister only to be taunted mercilessly by her childish brother-in-law. A Streetcar Named Desire: The Original Director's Version is the Elia Kazan/ Tennessee Williams film moviegoers would have seen had not Legion of Decency censorship occurred at the last time. It features three minutes of previously unseen footage underscoring, among other things, the sexual tension between Blanche DuBois (Vivien Leigh) and Stanley Kowalski (Marlon Brando), and Stella Kowalski's (Kim Hunter) passion for husband Stanley.
In a small Hungarian town lives Karrer (Miklós Székely B.), a listless and brooding man who has almost completely withdrawn from the world, but for an obsession with a singer in the bar he frequents. The first film in which Hungarian auteur Bela Tarr's fully realised his mesmerising and apocalyptic world view is an immaculately photographed and composed study of eternal conflict: the centuries-old struggle between barbarism and civilization.
The film tells the story of three women who live in an apartment block in the California desert. Shy, quiet girl Pinky (Sissy Spacek), arrives without a past or identity and starts working in a nursing home. Here she meets Millie (Shelley Duvall), they strike up a friendship and become roommates. A third woman Willie, (Janice Rule) is a pregnant artist. She expresses her fears and fantasies by painting murals of male aggression and victimized women on the bottom of swimming pools. Willie is a silent troubled character, whose husband is a drunk. Willies' troubled ways and the extraordinary characters of Mille and Pinky are at the centre of a series of strange events that cause their identities to change and morph in unexpected ways, creating one person.
When free-spirited petty crook Randle P. McMurphy (Jack Nicholson) arrives at the state mental hospital, his contagious sense of disorder jolts the routine. He's on the side of a brewing war, soft-spoken, coolly monstrous Nurse Ratched (Louise Fletcher) on the other. At stake is the fate of every patient on the ward.
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