Outlaws come and go in Nick and Nora's lives. Now it's time to meet the in-laws. The debonair sleuths leave little Nicky Jr. at boarding school, grab Asta and head to Nick's boyhood home of Sycamore Springs. Of course, wherever they go, murder has a way of showing up on the doorstep - a point proven in this fifth Thin Man. Nick can show off his gumshoe talents for his parents (Harry Davenport and Lucile Watson) when an artist is killed. And he'll do it without customary liquid inspirations because Nick (William Powell) is on the wagon. He's also on his game. As is Nora (Myrna Loy), wrestling a folding lawn chair, tailing a presumed suspect through town, igniting a pool-hall rumble and cracking wise as good as she gets. Make yourself at home, whodunit fans.
At 11:14 pm, the suburban lives of a drunk driver, a bored teenager, a protective father, a slacker motorhead, and a manipulative girl collide in a series of deadly ironic twists what will keep you guessing until the credits roll.
A foppish Londoner working in British Intelligence, Alexander Eberlin (Laurence Harvey) is actually a Russian counter-espionage agent named Krasnevin. Fraser (Harry Andrews) head of British Intelligence, gives his men a special assignment - find and destroy Krasnevin! Gatiss (Tom Courtenay), a cold-blooded killer whos despises Eberlin but isn't aware of his cover, becomes his aide. When Eberlin's Russian Intelligence chief, Eberlin tries to escape to Moscow via West Berlin. Here even doubts Caroline (Mia Farrow), a swinging Londoner with whom he is having an affair. Gatiss offers Sobakevich $100,000 for the identity of the elusive Krasnevin. When the Russian double-crosses him, Gatiss kills him. Then Eberlin learns from another British agent that Fraser has known his true identity as Krasnevin and has been using him to help unearth other members of the Russian ring.
With 'El Topo', Alejandro Jodorowsky gave birth to the countercultural phenomenon of the Midnight Movie and carved out a place in history as one of cinema's most unique and visionary filmmakers, impressing John Lennon and Yoko Ono so much that they enthusiastically endorsed the film at one of its first New York screenings. Part Luis Bunuel, part Sergio Leone, this bizarre, ultra-violent Western features a brutal, black-clad gunslinger who, accompanied by his young son, sets off on a murderous mission to challenge four zen masters of gun-fighting. When his mission is complete he then goes on a quest for peace and personal redemption, but finds that death is never far away.
The hero of Julien Vuvivier's film is an expensive dress coat, which affects the fortunes and misfortunes of all who wear it. In these five sumptuous vignettes set for the most part in New York, the black formal coat is the only linking device. We first come across the coat in short noir about a matinee idol (Charles Boyer) embroiled in a love triangle with a callous woman (Rita Hayworth) and her sadistic husband. Time second is a comical tale starring Ginger Rogers, Cesar Romero and Henry Fonda about a love cheat and his best friend. The third is a tearjerker with Charles Laughton as an amateur musician yearning to play in an orchestra. Edward G. Robinson stars in the fourth as a down-and-out lawyer who reluctantly attends his college reunion. Paul Robeson stars in the final fable, which concludes the coat's journey.
At a charity gambling benefit aboard the S.S. Fortune, the tables are hot, the jazz is hotter and before you know it, a bandleader's body is growing cold. They're playing your song, Nick and Nora Charles! William Powell and Myrna Loy return as the married sleuths, rousting suspects out of bed for 4 AM interrogations while trying to fathom the bebop argot of '40s jazz jive. Speaking of their renowned screen chemistry, Loy once said: "It wasn't a conscious thing. If you heard us talking in a room, you'd hear the same thing. He'd tease me, and there was a sort of blending which seemed to please people." Decades later, people are still pleased. The melody of Song Of The Thin Man and the entire beloved series lingers on.
From the window of her New York apartment, lonely housewife Diane Arbus (Kidman) locks eyes with a masked figure on the street - a mysterious new neighbor (Downey, Jr.). Drawn to the man who intrigues her and determined to take his photograph, Diane ventures to his apartment and embarks on a journey that will unlock her deepest secrets and awaken her remarkable artistic genius, launching Diane on her path to becoming the artist she is meant to be.
Dum-Dum, Wacky, Creeps, Fingers: They're just a few of the hoodlums in the world of amateur sleuths and professional bon vivants Nick and Nora Charles. And now there's a new hood: parenthood. A birthday party - make that boithday - that some of da boys hold for infant Nick Jr. is part of the fun in this third film in the witty series. The case begins when the Charles family arrives for a weekend with a Long Island industrialist who fears someone wants to kill him. Sure enough, his fears come true. Nick (William Powell) is among the suspects. Asta scrams with what may be the murder weapon. And Nora (Myrna Loy) has her own ideas about the case and sneaks off to a nightclub to ferret out a clue. "Madam, how long have you been leading this double life?" Nick asks. "Just since we've been married," she replies.
Long, lean, raven-haired model turned actress Makiko Esumi is Miyuki Minazuki, an assassin in black kimono and high-heel boots better known as Stray Cat. Rated No. 3 in the Assassins Guild, she's given the chance to advance up the ladder with a contract to take out No. 1. However, she must vie with other ambitious killers and so begins a long, bloody fight for control.
A breathtaking blend of violence, eroticism and dark humour, 'Branded to Kill' saw Suzuki's reinvention of the gangster film taken to a new level that borders on the surreal. Hanada is the underworld's 'Number 3' assassin. When his car breaks down he is picked up by the beautiful and mysterious Misako who before long has hired his services. The hit goes wrong - a mistake that cannot go unpunished in Hanada's world. He is soon drawn into a deadly game of cat and mouse with the legendary and anonymous 'Number 1'. Strange, sexy and utterly compelling, prepare to be blown away.
Written by Academy Award winners Billy Wilder and Charles Brackett, 'Midnight' has been hailed as 'just about the best comedy ever caught by the camera from the Golden Age of Hollywood!' Academy Award winners Claudette Colbert, Don Ameche and John Barrymore simply light up the screen. The fun begins when a penniless showgirl (Colbert) impersonates a Hungarian Countess and, with the help of an aristocrat (Barrymore), quickly adapts herself to her new lifestyle. But can she stop herself from falling in love with yet another poor man (Ameche)?
Set amidst the glittering theatre world of 19th century Paris, the story revoles around the beautiful and free-spirted courtesan, Garanace, and the four men who compete for her affections; a mime-artist, an actor, an aristocrat and a criminal. As the melodrama unfolds, we are treated to one of cinema's greatest love stories, a captivating tale of passion, deception and murder.
Nick and Nora Charles cordially invite you to bring your own alibi to The Thin Man, the jaunty whodunit that made William Powell and Myrna Loy the champagne elite of sleuthing, Bantering in the boudoir, enjoying walks with beloved dog Asta or matching each other highball for highball and clue for clue, they combined screwball romance with mystery. The resulting triumph nabbed four Academy Award nominations (including Best Picture) and spawned five sequels. Credit W.S. " Woody" Van Dyke for recognizing that Powell and Loy were ideal together and for getting the studio's okay by promising to shoot this splendid adaptation of Dashiell Hammett's novel in three weeks. He took 12 days. They didn't call him "One-Take Woody" for nothing.
Mr. an Mrs. Fox (George Clooney and Meryl Streep) live a happy home life with their eccentric son Ash (Jason Schwartzman) and visiting nephew Kristofferson. That is until Mr. Fox slips into his sneaky, old ways and plots the greatest chicken heist the animal world has ever seen.
"After Life" revolves around an intriguing premise. At a half way station between heaven and earth, guides greet the newly dead. Over the next three days, they will help them sift through their memories to find the one defining moment of their lives - an old woman remembers dancing for her older brother's friends as a child; a man recollects the breeze felt on a tram ride the day before summer vacation; a young girl wants to ride the Splash Mountain at Disneyland. The chosen moment will be recreated on film and relieved for eternity.
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