When Angela begins researching her thesis on violence in TV and Cinema she enlists the help of her tutor, Figueroa, who searches through the University library for violent material for her to watch. Upon finding Figueroa dead in the University projection room, Angela takes the tape he has been viewing and, too shocked to watch what she glimpses of it, forces herself to play it back with the contrast turned down, only allowing her to hear the bloodcurdling screams that fill the soundtrack. When a fellow student, Chema, persuades her to view the tape properly, they discover the horrifying truth of what she has in her possession: a "snuff" movie.
A band of Spanish conquistadors, led by Aquirre, self-styled 'Wrath of God' go up the Amazon in search of gold, but Aquirre's megalomania turns the expedition into a death trip. Eleven hundred men, two women, horses, Ilamas, pigs and rifles descend from the Andes highlands down into the steaming primeval forest where the waters of the Amazon begin, in quest of El Dorado, the fabled city of gold. Aquirre has with him his beautiful 14-year old daughter who he intends to marry and found a new 'pure' race to rule over a golden empire.
Based on the novel by Labour MP Chris Mullin, and adapted for the screen by Alan Plater (Fortunes of War), 'A Very British Coup' imagines what might have happened if a Left-Wing Labour MP had become Prime Minister of the UK at the end of the 1980s. Radical Leftist Harry Perkins (Ray McAnally), an unassuming working class politician from Sheffield, stands for open and honest government. Despite a landslide victory for Labour, Perkins is fighting for his seat from day one as the right-wing establishment and its American allies scheme to plot his downfall. Adultery, blackmail and conspiracies abound, Perkins remains committed to his socialist agenda. But when politics gets dirty, can he play the game and win?
Petra von Kant (Margit Carstensen), with two marriages behind her and an absent daughter, is a successful fashion designer. She lives with her secretary, the repressed and subservient Marlene (Irm Hermann), who will form the second point in a tragic ménage à trois when Petra meets and falls hopelessly in love with a confident young model named Karin (Hanna Schygulla).
Among the most exciting voices in genre cinema to emerge in recent years, Justin Benson and Aaron Moorhead return with their third feature, 'The Endless'. Benson and Moorhead play brothers, former members of a "crazy UFO death cult", who receive a mysterious video cassette in the mail. The tape contains an eerie calling card from their past, inviting them to attend an event called the Ascension. Despite their apprehension, the pair agree to return for one day. At first their old friends in the cult seem warm and welcoming, but things soon turn strange as the brothers find themselves drawn into a vortex of bizarre rituals, strange messages, unseen forces and sinister supernatural secrets that threaten to tear apart the very fabric of reality.
Oscar and Golden Globe nominated for Best Foreign Language Film, "Tangerines" is a powerful and eloquent plea for peace and a poignant statement on the futility of violence stemming from racial and ethnic divisions. Set in 1992, during the growing conflict between Georgia and Abkhazian separatists in the wake of the Soviet Union's dissolution, this compassionate story focuses on two Estonian immigrant farmers who refuse to flee Georgia, staying on to harvest their tangerine crop. When the fighting arrives on his doorstep, Ivo treats two wounded soldiers from opposite sides. During their extended period of convalescence under Ivo's roof, the enemies are forced not only to confront the reasons that fuel their hatred for each other, but also the conflict which rages around them.
Inspired by real events, "Land of Mine" follows the dramatic story of the young German prisoners who, as World War II came to an end in 1945, were forced to defuse and remove two million mines on the Danish Coast. Presided over by tough veteran Sergeant Carl Rasmussen (Roland Mailer), these teenage POW's were treated with hostility whilst being forced to dig up the mines from the sand with their bare hands with little training. When Rasmussen begins to sympathise and promises their release back to Germany when the task is completed, they soon realise that the war is far from over.
Giuseppe Tomatore's loving homage to the cinema tells the story of Salvatore (Marco Leonardi, Salvatore Cascio, Jacques Perrin), a successful film director, returning home for the funeral of Alfredo (Philippe Noiret), his old friend who was the projectionist at the local cinema throughout his childhood. Soon memories of his first love affair with the beautiful Elena (Agnes Nano) and all the highs and lows that shaped his life come flooding back, as Salvatore reconnects with the community he left 30 years earlier.
Internationally acclaimed filmmaker Bela Tarr's epic rendering of Laszlo Krasznahorkai's novel, about the decline of Communism in Eastern Europe, is a unique and visionary masterpiece that defies classification and transcends genre. Set in a struggling Hungarian agricultural collective, a group of lost souls reeling from the collapse of their Communist utopia face an uncertain future, until the arrival of a charismatic stranger in whom they believe lies their salvation. The collective's individual experiences and fates are gradually revealed in Tarr's immaculately composed, brilliantly photographed and bleakly comic tour-de-force, which confirmed his place as one of contemporary cinema's few genuine auteurs.
A group of scientists visits the distant planet Arkanar, and discovers a society still trapped in its own medieval era. Unable to interfere with the course of its history, they can only watch in mounting horror as all sparks of intelligent and independent thought are mercilessly snuffed out by Arkanar's cruel rulers. Will they remain enmired in their squalid existence for ever, or can the visitors subtly nudge the more open-minded in the right direction? Truly, it s hard to be a god.
September 26th 1983 - the cold war-era Soviet missile detection system flags five incoming missiles from the United States. Protocol dictates an immediate response, and the firing of retaliatory nuclear warheads, before it is too late. "The Man Who Saved the World" is the astonishing true story of Lt. Colonel Stanislav E. Petrov, the man, who, for a few short minutes, held the fate of the world in his hands, as he decided whether to authorise a Soviet strike back, or to follow his instinct and wait, risking the wrath of his superiors, and the future of his nation... Ten years in the making, it is the remarkable story of an everyman hero, and the amazing secret Petrov kept to himself for more than a decade. He humbly asserts he was merely "in the right place at the right time", but, this film demonstrates that rarely has a single decision made by one man had such a profound effect on the modern world.
A murdered girl's defiant mother (Frances McDormand) boldly paints three local billboards, each with a controversial message, igniting a furious battle with a volatile cop (Sam Rockwell) and the town's revered chief of police (Woody Harrelson).
Like most, Clara felt there was no place safer than home. She would go about her daily routine blissfully unaware of the uninvited guest watching her every move. When small things start to change around her flat, she begins to question her sanity, but nothing can prepare her for the horrifying truth. Soon she will discover the sickening extremes her twisted predator has in store for her...
Following the death of his mother, the young 'J' Cody (James Frecheville) goes to live with his estranged gangster relatives. With conflict escalating between his family of criminals and the police's armed robbery division, 'J' finds himself at the centre of a cold-blooded vengeance plot. As he naively navigates his way through the criminal underworld, he is forced to question where his loyalties lie as he tries to decipher who he can trust and who can protect him as he struggles for his own survival.
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