Single mother Alice (Emily Beecham) is a dedicated plant breeder at a corporation engaged in developing new species. She has engineered a very special flower, remarkable not only for its beauty but also for its therapeutic value: if kept at the ideal temperature, fed properly and spoken to regularly, it makes its owner happy. Alice takes one home as a gift for her teenage son, Joe. They name it 'Little Joe' but as it grows, so too does Alice's suspicion that her new creations may not be as harmless as their nickname suggests.
Jane Austen's beloved comedy about finding your equal and earning your happy ending, is reimagined in this delicious new film adaptation of 'Emma'. Handsome, clever, and rich, Emma Woodhouse (Anya Taylor-Joy) is a restless queen bee without rivals in her sleepy little town. In this glittering satire of social class and the pain of growing up, Emma must adventure through misguided matches and romantic missteps to find the love that has been there all along.
Based on the bestselling comic book, Vin Diesel stars as Ray Garrison, a soldier recently killed in action and brought back to life as the superhero 'Bloodshot' by the RST corporation. With an army of nanotechnology in his veins, he's an unstoppable force - stronger than ever and able to heal instantly. But in controlling his body, the company has sway over his mind and memories, too. Now, Ray doesn't know what's real and what's not - but he's on a mission to find out.
Legendary director Nicholas Ray began his career with this lyrical film noir, the first in a series of existential genre films overflowing with sympathy for America's outcasts and underdogs. When the wide-eyed fugitive Bowie (Farley Granger), having broken out of prison with some bank robbers, meets the innocent Keechie (Cathy O'Donnell), each recognizes something in the other that no one else ever has. The young lovers envision a new, decent life together, but as they flee the cops and contend with Bowie's fellow outlaws, who aren't about to let him go straight, they realize there's nowhere left to run. Ray brought an outsider's sensibility honed in the theater to this debut, using revolutionary camera techniques and naturalistic performances to craft a profoundly romantic crime drama that paved the way for decades of lovers-on-the-run thrillers to come.
Blake Lively stars as Stephanie Patrick, a woman on a path of self-destruction after her family is tragically killed in a plane crash. When she discovers the wreck was no accident, Stephanie enters the dark, complex world of international espionage seeking vengeance. Her search leads to lain Boyd (Jude Law), a former MI6 agent who trains her to hunt down those responsible. With nothing left to lose, Stephanie transforms from victim to assassin and discovers that neither revenge nor the truth are what they appear in this action-packed thriller from the producers of James Bond.
Every house is identical. Every house is empty. Except for yours. Welcome to YONDER. Gemma (Imogen Poots) and Tom (Jesse Eisenberg) are a young couple looking to take the next step in their relationship and own their first home. Sold on the prospect of an ideal suburban lifestyle at the newly opened YONDER, they drive out with enigmatic estate agent Martin (Jonathan Aris) to take a look, and the trap is sprung. In YONDER, the food they're given has no taste, identical homes line identical streets tesselating toward the horizon underneath a sky dotted by uniform clouds, and every road leads right back to the new home that has become their prison. The idyllic dream of 'suburban bliss' has given way to a recursive nightmare, and the only hope for Gemma and Tom's escape lies within a mysterious box and the infant inside it.
Matvey (Aleksandr Kuznetsov) has just one objective: to gain entry to his girlfriend's parents' apartment and kill her father Andrey (Vitaliy Khaev) with a hammer to restore her honour. But all is not as it initially seems, and Matvey's attempts to bludgeon the family patriarch to death don't quite go to plan as Andrey proves a more formidable - not to mention ruthless - opponent than he anticipated...and Matvey, for his part, proves stubbornly unwilling to die.
Thirteen-year-old Kayla (Elsie Fisher) endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school-the end of her thus far disastrous eighth grade year-before she begins high school.
The film follows the story of a disgraced children's puppeteer who returns to his childhood home and is forced to confront his wicked stepfather and the secrets that have tortured him his entire life.
In an absorbing performance Ben Gazzara plays small-time Sunset Strip entrepreneur Cosmo Vittelli, owner of the Crazy Horse West night spot. An obsessive showman, Cosmo navigates a murky world of loan sharks and crooks to keep his club afloat, but when a gambling debt spirals out of control he is blackmailed into accepting a murderous commission.
Featuring stand-out turns by Seymour Cassel and Timothy Carey as the underworld racketeers out to fleece Cosmo, John Cassavetes' portrayal of one man's hubristic descent subverts the conventions of its genre to explore the darker side of the American dream.
Set against a gritty London backdrop, Olga Kurylenko plays a tough motorbike courier, whose work is interrupted when she discovers that one of the packages she's transporting is a bomb. It transpires that the gas bomb she carries is set to kill Nick Murch (Amit Shah), the only witness able to testify in Washington DC against ruthless crime lord, Ezekiel Mannings (Gary Oldman). As the British Police and FBI scramble to try and deal with the mess, the mysteriously well-trailed and equipped courier teams up with unlikely partner Nick, to evade Manning's heavily armed goons and make sure that justice is delivered.
After Being There was published, author Jerzy Kosinski got a telegram from its lead character Chance the Gardner: "Available in my garden or outside of it". Kosinski dialled the accompanying telephone number and Peter Sellers answered. Sellers indeed got the part and gave an indelible performance in this modern comedy classic. Isolated all his life in a Washington DC townhouse, Chance knows only what he's seen on TV. Cast into the world, he stumbles into the inner circle of governmental power brokers eager for "sage wisdom". As Chance might say, you'll like to watch
A cosmic nightmare from the minds of H.P Lovecraft and Richard Stanley. 'Color Out of Space' follows Nathan (Nicolas Cage) and Theresa Gardner (Joely Richardson) and their children, whose recent retreat to rural life crumbles when a meteorite crashes into their front yard, infecting both the land and the properties of space-time. The local wildlife begins to mutate and the family attempts to fight the contagion that has consumed their farm with the help of a friendly hydrologist (Elliot Knight) and eccentric neighbour (Tommy Chong). But what chance can a few humans have against a nebulous entity capable of traversing the gulf between worlds, a nightmarish being that exists beyond the limits of the human spectrum?
Growing up with his foster mother amongst the rolling fields of rural Lincolnshire, Femi's young life seems as idyllic as the landscape. But when he returns to London to live with his birth mother he begins to struggle with the culture and values of his new environment. As the years pass, he must decide which path to adulthood he wants to take and what it means to be a young black man in London during the early '00s. His search for self and identity will take him on an emotionally charged and utterly unforgettable journey through various stages of his life.
Sabina Wilson (Kristen Stewart), Elena Houghlin (Naomi Scott), and Jane Kano (Ella Balinska) are working for the mysterious Charles Townsend (voice of Robert Clotworthy), whose investigative agency has expanded internationally. The new Angels are among the world's smartest, bravest, and most highly trained women all over the globe. Under the guidance of Bosley (Elizabeth Banks), the Angels have to protect a revolutionary technology from becoming weaponized. They will have to rely on each other as their assignment becomes increasingly treacherous and even those closest to them can no longer be trusted.
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