promessi's - Rented List

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Mona (Natalie Press) has just got hold of a brilliant moped that only cost a tenner. No engine but still dirt-cheap. She lives with her brother, Phil (Paddy Considine) who used to run a pub before he found God and poured away all the booze.

Tamsin (Emily Blunt) is rich, spoilt and trying to livea life of seductive decadence.They meet on the moors, above their quiet Yorkshire village and begin an intense, unlikely friendship.Tamsin and Mona want to escape their lives, but Phil wants to save them and save everybody else. Mona wants the old, dangerous, Phil back; the brother that she loved. Tamsin wants to see what it takes to break him...

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October 6th, 1973 is a special day. All is quiet, for it's Yom Kippur (the Day of Atonement). When war suddenly breaks out, Weinraub and his friend Rousso head quickly for the Golan Heights looking for Egoz, the special unit in which they served as conscripts.

Everything is chaotic, amongst the armed forces and civilians alike. They don't find the Egoz Unit but the next morning they meet Klauzner, a doctor, who is trying to reach the air force base of Ramat David. They decide to join an air force rescue team. Amos Gitai's autobiographical depiction of the experiences of a small medical unit on the front-line during the 1973 Yom Kippur War, in which Syrian and Egyptian forces made a surprise attack on Israel on one of that country's holiest days, is a devastating and visceral insight into the horrors of war.

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Two brothers return to the hometown they left eight years earlier, to find it still run by the same game of small-time drug dealers and petty thugs.

Their purpose, it soon becomes clear, is not reunion, but revenge - a quest of particular significance for Richard (Paddy Considine), the leader of the two, whose obsessive desire to even the score will lead them into dangerous territory.

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Linda Fiorentino stars as Bridget Gregory, the most memorably evil and sexy of all cinema femmes fatales; the woman who "makes Stanwyck in Double Indemnity look like Snow White!" (Leonard Maltin) Beautiful, intelligent and ambitious, Bridget Gregory persuades her doctor husband Clay (Bill Pullman)

to enter a $700,000 cocaine deal so they can pay off a loan shark. She then takes off with the money and hides out in a small town where she becomes involved with young , dumb Swale (Peter Berg). Clay hires Harlan (Bill Nunn), a tenacious private investigator, to track down his wife and the money. As the pair close in, Bridget embroils Swale in an elaborate and deadly scheme to be rid of them once and for all.

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Jackie (Kate Dickie) works as a CCTV operator in Glasgow. Each day she watches over a small part of the world, protecting the people living their lives under her gaze. One day a man appears on her monitor, whom she thought she would never see again, whom she never wanted to see again.

Now that she has no choice, she is compelled to confront him.

Attorney Ned Racine's life coasts along in neutral - until he meets a siren in white (with a well-to-do husband) named Matty Walker (Kathleen Turner). Ned (William Hurt) knows Matty's the kind of woman a man would kill to be with. So he does.

Control is the story of the late Joy Division singer Ian Curtis's life, from the bands rise to fame to his tragic suicide. Control documents the relationships with both his wife and his girlfriend, his battle with epilepsy and the road to success with his band, Joy Division.

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Hortense (Marianne Jean-Baptiste) is a young, black optometrist whose adoptive parents have recently died. Cynthia (Brenda Blethyn) is a sad, unmarried mother who works in a factory and lives in a shabby terraced house with her confrontational daughter, Roxanne (Claire Rushbrook).

Cynthia's brother Maurice (Timothy Spall) is a successful wedding photographer who lives comfortably in suburbia with his snooty wife Monica (Phyllis Logan). In a misplaced effort to re-unite the family, Maurice and Monica throw a small barbecue party for Roxanne's 21st birthday. When Cynthia brings along her new friend Hortense, chaos ensues as some painful truths are revealed.

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Set within the Asian community in London, 'My Beautiful Launderette' is an unusual love story concerned with identity and entrepreneurial spirit during the Thatcher years.

Omar (Gordon Warnecke) takes over the running of his wheeler-dealer uncle's launderette with the intention of turning it into a glittering place of commercial success. When he employs childhood friend and ex-National Front member Johnny (Daniel Day-Lewis) they become lovers as well as working partners. However, complications soon ensue as the anger of Johnny's deserted gang begins to build and Omar is forced to face increasingly difficult family issues.

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Charley Patanna (Jack Nicholson) has been loyal to The Family' since he can remember. If you need someone taken care of, he's your man - ready to kill at the drop of a dollar.

Unknown to Charley, Boss Don Corrado Prizzi's daughter Maerose (Anjelica Huston) has set her sights on him, but Charley has already fallen for sultry hit-woman Irene Walker (Kathleen Turner). However, their unlikely romance hits a problem when each is given a contract neither can go through with - each other!

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They are fast friends and worse foes. One is Billy the Kid (Kris Kristofferson), a law unto himself. The other is the law: Sheriff Pat Garrett (James Coburn), who once rode with Billy.

Set to a bristling score by Bob Dylan (who also plays Billy's sidekick Alias) and with a Who's Who of iconic Western players, Sam Peckinpah's saga of one of the West's great legends is now restored to its intended glory. For the first time since it left the cutting room, the film has the balance of action and character development Peckinpah wanted, a mix of fury and elegy based on the director's notes and the insights of colleagues. The difference is profound, as different as an untouched target and a bull's-eye.

Willie (John Lurie), a Hungarian emigre living in New York City, is disgruntled by the arrival of his sixteen-year-old cousin Eva (Eszter Balint). Along with his pal Eddie (Richard Edson), they take a journey through the American landscape, never really settling on a direction.

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Although he's handsome and debonair and has many women pilling after him, 32-year old Londoner Charles (Hugh Grant) just can't get himself to commit. And the more he his mates walk down the aisle, the less he wants to tie the knot himself.

But all of that changes when he meets a free-spirited American woman named Carrie (Andie MacDowell). Instantly smitten, Charles begins to pursue her, only to learn that she too is ready to take the plunge... with someone else!

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Lonely Depression-era waitress Cecilia (Mia Farrow) is hopelessly addicted to Hollywood movies. Spellbound by her new favorite, The Purple Rose of Cairo, Cecilia is astonished when the leading man (Jeff Daniels) suddenly walks off the screen to meet her.

Wooed by his charm, Cecilia finds herself falling for him - until she meets the real actor who plays him. Romanced by both a fictional character and a famous star, Cecilia struggles to locate the shifting line between fantasy and reality, only to discover that sometimes it's just a heartbeat away.

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Double bill featuring two of the films produced by the acclaimed partnership of composer Philip Glass and filmmaker Godfrey Reggio.

Koyaanisqatsi (1983)

Prepare to experience a truly remarkable film - a cinematic masterpiece so extraordinary that it regales the senses, stimulates the mind and actually redefines the potential of filmmaking. Celebrated director Godfrey Reggio, innovative cinematographer Ron Fricke and Golden Globe-winning composer Philip Glass have created a spellbinding film so rich in beauty and detail that with each viewing it becomes a new and different film. Unique, profound, mesmerizing, and thought-provoking, Koyaanisqatsi contrasts the tranquil beauty of nature with the frenzied hum of contemporary urban society. Uniting breathtaking imagery with a hauntingly evocative, award-winning score, it is original and fascinating.
Powaqqatsi (1988)
Hailed by audiences and critics around the world as mesmerizing, this second instalment of writer/director Godfrey Reggio's apocalyptic "qatsi" trilogy is quite simply one of the most magnificent visual and aural spectacles ever made. Combining stunning cinematography with the exquisite music of award-winning composer Philip Glass, Powaqqatsi is a breathtaking experience working on many levels - emotional, spiritual, intellectual and aesthetic! Bold, haunting and epic in scale, this extraordinary film calls into question everything we think we know about contemporary society. By juxtaposing images of ancient cultures with those of modern life, Powaqqatsi masterfully portrays the human cost of progress. It is a film that engages the soul as well as the mind - it is truly an absorbing experience.