rco's - Rented List

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Both instalments of the 'epic comedy of absurd proportions' about the dubious benefits of Western civilisation.

The Gods Must Be Crazy (1980)

For five thousand years, things have pretty much stayed the same for Xi (N!xau) and his fellow Bushmen. Then one day, an empty Coke bottle drops magically from the sky, and life goes topsy turvy in the face of this generous 'gift of the Gods'. An international sensation, 'The Gods Must Be Crazy' is one of the most original and thought provoking comedies ever. Starring a real-life Bushman N!xau, it's a movie that looks at us from the other side - and shows us just how crazy we are!
The Gods Must Be Crazy II (1989)
This delightful sequel to the hilarious hit comedy is a piece of divinity inspired lunacy! Xi again collides with the so-called civilized world when he embarks on a search for his children, who are accidental stowaways on a poacher's truck. He soon crosses their path with two very odd couples lost in the desert. Xi, perplexed by their strange antics, nevertheless finds himself drawn into a crazy adventure with people who know how to make magic machines...but constantly need to be saved from the wilderness and from each other.

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Saul Auslander (Géza Röhrig) is a member of the Sonderkommando, the Jewish prisoners forced to assist in the machinery of the Nazi concentration camps. While at work, he discovers the body of a boy he recognises as his son.

As the Sonderkommando plan a rebellion, Saul vows to carry out an impossible task: to save the child's body from the flames and to find a rabbi to offer the boy a proper burial.

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Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a long-buried secret that has the potential to plunge what's left of society into chaos.

K's discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years.

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A taxi driver is driving through the streets of Tehran. Various passengers enter the taxi, each candidly expressing their views while being questioned by the driver who, it transpires, is no one else but the film director Jafar Panahi himself.

His camera placed on the dashboard of his car transforms the space into a mobile film studio, and captures the spirit and contradictions of Iranian society through this comedic and dramatic drive with a sting in its tail.

"The Other Side of Hope" follows the fortunes of Khaled (Sherwan Haji), a young man who has travelled to Helsinki from his home in Syria to seek asylum. For first-time visitors, Finland's capital city can be a strange and confusing place. But help is out there for those who know where ti find it.

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In a future world that has been seemingly ravaged by war and poverty there exists a myth of hope among the people - a forbidden place known only as the Zone, the heart of which, if reached, grants one's innermost desires.

Two men, a writer and professor, hire someone known as a Stalker; a guide who can navigate the treacherous and confounding path that leads to the centre of the Zone. 'Stalker' was instantly considered one of the most definitive artistic contemplations of human aspiration and the ambition we employ to achieve it.