In this funny, uplifting tale based on an actual lie. Chinese-born, U.S.-raised Billi (Awkwafina) reluctantly returns to Changchun to find that, although the whole family knows their beloved matriarch, Nai-Nai. has been given mere weeks to live, everyone has decided not to tell Nai Nai herself. To assure her happiness, they gather under the joyful guise of an expedited wedding, uniting family members scattered among new homes abroad. As Billi navigates a minefield of family expectations and proprieties, she finds there's a lot to celebrate: a chance to rediscover the country she left as a child, her grandmother's wondrous spirit, and the ties that keep on binding even when so much goes unspoken. With 'The Farewell', writer/director Lulu Wang has created a heartfelt celebration of both the way we perform family and the way we live it, masterfully interweaving a gently humorous depiction of the good lie in action with a richly moving story of how family can unite and strengthen us. often in spite of ourselves.
Winter 1968, and showbiz legend Judy Garland arrives in swinging London to perform in a sell-out run at The Talk of the Town. It is 30 years since she shot to global stardom in The Wizard of Oz, but if her voice has weakened, its dramatic intensity has only grown. As she prepares for the show, battles with management, charms musicians, and reminisces with friends and adoring fans, her wit and warmth shine through. Even her dreams of romance seem undimmed as she embarks on a courtship with Mickey Deans (Finn Wittrock), her soon-to-be fifth husband. And yet Judy (Renée Zellweger) is fragile. After working for 45 of her 47 years, she is exhausted: haunted by memories of a childhood lost to Hollywood, and gripped by a desire to be back home with her kids. Will she have the strength to go on? Featuring some of her best-known songs, the film celebrates the voice, the capacity for love and the sheer pizzazz of "the world's greatest entertainer".
The film paints the relationship between L.S. Lowry (Timothy Spall), one of Britain's most iconic artists, and his mother Elizabeth (Vanessa Redgrave), with whom he lived until her death. We see Lowry in the beginnings of his career, as he yearns for his work to be appreciated in London. However, his disdainful mother actively tries to dissuade her bachelor son from pursuing his artistic ambitions. At the same time, the film explores how Elizabeth is the very reason Lowry paints anything at all, as he desperately seeks to create something, anything, which will make her happy. This powerful yet humorous story imagines the impact this obsessive mother and son relationship had on the great artist.
After 27 years, 'IT' has returned. As people begin to disappear in Derry, Mike (Isaiah Mustafa) calls the rest of the Losers' Club home so they can destroy IT once and for all. Damaged by the past, the Losers must conquer their deepest fears to take on Pennywise...who is now deadlier than ever.
When a mysterious life-threatening event strikes Earth, astronaut Roy McBride (Brad Pitt) goes on a dangerous mission across an unforgiving solar system to uncover the truth about his missing father (Tommy Lee Jones) and his doomed expedition that now, 30 years later, threatens the universe.
Jackie (Kate Dickie) works as a CCTV operator in Glasgow. Each day she watches over a small part of the world, protecting the people living their lives under her gaze. One day a man appears on her monitor, whom she thought she would never see again, whom she never wanted to see again. Now that she has no choice, she is compelled to confront him.
Laura and Tyler are two girls who like to party - drink, sex and drugs infuse their days while their careers and lives remain on hold. But when aspiring writer Laura (Holliday Grainger) meets the devilishly handsome musician Jim, sparks fly. Tyler (Alia Shawkat) wants to keep the party going, living a life without limitation, as Laura begins to settle into her relationship with Jim and a more strait-laced approach to life. As the fabric of their friendship begins to fray, the bond between Laura and Tyler starts to implode. Finding themselves at a crossroads as their old lives start to slip away, both begin to encounter new opportunities that might carry them beyond their past hedonism.
As the title suggests, Walkabout is a journey not only in distance, but also in the transition for one Australian aborigine, from adolescence to manhood. While on a family picnic a beautiful teenager and her brother suddenly find themselves very much alone after the tragic death of their father. As they wander through the outback they meet the young aborigine. The film unfolds and tells the tale of survival, resourcefulness and sexual awareness, as the travellers become lost in the Australian wilderness.
Modern-day Cornish fisherman Martin (Edward Rowe) is struggling to buy a boat while coping with family rivalry and the influx of London money, Airbnb and stag parties to his harbour village. The summer season brings simmering tensions between the locals and newcomers to boiling point, with tragic consequences.
Set in 1825, Clare (Aisling Franciosi), a young Irish convict woman, chases a British officer (Sam Claflin) through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. On the way she enlists the services of Aboriginal tracker Billy (Baykali Ganambarr), who is also marked by trauma from his own violence-filled past.
Ryohei Watanabe's debut film concerns two teen¬age girls and their friendship. The first friend is Misa, a stocky girl who is viciously dubbed Pooh at school, due to her surname "Kumada" (bear + rice paddy) and masculine frame. The other friend is Izumi, who says she can't make and keep friends because all the other girls are jealous of her looks. Together, the two become best of friends owed to them both being such firm outsiders. Their blossoming friendship starts off as endearing and as the two spend more and more time together the sheen of the relationship peels away. When the darkness and violence eventually bleed into the mix, that authenticity turns what could just be an¬other tale of teenage friendship gone awry, into a genuinely disturbing thriller.
Takako Matsu plays a middle-school teacher whose four-year-old daughter is found dead Shattered, she finally returns to her classroom only to become convinced that two of her students were responsible for her daughter's murder. No one believes her, and she may very well be wrong, but she decides, nevertheless, that it's time to take her revenge. What happens next is all-out psychological warfare waged against her students in an attempt to force them into confessing what she knows in her heart to be true: they are guilty and must be punished.
"Death Wish 2" again finds Charles Bronson starring as Paul Kersey, the vigilante who sets himself up as a target for, and then ruthlessly destroys, the thugs and rapists who poison today's society. This time justice becomes secondary to revenge as he is spurred to action by the brutal violation and murder of his beloved daughter and housekeeper. Bronson's performance is even more electrifying than before in this dramatic and shocking film.
For 15 year old Tom, the war zone is at the heart of his seemingly happy middle-class family. When his family move from London to Devon, Tom finds his new life lonely and boring. But nothing can prepare him for the terrible secret that binds his father and his eighteen-year old sister Jessie. Isolated, confused and consumed by adolescent anger, Tom is determined to reveal the truth.
Lars von Trier's bold, brilliant and controversial new film tells the story of Joe (Charlotte Gainsbourg and newcomer Stacy Martin), a self-diagnosed nymphomaniac, from birth to the age of 50. One night, a gentle old bachelor named Seligman (Stellan Skarsgard) finds Joe beaten up in an alley. After taking her to his flat he cares for her wounds and questions her about her life, listening intently as, over the film's eight chapters, she recounts the lusty, labyrinthine story of her life...
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