Bryn Cartwright (William Thoma), a wealthy roofing contractor, Rugby Club Chairman and local kingpin rules the roost until Fatty Lewis (Huw Ceredig), a local handyman, falls off a ladder on a Cartwright job. Bryn refuses to pay compensation. The twins, Fatty's wayward sons, devise a wickedly comic way of getting even and Bryn ends up paying dearly. Representing the thin blue line of the Law are Terry (Dougray Scott) and Greyo (Dorien Thomas), two local policemen who employ their own dubious peacekeeping methods as events spiral out of control.
Boris Karloff's legendary performance has become a landmark in the annals of screen history. As the mummy, Im-Ho-Tep, he is accidentally revived after 3,700 years by a team of British archaeologists. It is revealed in a flashback that he was a high priest, embalmed alive for trying to revive the vestal virgin whom he loved, after she had been sacrificed. Alive again, he sets out to find his lost love. Today, over 50 years after The Mummy was first released, this brooding dream-like film remains a masterpiece not only of the genre, but for all time.
In a restaurant run by two Italian immigrants, the tables sit empty despite the extraordinary talents of Primo the chef (Tony Shalhoub) and the ambitious efforts of his brother Secondo (Stanley Tucci). A celebrity night at their restaurant promises not only to turn their business around but to change their lives.
Alfred Hitchcock's landmark masterpiece of the macabre stars Anthony Perkins as the troubled Norman Bates, whose old dark house and adjoining motel are not the place to spend a quiet evening. No one knows that better than Marion Crane (Janet Leigh), the ill-fated traveller whose journey ends in the notorious "shower scene". First a private detective, then Marion's sister (Vera Miles) searches for her, the horror and the suspense mount to a terrifying climax where the mysterious killer is finally revealed.
The comic genius of silent star Harold Lloyd is eternal. Chaplin is the sweet innocent, Keaton the stoic outsider, but Lloyd - the modern guy striving for success - is us. And with its torrent of perfectly executed gags and astonishing stunts, Safety Last! is the perfect introduction to him. Lloyd plays a small-town bumpkin / trying to make it in the big city, who finds employment as a lowly department-store clerk. He comes up with a wild publicity stunt to draw attention to the store, resulting in an incredible feat of derring-do on his part that gets him started on the climb to success. Laugh-out-loud funny and jaw-dropping in equal measure, Safety Last! is a movie experience par excellence, anchored by a genuine legend.
Larry Talbot (Lon Chaney Jr.) returns from college in America to his father's (Claude Rains) mansion in Wales. After meeting Gwen Conliffe (Evelyn Ankers) in the local village, he escorts her to the local fair. She tells him the local legend of the werewolf, but he laughs it off - even when gypsy fortune teller Maleva (Maria Ouspenskaya) and her son Bela (Bela Lugosi) also tell him to beware. Later in the evening Gwen's friend Jenny is attacked by a wild wolf. Larry rescues her, but is bitten in the process. Sure enough, when the next full moon comes round, Larry finds himself transformed into the wolfman - a murderous creature that can only be destroyed by silver.
The screeching strings, the plunging knife, the slow zoom out from a lifeless eyeball: in 1960, Alfred Hitchcock's 'Psycho' changed film history forever with its taboo-shattering shower scene. With 78 camera set-ups and 52 edits over the course of three minutes, 'Psycho' redefined screen violence, set the stage for decades of slasher films to come, and introduced a new element of danger to the movie-going experience. Aided by a roster of filmmakers, critics, and fans - including Guillermo del Toro, Bret Easton Ellis, Jamie Lee Curtis, Eli Roth, and Peter Bogdanovich - director Alexandre O. Philippe pulls back the curtain on the making and influence of this cinematic game changer, breaking it down frame by frame and unpacking Hitchcock's dense web of allusions and double meanings. The result is an enthralling piece of cinematic detective work that's nirvana for film buffs.
In this long-awaited film adaptation of Judy Blume's classic, groundbreaking novel, eleven-year-old Margaret (Abby Ryder Fortson) is uprooted from her life in New York City to the suburbs of New Jersey, going through the messy and tumultuous throes of puberty with new friends in a new school. She relies on her mother, Barbara (Rachel McAdams), who is also struggling to adjust to life outside the big city, and her adoring grandmother, Sylvia (Kathy Bates). A timeless coming-of-age story, 'Are You There God? It's Me, Margaret.' sparkles with insightful humour while candidly exploring life's biggest questions.
Claude Rains delivers a remarkable performance in his screen debut as a mysterious doctor who discovers a serum that makes him invisible. Covered by bandages and dark glasses, Rains arrives at a small English village and attempts to hide his amazing discovery. But the same drug which renders him invisible slowly drives him to commit acts of unspeakable terror.
In an American town undergoing a construction boom, a working man enters a romantic relationship with a Russian acrobat visiting an apartment. Following a trapeze accident, Micha (Yury Paulau) has a broken leg and goes around on crutches. The two men meet every night in the apartment Christophe (Sébastien Ricard) has bought hastily. The two lovers cut themselves off from the outside world, at the heart of winter, and explore their lust without restraint. 'The Acrobat' is a fiercly sexy drama, a no holds barred look at an unbridled animal connection between two unashamed men.
What is it like to have God like surgical powers, yet to struggle against your own humanity? What is it like to try and save a life, and yet to fail? Shot in a Ukrainian hospital full of desperate patients and makeshift equipment, 'The English Surgeon' is an intimate portrait of brain surgeon Henry Marsh as he wrestles with the dilemmas of the doctor patient relationship. With an original soundtrack by Nick Cave and Warren Ellis, the widely acclaimed English Surgeon openly confronts moral and ethical issues which touch every one of us.
Based on the childhood memoirs of Marcel Pagnol, author of 'Jean De Florette' and 'Manon Des Sources', 'La Gloire De Mon Pere' and its sequel 'Le Chateau De Ma Mere' are two of the greatest and most successful French films ever made. An adult Marcel nostalgically recalls one idyllic summer spent with his family in the hills of Provence. A love affair with the country began and during those perfect days he found new respect for his school teacher father as he adapted to life away from the city. 'La Gloire De Mon Pere' is filled with warmth, humour and love for bygone days of youth; it is one of cinema's finest celebrations of childhood.
Eleven jurors are convinced that the defendant is guilty of murder. The twelfth has no doubt of his innocence. How can this one man steer the others toward the same conclusion? It's a case of seemingly overwhelming evidence against a teenager accused of killing his father in "one of the best pictures ever made".
A landmark work in the history of the cinema, Der letzte Mann represents a breakthrough on a number of fronts. Firstly, it introduced a method of purely visual storytelling in which all intertitles and dialogue were jettisoned, setting the stage for a seamless interaction between film-world and viewer. Secondly, it put to use a panoply of technical innovations that continue to point distinct ways forward for cinematic expression nearly a century later. The lesson in all this? That a film can be anything it wants to be... but only Der letzte Mann (and a few unforgettable others) were lucky enough to issue forth into the world under the brilliant command of master director F. W. Murnau. His film depicts the tale of an elderly hotel doorman (Emil Jannings) whose superiors have come to deem his station as transitory as the revolving doors through which he has ushered guests in and out, day upon day, decade after decade. Reduced to polishing tiles beneath a sink in the gents' lavatory and towelling the hands of Berlin's most vulgar barons, the doorman soon uncovers the ironical underside of old-world hospitality. And then - one day - his fate suddenly changes...
After doctor Walter Bernsdorf (Paul Lukas) slays his unfaithful wife (Gloria Stuart) in a fit of jealous rage, his best friend and attorney Paul Held (Frank Morgan) promises to do all he can to spare him from the gallows. As he crafts a temporary insanity defense, the counselor starts perceiving echoes of the dead woman's behavior in his own spouse (Nancy Carroll)...and his snowballing suspicions might foment another tragedy.
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