A dubious cargo ship carrying illegal explosives and sailed by a ruthless, alcoholic captain suddenly finds itself amidst uncharted waters after a savage, tropical storm. Soon its passengers are forced to fight for survival within a strange world inhabited by giant molluscs, huge scorpions, killer crabs, man-eating seaweed, a strange religious cult led by a child prophet, human sacrifice and a Spanish galleon populated by psychotic conquistadors.
They double-crossed Walker, took his $93,000 cut of the heist and left him for dead, but they didn't finish the job. Big mistake. He - someday, somehow - is going to finish them. Lee Marvin is in full antihero mode as remorseless Walker, talking the talk and walking the walk in John Boorman's (Deliverance) edgy neo-noir classic filled with imaginative New Wave style, blunt dialogue and Walker's relentless quest that, one by one, smashes into the corporate pecking order of a crime group called the Organisation. Angie Dickinson plays the accomplice who uses her seductive wiles to ensnare one of Walker's prey.
A dreary prison cell is shared by two men who, in terms of lifestyle, could not be further apart. Molina (William Hurt) is a homosexual convicted for obscene behaviour, the other, Valentin (Raul Julia), is a revolutionary who has been continually tortured by the same totalitarian authorities. As the minutes slowly pass, Molina invents a story based on the glamorous cinema of yesteryear - a Nazi propaganda film involving an unlikely love affair. At first, this extravagant display of personality doesn't bode well for the cellmates' relationship but as time and the story progresses a new kind of friendship begins to blossom.
Nine races. One champion. James Garner, Yves Montand, Brian Bedford and Antonio Sabato portray Formula I drivers competing to be the best in this slam-you-into-the-driver's seat tale of speed, spectacle and intertwined personal lives.
Just out of jail after serving time on an assault rap, Max (Gene Hackman) is headed for Pittsburgh to open a deluxe car wash. Back from five years at sea, Lion (Al Pacino) wants to hit Detroit and visit the child he's never seen. The dreams may not be glorious but you'll want Max and Lion to fulfill them because 'Scarecrow', has a heart as big as its cross-country journey. It's hard-luck drifters drift permanently into our souls. This is due to teamwork of a high order: the moving performances of Hackman and Pacino, the sensitive direction of Jerry Schatzberg and the glowing landscape cinematography of Vilmos Zsigmond. Hit the road with these two. You'll find the trip unforgettable.
In 1959, Kit (Martin Sheen) who has killed several people, and his new girlfriend Holly (Sissy Spacek), who watched him do it, are adrift in a double fantasy of crime and punishment across South Dakota and Montana. They're playing make-believe but the bullets and bloodshed are very real...
Jack Nicholson in his very best in this highly-acclaimed dramatic comedy about three sailors on the loose. Two hard-boiled career petty officers, Buddusky and Mulhall, are detailed to take a young sailor, Meadows, from a Virginia Naval Base to a New Hampshire Naval Prison to serve an eight-year sentence for a trivial offence. Buddusky and Mulhall take a liking is Meadows and are determined to show him a food time on their journey north. Their escapades begin in Washington where they narrowly escape a bar fight, then get blink drunk in their hotel room. In New York City, they tangle with some Marines, and in Boston, Buddusky takes Meadows to a brothel for his first sexual experience. Finally, after reluctantly turning in Meadows, Buddusky and Mullhal realise they are as much prisoners of their won world as Meadows now is of his.
In the taut thriller, when Nancy (Blake Lively) is surfing on a secluded beach, she finds herself on the feeding ground of a great white shark. Though she is stranded only 200 yards from shore, survival proves to be the ultimate test of wills, requiring all of Nancy's ingenuity, resourcefulness and fortitude.
In this director's cut of the atmospheric adaptation of the 70s cult horror classic. Nicolas Cage (lord of wars) stars as Detective Edward Malus. A troubled man in search of the missing daughter of an old friend on the mysterious island of summersisle. The seemingly idyllic island off the mainland is home to a private community who lead a traditional pastoral life under the watchful eye of Matriarch sister Summersisle (Ellen Burstyn). As Malus's quest for information pits him against the mistrusting locals and their baffling ancient traditions. He becomes immersed in an ever more perplexing mystery. Amidst claims that the girl never even existed. As his search for the truth reaches its horrifying climax. Malus discovers the sickening truth behind the community's belief system and is drawn inexorably nearer to the place where evil awaits.
Run by Max (Paul Rogers) and his brother Sam (Cyril Cusack), a sinister, bare violently male house in North London is where Pinter's dark vision of familial cruelty and power games unfolds. When Teddy (Michael Jayston) brings his wife Ruth (Vivien Merchant) home to meet his family for the first time, murky secrets are revealed and old wounds are reopened. Ian Holm gives one of the finest performances of his career as vicious thug Lenny. The screenplay differs little from the original play, but Sir Peter Hall uses the camera to create unique imagery and symbolism based on his original Royal Shakespeare Company stage triumph. Malevolent, chilling and with the blackest of humour, The Homecoming is one of the lost gems of 70's cinema, and one of the most important pieces of drama from the last fifty years.
As one of a disparate group of fortune-seekers bound for Africa, hard-up Billy Dannreuther (Humphrey Bogart) faces the swindling machinations of his fellow travellers as they await passage from a picturesque port on Italy's Amalfi coast. But with scheming aplenty, will this motley crew miss the boat completely?
Matt Damon and Christian Bale star in a film based on the remarkable true story about Ford Motor Company's attempt to create the world's fastest car. American car designer Carroll Shelby (Damon) and the fearless British-born driver Ken Miles (Bale) together battle corporate interference and the laws of physics to build a revolutionary race car and take on Enzo Ferrari at the 24 Hours of Le Mans in France in 1966.
A tenth wedding anniversary celebration ends tragically when Michael Courtland (Cliff Robertson) discovers that his wife (Genevieve Bujold) and 9-year-old daughter have been kidnapped. When an attempt to thwart the captors goes awry, Courtland's wife and daughter are never recovered. Several years later while vacationing in Florence, Courtland falls in love with a young woman who is an exact double of his dead wife. On the eve of their wedding, the woman disappears and Courtland finds a ransom note - a duplicate of the one found several years earlier.
Ladies and gentlemen, boys and girls - start your engines. You're about to take an incredible ride with one of the most wonderful family films of all time! Now celebrating its 35th anniversary, Chitty Chitty Bang Bang has never looked or sounded better. With its clever tunes (including the Oscar nominated title song), marvellous cast and enchanting storyline, this delightful family film is lots of fun and simply 'toot sweet' to pass up! Dick Van Dyke stars as eccentric inventor Caractacus Potts, who creates an extraordinary car that not only drives but also flies and floats, as it leads him, his two children and the beautiful Truty Scrumptious (Sally Ann Howes) into a magical world of pirates, castles and endless adventure!
The year is 2018. There are no wars. There is no crime. There is only... the Game. In a world where ruthless corporations reign supreme, this vicious and barbaric "sport" is the only outlet for the pent-up anger and frustrations of the masses. Tuned to their televisions, the people watch "Rollerball": a brutal mutation of football, motocross and hockey. Jonathan E. (James Caan) is the champion player - a man too talented for his own good. The Corporation has taken away the woman Jonathan loves (Maud Adams) but they can't take away his soul - even if the diabolical corporate head (John Houseman) tells him he'd better retire... or suffer the old-fashioned way.
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