In Taipei City, a cavernous old picture palace is about to close its doors forever. A meagre audience, the remaining few staff, and perhaps even a ghost or two, watch King Hu's wuxia classic Dragon Inn - each haunted by memories and desires evoked by cinema itself. An exquisite, wryly funny and tender tribute to the experience of movie-going, Tsai Ming-Liang's poignant love letter to cinema is one of the most beguiling and beloved dramas of modern times and is now widely regarded as a classic.
An ex-nun (Isabelle Huppert), trying to turn her hand to writing pornography, meets Thomas (Martin Donovan), a recovering amnesiac in search of his estranged wife. The two set out in search of Thomas' past but soon discover a trail of secrets leading to the dark, violent heart of his previous life and the pain that forced him to forget...
Pacing a vibrantly colored art studio celebrity novelist, artist and enfant-terribie Kyoko (Ami Tomite) terrorizes everyone around her, especially her eager-to-please assistant Noriko (Mariko Tsutsui), whom she sadistically (and quite literally) keeps on a leash. Just as Kyoto's cruelty reaches its peak, however, the film takes an unexpected about-face that, in true Sono-style, breaks down cinematic barriers in order to tackle the subjects of art, misogyny and freedom with boundless energy and unbridled passion.
The residents of Starliner Island enjoy a luxurious and opulent lifestyle incorporating the best in country living with the services of the nearby city... until something goes wrong. A strange disease begins to infect the residents causing violent outbreaks of uncontrollable violence combinex with unusual sexual behaviour. 'Shivers' is a thrilling mystery filled with terror and suspense. From its nerve shattering beginning to its alarming conclusion David Cronenberg's classic remains one of cinema's ultimate shockers!
Political documentarian Zhao Liang draws inspiration from 'The Divine Comedy' for this intoxicating and terrifying glimpse at the ravages wrought upon Inner Mongolia by its coal and iron industries. Beautiful grasslands are being overrun by earth destroyed by coal mining, blackening the surrounding landscape and poisoning its people. 'Behemoth' tours exploding hillsides, dank mine shafts, cacophonous factories, and vacant cities, building upon Zhao's previous exposes (2009's Petition, 2007's Crime and Punishment) by combining his investigative streak with a painterly vision of a social and ecological nightmare unfolding out of sight. Mesmerizing and dreamlike in its stark birds' eye observations of the industrial processes at work, this is a nearly silent trip into Dante's circle of hell from one of China's most talented filmmakers.
After falling in love with Alex, teenager George initiates a game to get his attention. With their friends, they begin to discover, test and push the limits of their sexuality. Sharing their sexual exploits on social media, they soon find themselves in the middle of a shocking scandal. As their world implodes in on them, they must face up to their actions and begin to discover their true desires.
IN 19th Century Romania, Costandin, a policeman of the time and his son travel through the country in search of a fugitive Gypsy slave. "Aferim!" is an attempt to gaze into the past, to take a journey inside the mentalities of the beginning of the 19th century.
The culmination of Imamura's extraordinary examinations of the fringes of Japanese society throughout the 1960s, Profound Desires of the Gods was an 18-month super-production which failed to make an impression at the time of its release, but has since risen in stature to become one of the most legendary — albeit least seen — Japanese films of recent decades. Presenting a vast chronicle of life on the remote Kurage Island, the film centres on the disgraced, superstitious, interbred Futori family and the Tokyo engineer sent to supervise the creation of a new well — an encounter which leads to both conflict and complicity in strange and powerful ways.
Live-in nurse Maud (Morfydd Clark) arrives to help Amanda (Jennifer Ehle), a famous dancer now frail from illness in her grand, isolated house. Amanda is intrigued by the religious young woman, distracting her from her failing health, and Maud is bewitched by her patient, but she is not what she seems...Tormented by a violent secret from her past and ecstatic messages she believes are from God, Maud becomes convinced she was sent to Amanda not as a nurse, but as a divine saviour. As her grip on reality weakens, Maud is determined to save Amanda's soul, by any means necessary.
In an ancient Japanese village (filmed on location) lurks a silent, strange, English girl named Alice (Florence Kosky). Alice is hiding from her monstrous Step-father (Robert Smith) when an actual Monster drags her into the diverse, beautiful, wilderness of her traumatised mind. Here she finds herself face to face with her inner demons that threaten to consume her. With her mind on the line, Alice has four nights to traverse the dreamscape, confront her inner demon, and make it to the neon, metropolis: Tokyo! Where she will have to face all the other monsters in her life if she wants to heal her family.
In a deserted Macedonian village, Hatidze, a 50-something woman, trudges up a hillside to check her bee colonies nestled in the rocks. Serenading them with a secret chant, she gently manoeuvres the honeycomb without netting or gloves. Back at her homestead, Hatidze tends to her handmade hives and her bedridden mother, occasionally heading to the capital to market her wares. One day, an itinerant family installs itself next door, and Hatidze's peaceful kingdom gives way to roaring engines, seven shrieking children, and 150 cows. Yet Hatidze welcomes the camaraderie, and she holds nothing back - not her tried-and-true beekeeping advice, not her affection, not her special brandy. But soon Hussein, the itinerant family's patriarch, makes a series of decisions that could destroy Hatidze's way of life forever.
The film is directly based on the director, Carla Simon's, own childhood. Following the death of her parents, 6 years old Frida (Laia Artigas) moves from Barcelona to the Catalan countryside to live with her aunt and uncle, her new legal guardians. She now has a new little sister whom she has to take care of, and has to deal with new feelings, such as jealousy. Often, Frida is naively convinced that running away would be the best solution to her problems. Slowly, Frida realizes that she is there to stay. Before the summer is over, she has to cope with her emotions and her new parents have to learn to love her as their own daughter.
Nadezhda (Margita Gosheva) is an English teacher who also works as a translator to earn extra cash. Stunned by a theft by one of her students she is determined to find the culprit. But meanwhile her personal life is put under huge pressure. A bailiff tells her that her house is about to be seized because of unpaid mortgage payments. Determined to keep the house, she will do everything she can to get the money before it is too late. Her personal and professional life converge as she wonders, whilst her options start to run out, whether to question the principles she teaches her students.
When two young men arrive at a family-run guesthouse in rural France, their anticipation of a few days' peace and quiet is undermined by a variety of sinister occurrences. A small bird is found murdered, its neck in a tiny noose, a strangely sexualized stain appears on a wall, and a slug crawls across the breakfast tray. Are these all signs comprising a portent of truly cosmic significance, or merely bizarre coincidences? And is it any wonder that one of the visitors, Witold (piercing-eyed Jonathan Genet) has such difficulty writing his novel, or that his companion Fuchs (Johan Libereau) prefers to find solace in earthier pleasures?
Pablo Larraín (Jackie, Neruda) returns with the dazzling 'Ema', an intoxicating comment on sex, power and chaos in modern-day Chile. Driven by an electrifying original score by Nicolás Jaar, it's a whirlwind of provocative, no-holds-barred anarchy, anchored by searing central performances from rising star Mariana Di Girolamo and Gael García Bernal.
We use cookies to help you navigate our website and to keep track of our promotional efforts. Some cookies are necessary for the site to operate normally while others are optional. To find out what cookies we are using please visit Cookies Policy.