Jo (Rita Tushingham) is an awkward, shy 17-year-old girl living with her promiscuous alcoholic mother, Helen (Dora Bryan) in the grey, bleak, tenement houses of Manchester. Desperately longing to simply be loved, when her mother's latest boyfriend drives Jo out of their apartment she spends the night with a black sailor on a brief shore leave. When Jo's mother abandons her to move in with her latest lover, Jo finds a job and a room for herself. Then Geoffrey (Murray Melvin) drifts into her world, a shy and lonely homosexual, with whom she agrees to share her flat. When Jo discovers that she is pregnant with the sailor's child, Geoffrey, Grateful for her friendship, looks after her, even offering marriage. But their brief taste of happiness is short-lived for Jo's fickle and domineering mother wants to be part of the picture.
Career first. Everything else second. According to vaudevillian Archie Rice (Laurence Olivier), the show must go on - even if it means stringing along his fellow performers, exploiting the hopes and money of a starlet and neglecting his own family. This is Archie's world, but not everyone wants to live in it. His only daughter (Joan Plowright) will do everything she can to breakthrough and bring him around; if only she can make him listen...
Unsold on celebrity? Congested with consumption? Addled by status? You're in The World, kiddo, brought to you by Frank Tashlin - "Because Someone's Got to Live in It". And now a brief word on our latest fine product, the one that gives you the answer to that nagging question: Will Success Spoil Rock Hunter? Ladies and gentlemen, no-one does straight-and-narrow quite like Tony Randall, and we guarantee his turn as lovable ad-man Rockwell P. Hunter will leave you in so many stitches you'll be just silly with sc-HAH-rtissue! And speaking of tissue: once you see Jayne Mansfield bob and weave as starlet Rita Marlowe, the ambidextrous angel who takes Hunter under her "wings" to launch his agency into the $trato$phere, you too will coo her trademark "ooo"! But that's not all! You'll also get Ms. Joan Blondell, star of Nightmare Alley and of Opening Night, who rounds out the package as Ms. Marlowe's assistant and handler - as they say in Paris, quel package!
Katharina Blum (Angela Winkler) - young, attractive, bright, sensitive - falls in love at a carnival party with a young radical lawbreaker in flight from the police. Her brief association with a hunted man brings her under police surveillance and makes her the cruelly exploited subject of cheap newspaper sensationalism. Paraded across the front pages of a big-city daily newspaper, portrayed as a whore, an atheist, a Communist sympathizer, she becomes the target of anonymous phone-calls and letters, sexual advances integrity so profound that it overcomes even her will to survive, she shoots the offending journalist.
When two strangers stumble into international intrigue in the middle of a Los Angeles night, anything can happen... and does... Ed Orkin (Jeff Goldblum) is an insomniac with a cheating wife and a dull job. His chances for excitement look hopeless until a mysterious blond named Diana (Michelle Pfeiffer) drops onto the hood of his car. Now it's Ed's turn for some adventure and romance as Diana leads him on a merry and murderous chase where the payoff could be dollars or death.
Beautiful Catherine Holly (Elizabeth Taylor) is committed to a mental institution after witnessing the strange and horrible death of her cousin. Catherine's aunt, Violet Venable (Katharine Hepburn) tries to influence Dr. Cukrowicz (Montgomery Clift), a young neurosurgeon, to surgically end Catherine's haunting hallucinations. By utilising injections of Sodium Pentothal, Dr. Cukrowicz discovers that Catherine's delusions are in fact true. He then must confront Violet about her own involvement in her son's lurid death...
Ryota has earned everything he has by his hard work, and believes nothing can stop him from pursuing his perfect life as a winner. Then one day, he and his wife, Midori, get an unexpected phone call from the hospital. Their 6-year-old son, Keita, is not 'their' son - the hospital gave them the wrong baby. Ryota is forced to make a life-changing decision, to choose between 'nature' and 'nurture'. Seeing Midori's devotion to Keita even after learning his origin, and communicating with the rough yet caring family that has raised his natural son for the last six years, Ryota also starts to question himself: has he really been a 'father' all these years...
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