Former Economist Editor Bill Emmott and filmmaker Annalisa Piras explore Italy's political, economical and social decline over the past 20 years, the product of a moral collapse unmatched elsewhere in the West.
In season 5 of worldwide hit 'The Bureau', JJA (Mathieu Amalric), Director of Internal Security, has taken over managing the Bureau as Marie-Jeanne (Florence Loiret Caille) is testing her fieldwork skills on the ground in Egypt. The DGSE will be shaken up by rumors published about Malotru's (Mathieu Kassovitz) fate: is he really dead? What role did DGSE and the CIA play? In the end, Malotru, dead or alive, will never stop confronting each one of his own dead ends, in Sinai, in Jeddah, Phnom Penh, Moscow, Cairo and...in Paris.
From writer-director Martin McDonagh (Three Billboards Outside Ebbing, Missouri) comes a unique film starring Colin Farrell and Brendan Gleeson. Although Padraic (Farrell) and CoIm (Gleeson) have been lifelong friends, they find themselves at an impasse when one abruptly ends their relationship, bringing alarming consequences for both of them.
She's back. Jacy Farrow (Cybill Shepherd), the girl who broke Duane Jackson's (Jeff Bridges) heart, has returned to Anarene, Texas. And now Duane is not only harried by a busted business, a sarcastic wife (Annie Potts) and a rambunctious son - who steals his mistresses - but also by Jacy, who's come home to find herself...and the love she left behind.
This outrageous comedy finds a rogues' gallery of wealthy guests (from business tycoons to heiresses) aboard a hyper-luxury yacht, whose downtrodden staff - under the command of their captain and avowed Marxist (Woody Harrelson) - must respond to their every belittling whim in the hope of winning tips. Among the super-rich patrons are the oh-sobeautiful couple Carl (Harris Dickinson) and Yaya (Charlbi Dean), two models and social-media influencers who have been invited on a free trip to show off the kind of lavish lifestyle many could only dream of.
Jack Nicholson returns as private eye Jake Gittes in this atmospheric 'Chinatown' follow-up that's hit upon "the elusive sequel formula for somehow enhancing a great original". Much has changed since we last saw Jake. The war has come and gone, 1948 Los Angeles teems with optimism and fast bucks. But there's one thing Jake knows hasn't changed: "Nine times out of ten, if you follow the money you will get to the truth". And that's the trail he follows when a routine case of marital hanky panky explodes into a murder that's tied to a grab for oil - and to Jake's own past.
This long-forgotten gem in Renoir's canon is the director's only truly epic film. Made towards the end of France's left wing "Popular Front" government when Europe was on the brink of war, 'The Marseillaise' is a markedly political film about a country in flux. With an innovative new-reel style, the film follows a cross-section of people - from the citizens of Marseilles to Louis XVI - who are affected by the shifting political and social forces in the early days of the French revolution.
The stunning debut from Scottish writer-director Charlotte Wells, 'Aftersun' juxtaposes a hopeful coming-of-age story with a poignant, intimate family portrait that leaves an indelible impression. At a fading vacation resort in the late 1990's, 11-year-old Sophie (Frankie Corio) treasures rare time together with her loving and idealistic father, Calum (Paul Mescal). As a world of adolescence creeps into view, beyond her eye Calum struggles under the weight of life outside of fatherhood. Twenty years later, Sophie's tender recollections of their last holiday become a powerful and heartrending portrait of their relationship, as she tries to reconcile the father, she knew with the man she didn't, in Charlotte Wells' superb and searingly emotional debut film.
Dovzhenko's landmark 'film poem' style brings to life the collective experience of life for the Ukranian workers, examining natural cycles through his epic montage. He explores life, death, violence, sex and other issues as they relate to the collective farms. An idealistic vision of the possibilities of communism made just before Stalinism set in and the Kulack class was liquidated, 'Earth' was viewed negatively by many soviets because of its portrayal of death and other dark issues that come with revolution.
Set in a five-story guesthouse in the middle of a Parisian working class neighbourhood, "Daybreak" opens on the top floor of the building with shouts and a gunshot. A door opens and the body of a man tumbles down the stairs. As the police start to besiege the building and a crowd gathers, the killer, Francois (Jean Gabin), flees the crime scene and locks himself in his room. After failing to shoot their way into his room the police climb on top of the roof, and Francois, starts to recall previous events... His love for Frangoise (Jacqueline Laurent), the beautiful florist, and her love for Valentin (Jules Berry), the attractive dog trainer. Also starring the renowned Arletty as Clara, Valentin's assistant and suggested lover.
A fast-living, cynical London music executive (Danny Mays) heads to a remote Cornish village on a stag weekend where he's pranked by his boss (Noel Clarke) into trying to sign a group of shanty singing fishermen (led by James Purefoy). He becomes the ultimate fish out of water as he struggles to gain the respect or enthusiasm of the unlikely boy band and their families (including Tuppence Middleton) who w value friendship and community over fame and A fortune. As he's drawn deeper into the traditional way of life he's forced to re-evaluate his own integrity and ultimately question what success really means.
Year Zero in a divided Germany. With his father too ill to work, his soldier brother terrified of being arrested as a war criminal and his sister reduced to cadging cigarettes off occupying troops, 12 year-old Edmund scours Berlin for any work he can find. However, a meeting with his disgraced teacher, who still clings to his Nazi ideals, suggests a hideous solution to his problems.
Stalin Is Dead! And with The Soviet Union's top job now up for grabs, the men in Stalin's council are about to enter an 'interview' process unlike any other. With the prospect of absolute authority over the nation within grasp, in the days that follow, devious plotting and farcical backs tabbing are fair play, and one man will emerge with supreme power over the USSR. The question is: who?
Based on Ronald Blythe's acclaimed oral-history book 'Akenfield: Portrait of an English Village', Peter Hall's extraordinary, long-unseen film offers a lyrical yet authentic depiction of British pastoral life. 'Akenfield' tells the story of a farming family who have lived for generations in the bucolic Suffolk village of the film's title. Real-life local farmhand Garrow Shand gives a compelling naturalistic central performance, in three roles, as farmhand Tom Rouse, his father and grandfather - a lineage which has experienced hardship, happiness and love, and struggled with the pressures of mechanisation, two world wars and shifting social mores. A profoundly romantic work of sublime poetic realism, Akenfield boasts compelling performances from its cast of non-professional actors (drawn from the living communities of several Suffolk villages) and a sweeping, rhapsodic orchestral score composed by Michael Tippett (Fantasia Concertante on a Theme of Corelli).
Roberto Rossellini and co-writer Federico Fellini lovingly render the very spirit of Franciscan teaching in this extraordinary fresh and simple film - largely unappreciated at the time of its release, but now regarded as one of his greatest. Shot in a neorealist manner with non-professional actors (including thirteen actual Franciscan monks) it avoids the pious cliches of haloed movie saints with an economy of expression and a touching, human quality.
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