Many politicians have seen their careers careen off the tracks, but few instances have been captured so completely on film as the incisive and painfully funny Weiner. With unprecedented access to Anthony Weiner, his family, and his campaign team as they mount his New York City mayoral campaign, the film documents the impending political meltdown of epic proportions. What begins as an unexpected comeback from a disgraced ex-congressman takes a sharp turn once Weiner is forced to admit to new sexting allegations. As the media descends and rips apart his every move, Weiner tries desperately to forge ahead, but the increasing pressure and crippling 24-hour news coverage halts his political aspirations dead in their tracks. With the city of New York as a loud and bustling backdrop, this documentary charges through an increasingly baffling political campaign with unflinching clarity, humor and pathos.
In the Autumn of 1939, Heinrich Harrer (Brad Pitt) and Peter Aufschnaiter (David Thewlis) set out to climb Nanga Parbat, one of the highest peaks in the Himalayas. The self-centred Harrer, whose sole preoccupation was the achievement of fame and glory, would experience an emotional awakening on his fantastic journey that would take him from the heights of conquest to the depths of internment in a British prisoner of war camp, then from escape and a harrowing two year trek through the Himalayas, to the mysterious Tibetan city of Lhasa. As a stranger in a strange land which few westerners have ever visited, Harrer befriends the young Dalai Lama, and tutors the religious leader in the ways of the Western world.
Inspired by four shocking (and true) events in modern-day capitalist China, 'A Touch of Sin' focuses on four people, living in four different provinces, who are driven to violent ends. An angry miner, enraged by the corruption of his village, decides to take justice into his own hands. A rootless migrant discovers the infinite possibilities of owning a firearm; a receptionist working at a local sauna is pushed to the limit by a wealthy client; and a young factory worker goes from one discouraging job to the next, only to face increasingly degrading circumstances.
Spanning 3 generations of the Trueba family, this sweeping and brooding melodrama brings together historical events, romance, humour, fantasy, class conflicts, political realism and revenge in twentieth century South America.
Shot on the Brazilian Sertao, the bleak parched lands of northern Brazil, a poverty striken cowhand called Manuel (Geraldo Del Rey) kills his abusive boss. Fleeing with his wife, Rosa (Yona Magalhaes) as outlaws, Manuel joins up with a self-proclaimed saint (Joao Gama) who condones violence and preaches disturbing doctrines. The movie then follows Manuel's journey into a life of crime, joining Antonio's gang (Mauricio do Vale) and eventually meeting Corisco (Othon Bastos) a hired assassin who is paid to kill both the priest and Antonio. Folk songs combine with the music of Villa Lobos and Bach to create a stirring backdrop.
A portrait of youth in bloom; a tale of one family's dissolution; a reflection upon the danger and the mystery in living. Maurice Pialat's serene, perilous masterwork provides the movie romance a definitive check and eminently deceptive balance — the X scratched on top of the O. In one of the astonishing film debuts, Sandrine Bonnaire plays Suzanne, a free spirit and the vessel for an almost Brontean choler. She's 16, and men exist — diverse lovers, an overbearing brother, and the father portrayed by Pialat himself in an unforgettable turn that displays the full magnitude of the cinema giant's tenderness, force-of-will, and presence of being.
Set in 1970's Santa Barbara, '20th Century Women' is the story of Dorothea (Annette Bening), a single mother, and her son Jamie, as he comes of age at a time brimming with cultural change and rebellion. As life challenges both of them in new ways, Dorothea enlists the help of two younger women in Jamie's upbringing; Abbie (Greta Gerwig), a free-spirited punk artist living as a lodger in their home, and Julie (Elle Fanning), a savvy and provocative teenage neighbour.
The Bolshoi. Symbol of Russia, a national treasure and one of the most famous institutions in the world. Recently, however, the theatre has been in the headlines for all the wrong reasons: intrigue, personal attacks and management changes have created lurid headlines. Now, for the first time, the theatre directors have allowed the backstage process to be documented. With unparalleled behind the scenes access, the film pays tribute to the dancers' extraordinary artistic and athletic talents, their abiding fear of injury and the ruthless ambition needed to survive in the world's most famous ballet company.
Dwight Evans is a mysterious outsider whose quiet life on the margins is turned upside down when he returns to his childhood home to carry out an act of vengeance. Proving himself an amateur assassin, he winds up in a brutal fight to protect his estranged family.
An emotional tale of two lovers trapped in the march of history. Set in the aftermath of World War II, the film charts the relationship between a Czech airman who is assigned a large mansion on the Czech-German border and Adelheid, daughter of its previous Nazi owner, who is allocated to him as a servant. A compelling - and tragic - love story that transcends the absence of verbal communication, feature was also the first film to controversially address the Czech treatment of Germans during the expulsions of the mid-1940s.
Since her teenage years, Ah Tao has worked as a servant for the Leung family. Now, after 60 years of service, she is looking after Roger, the only member of the family still resident in Hong Kong. One day Roger comes home from work to find that Ah Tao has suffered a stroke. He rushes her to hospital, where she announces that she wants to move permanently into a nursing home. Increasingly giving more and more time and attention to Ah Tao's needs, Roger comes to realise how much she means to him.
"Hidden Figures" tells the incredible untold story of Katherine Johnson (Taraji P. Henson), Dorothy Vaughan (Octavia Spencer) and Mary Jackson (Janelle Monae) - brilliant African-American women working at NASA who served as the brains behind the launch into orbit of astronaut John Glenn (Glen Powell), a stunning achievement that turned around the Space Race. The visionary trio crossed all gender and racial lines and inspired generations.
The final part of his highly acclaimed 'Living' trilogy, Roy Andersson's 'A Pigeon Sat on a Branch Reflecting on Existence' takes another sly, humorous and wholly original look at the absurdity of life. Two travelling salesman who trade novelty items traipse glumly from one joke shop to another failing to make a living, teacher-student relationships repeatedly become inappropriate at a flamenco dance lesson, and King Charles XII of Sweden drops by a bar with an 18th century army in tow, looking for a lover and a modern day peasant to punish. This is the skewed and unique world of Roy Andersson where disparate segments of humanity are exhibited and coalesce to form a poignant and darkly funny commentary on society and how we should ultimately embrace it.
'Snowden' is a riveting personal look at one of the most polarising figures of the 21st century, the man responsible for what has been described as the most far-reaching security breach in U.S. intelligence history. 'Snowden' opens the door on the untold story of Edward Snowden, examining the forces that turned a conservative young patriot eager to serve his country into a historic whistle-blower and posing provocative questions about which liberties we are willing to give up in order for our government to protect us.
Oscar winner Denzel Washington and Oscar winner Viola Davis deliver the 'performance-driven masterpiece' of the year in the film adaptation of August Wilson's Pulitzer Prize-winning play. Set in 1950s Pittsburgh, the film takes a passionate look at former Negro-league baseball player Troy Maxson (Washington) as he fights to provide for those he loves in a world that threatens to push him down. Washington's directorial triumph 'connects with people on a deep, emotional level' and pulses with the universal truths of love and forgiveness, despite what lies beyond your own fence.
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