John Wayne Cleaver (Max Records) is a diagnosed sociopath, obsessed with serial killers but committed to not becoming one. He lives by rules to keep him 'good' and 'normal' but when someone starts murdering people in his small town, John has to investigate and risk letting his own dark side out in order to stop the killer. But without his rules to keep him in check he might be more dangerous than the monster he is stalking. As the icy winter tightens its grip on the community a deadly supernatural game of cat and mouse ensues...
This second gripping tale sees the return of French detective Julien Baptiste who finds a connection between a new case and one he could never solve. When a young British woman stumbles through the streets of her German hometown and collapses, it soon becomes apparent that she is a young girl who went missing 11 years earlier, Alice Webster. Alice's return sends shockwaves through the tight-knit community, as her distraught family are thrown into turmoil. Alice appears to hold vital clues to the whereabouts of a second missing girl, Sophie Giroux. Upon hearing this, Baptiste races to Germany to pursue a case that he could never let die. Leaping backwards and forwards in time, present and past converge as the shockwaves from Alice's return drive the Webster family apart; and we join Baptiste in Iraq, searching for an AWOL British soldier he believes is the key to finding the second missing girl.
Shipping captain Marco (Vincent Lindon) receives a phone call from his sister, urgently calling him back to Paris. Her husband has committed suicide, her daughter is missing and the family business has gone under. She holds her husband's business partner, Edouard Laporte, accountable and Marco sets out to expose his treachery. But, as he begins to scratch under the surface, Marco discovers a dangerous underworld of violence, corruption and exploitation that will culminate in a final, shocking revelation...
Armed with only an 8mm movie camera Peter De Rome was an eccentric English gentleman who in the 1960's would politely ask young men to remove their clothes and "perform" on camera. Initially this was filmmaking for his own pleasure, but it wasn't long before a growing audience wanted to see more, although at the time his work was considered far too subversive and corruptive for general viewing. Peter's story spans eight decades of the "gay experience" both in the USA and UK with first-hand experiences from World War II to Stonewall and beyond. The film 'Peter De Rome' charts hisremarkable journey from cinematic outlaw to celebrated film icon with contributions from collaborators and some of those he has influenced. The film uses extensive extracts from Peter's varied and often explicit work, from his early 8mm experiments in the 1960s to his extraordinary feature films to create a portrait of a true original. 'Peter De Rome' celebrates the life and work of one of the UK's most charismatic filmmakers. His work was daring yet iconic, his charm simple yet irresistible and his persuasive abilities simply unmatchable.
A criminal gang looks forward to a big payday until Albert Graves (Phillip Davis), their safecracker, suddenly dies. Spotting an opportunity, Albert's grandson Johnny (Joe Cole) approaches the men at the funeral but is chased out by his abusive father who accuses Johnny of being nothing but a low life and drug addict. But the safecracking skills that Johnny has been taught by his grandfather do not escape the gang, led by the menacing Jim (Kenny Doughty) and that night he's snatched away to a dark farmhouse to finish the job his granddad began...
Embark on a magical journey through time with "Boys on Film 15: Time and Tied" featuring a brand new selection of sensational gay British short films that showcase some of the UK's best emerging talent.
Closets (2015)
Tommy Knight (The Sarah Jane Adventures) stars in this light-hearted drama as Henry, a teenager struggling with his sexuality in 1986. Hiding in his wardrobe, he time travels to the present day where he meets a similar teenager, Ben, occupying his same bedroom 30 years later.
Nightstand (2015)
Two men meet over three consecutive nights - one is young and gay, and the other is married to a woman and middle aged, their tender affair starts to unravel in the nighttime metropolis leaving them to face their biggest fears.
Crossroad (2015)
The fourth short to be directed by Leon Lopez and starring Hollyoaks Ashley Campbell. Liam, a young man wracked with confusion after an incident that triggers a mission of self-discovery where the choices he faces may risk changing his life forever.
Putting On the Dish (2015)
Journey to London, 1962, were two strangers strike up a conversation on a park bench about life and sex using Polari slang to talk about their experiences in this "fantabulosa" comedy.
Morning Is Broken (2015)
Sam's brother is getting married but this family event doesn't represent a milestone just for the groom. At the wedding, Sam meets Nick, who's friendly and fond of old cars. He invites Sam to go for a drive, a pact is made and an adventure begins.
Dawn (2016)
As dawn creeps across London, two lonely outcasts meet in the darkness, more afraid of themselves than each other. As the sun begins to rise, and the veil of night is lifted, the pair search the cold light of day for hope, as it takes more than just eyes to look inside the soul.
G O'Clock' (2016)
After being called out to an emergency, Alex, a gay paramedic, saves the life of a young boy who had overdosed on GHB. He later arrives at a chill-out and meets Nik, a sexy young Spanish boy who he takes under his wing but soon discovers his caring instincts comes with a dangerous price.
Sauna the Dead (2016)
A night in a gay sauna turns into a fight for survival. Two men must over come prejudice and join forces in taking down a horde of towel wearing zombies. This genre-hopping modern day fairy tale explores how the way we treat each other ultimately creates the worlds we live in.
Trouser Bar (2016)
Set in a London gentleman's outfitters in 1976, and taking inspiration from the emotions aroused by a fetishist love of corduroy, leather and tight trousers, two men enter Sir John's Trouser Bar but little do they know the sexual adventures that awaits them inside.
In 1967, during the height of the Cold War, two young CIA agents go undercover at NASA to investigate a possible Russian mole. In disguise as documentary filmmakers, they tap phones and break into offices while purporting to learn more about the Apollo project. But when they end up uncovering a shocking NASA secret - and a major government cover-up - they decide to embark on a new mission that puts their own lives at risk.
When four friends go on a camping trip in a remote part of Argentina, sexual tensions quickly bubble to the surface. Once in virtual seclusion by the beach, Juli (the only girl) quickly recognises that that the boys seem to have a closer relationship than what she would consider 'normal'. The line between friendship and love fade further for two of the boys in particular as their desire becomes too much to bear. When what started as a simple getaway quickly becomes tinged with sex, romance, and conflict, everyone is forced to confront who they really are for the very first time.
Left alone and apart after the death of their mother and the disappearance of their father, 19-year-old Boni and 15-year-old Nenette live solitary lives of confusion, frustration and anguish. Working as a pizza chef, Boni spends his days immersed in vivid sexual fantasies and his nights hanging out with local hoods while Nenette is stuck in a boarding school, seven months pregnant with an unwanted child. When Nenette decides to escape and arrives on Boni's doorstep the pair warily embark on a difficult, unsentimental and totally unpredictable emotional journey...
Renée Zellweger and Colin Firth are joined by Patrick Dempsey for the much-anticipated next chapter of the world's favourite singleton. Forty-something and single again after breaking up with Mark Darcy (Firth), Bridget decides to focus on her job and surround herself with old friends and new. Her love life takes a turn when she meets a dashing American named Jack (Dempsey), a suitor who is everything Mr. Darcy is not. In an unlikely twist, Bridget finds herself pregnant, but with one hitch... she can only be fifty percent sure of the identity of her baby's father.
In Cairo at the height of the Arab Spring, hotel night manager Jonathan Pine (Tom Hiddleston) receives a plea for help from the beautiful Sophie Alekan (Aure Atika). As the mistress of the powerful but dangerous hotel owner, Sophie has evidence of an arms deal that could help crush the popular uprising. Compelled to do what he thinks is right, Pine makes contact with his friend at the British Embassy. But his actions unwittingly draw him into the terrifying world of ruthless arms dealer, Richard Roper (Hugh Laurie). When Sophie's information makes its way to Angela Burr (Olivia Colman), a government anti-corruption agent intent on bringing down Roper's empire, a leak in her network triggers a chain of events that end in tragedy.
Lynn Markham (Joan Crawford), a recent widow, moves into a beach house where the former owner fell to her death from the balcony. What seemed like an accident turns to suspicion of murder as Lynn finds herself drawn into a torrid affair with a handsome beachcomber (Jeff Chandler) who may be harbouring a sinister secret.
Mr Duval, a country vet and his wife, live deep in provincial France. Their two children are 9 year old Olivier, the apple of his mother's eye and his older sister Nadine. Mrs Duval sends Olivier to deliver food to her ailing mother in law. The child goes missing and the loss breaks up the already fragile family in a mass of recriminations, Mr Duval taking a post in Africa. Six years later the policeman who had unsuccessfully investigated the case, now in the Paris vice squad, comes across a teenage rent boy who could be the lost son. The parents take him back unquestioningly lavishing presents upon him much to the alienation of Sister Nadine, for whom, Olivier's attention now is definitely sexual.
This dazzling interpretation of the hit Tim Rice - Andrew Lloyd Webber rock opera tells the story of Christ's (Ted Neeley) final weeks in a bold and epic production. Shot entirely on location in Israel, producer-director Norman Jewison creates a brilliant example of modern moviemaking with groundbreaking vision and the unforgettable songs of Rice and Webber.
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