A Disney legend returns for a whole new generation. Acclaimed director Tim Burton presents the re-imagined 'Dumbo'. Dreams soar all the way to the Big Top when a baby elephant that can fly saves the day!
Welcome to a world where the strange and the ordinary are brought together to tell wicked stories...with a twist. Welcome to 'Tales from the Darkside: Series Two. Featuring major stars from film and TV, these 24 spine-tingling stories of heart-stopping suspense and killer thrills promise to leave you dead-bolting the door and sleeping with the lights on for many nights to come.
Pakistan's first splatter flick, in the tradition of 'Friday the 13th' and 'The Texas Chainsaw Massacre', delivers spine-tingling thrills when an attractive group of teens pile into a van that runs out of gas in the middle of a dark, mysterious forest. Their ghoulish nightmare begins when rotting, fresh-eating zombies and a decapitated head-toting, screaming banshee-like hitchhiker begin to terrorize them at every turn. But when a mysterious figure, dressed in a blood-drenched burqa, appears sporting a medieval weapon dripping in gore, even the teens' prayers won't save them from a night of savage, demented horror.
The film follows the story of a disgraced children's puppeteer who returns to his childhood home and is forced to confront his wicked stepfather and the secrets that have tortured him his entire life.
In a future world that has been seemingly ravaged by war and poverty there exists a myth of hope among the people - a forbidden place known only as the Zone, the heart of which, if reached, grants one's innermost desires. Two men, a writer and professor, hire someone known as a Stalker; a guide who can navigate the treacherous and confounding path that leads to the centre of the Zone. 'Stalker' was instantly considered one of the most definitive artistic contemplations of human aspiration and the ambition we employ to achieve it.
Deborah Kerr (in the performance of her career) plays the emotionally repressed vicar's daughter who takes up a job as a governess to two seemingly angelic orphans. Gradually coming to believe that the children are possessed by the perverse spirits of their former governess and her sadistic lover, she begins to see manifestations of the ghosts prowling the huge gothic mansion of Bly House. Director Jack Clayton sustains a superbly haunting atmosphere throughout the film, and like James' original work, cleverly retains the ambiguity of wether the ghosts are real or the products of the governess's fevered imagination. Aided by Freddie Francis's exquisitely inventive and atmospheric CinemaScope photography, we, like the governess, are never quite sure what unspoken horrors are lurking beyond the edge of the frame and are kept guessing until the film's tragic conclusion.
Dani (Florence Pugh) and Christian (Jack Reynor) are a young American couple with a relationship on the brink of falling apart. But after a family tragedy keeps them together, a grieving Dani invites herself to join Christian and his friends on a trip to a once-in-a-lifetime midsummer festival in a remote Swedish village. What begins as a carefree summer holiday in a land of eternal sunlight takes a sinister turn when the insular villagers invite their guests to partake in festivities that render the pastoral paradise increasingly unnerving and viscerally disturbing. From the visionary mind of Ari Aster comes a dread-soaked cinematic fairytale where a world of darkness unfolds in broad daylight.
London. The '60s. Two unemployed actors-acerbic, elegantly wasted Withnail (Richard E. Grant) and the anxiety-ridden "I" (Paul McGann) - drown their frustrations in booze, pills and lighter fluid. When Withnails's Uncle Monty (Richard Griffiths) offers his cottage, they escape the squalor of their flat for a week in the country, but soon realise they've gone on holiday by mistake when their wits - and friendship - are sorely tested by violent downpours, less-than-hospitable locals and empty cupboards.
Tales From The Darkside, the uniquely terrifying and frighteningly popular horror anthology series, is back. Packed with haunting stories that at first light appear to be about normal situations, these tales are gradually twisted until they become something sinister, shocking and totally unsettling. Revealing the dark underworld of our everyday existence, 'Tales from the Darkside' includes stories penned by masters of horror, with unforgettable performances by some of Hollywood's finest stars. Dark, scary and with a bizarre sense of justice, all 24 episodes of Tales from the Darkside's spine-tingling first season will capture your imagination... and never let it go.
When Tony Lip (Viggo Mortensen), a bouncer from an Italian-American neighborhood in the Bronx, is hired to drive Dr. Don Shirley (Mahershala Ali), a world-class Black pianist, on a concert tour from Manhattan to the Deep South, they must rely on "The Green Book" to guide them to the few establishments that were then safe for African-Americans. Confronted with racism, danger as well as unexpected humanity and humor - they are forced to set aside differences to survive and thrive on the journey of a lifetime.
In seventeenth-century France, Father Urbain Grandier (Oliver Reed) uses his power to protect the city of Loudun from destruction at the hands of the establishment. Soon, he stands accused of the demonic possession of Sister Jeanne (Vanessa Redgrave), whose erotic obsession with him fuels the hysteria that sweeps through her convent.
In a far-off future, mankind is in a state of decay. But a group of scientists believe they have found the means to move humanity on to its next level in the creation of an ideal, self-replicating - and thus immortal - human being. Jerry Cornelius (Jon Finch), Nobel Prize-winning physicist and playboy adventurer, is vital to the project's success: his recently deceased father devised the formula of this 'final programme'. However, the formula is captured on a microfilm hidden in the vaults of the family's mansion, and jealously guarded by Jerry's drug-addicted, psychopathic brother, Frank (Derrick O'Connor)...
After surviving a near-fatal accident, track coach and mother, Dana (Shauna Macdonald) awakens, in hospital, paralysed and imprisoned in her own body. Whilst struggling to regain control of her life, Dana is confronted with a vindictive spirit; a terrifying presence called 'Nails', whom she is convinced exists inside her hospital room. Faced with scepticism from her husband, doctors and the staff, and believed to be suffering from a mental breakdown, Dana is left struggling to keep her grip on reality as the targeted attacks grow increasingly violent. To save her marriage and her life, Dana must find a way to convince her family that Nails is real before he succeeds in destroying her and everyone who stands in his way.
This potent film from Michael Winterbottom is a story of survival and love, a celebration of the small pleasures of everyday life. The father (John Simm) is in prison. The mother Karen (Shirley Henderson) has to bring up a family of 4 children by herself. Filmed over a period of five years, 'Everyday' uses the repetitions and rhythms of everyday life to explore how a family can survive a prolonged period apart. The story unfolds in a series of visits: first the family visiting the father in prison, later the father visiting the family at home. With each visit the distance between the children and their father becomes harder to bridge. By avoiding the normal cinematic conventions of time passing, 'Everyday' focuses on the small subtle changes as people grow up and grow old whilst being apart.
Jesus Christ - Son of God! Saviour of mankind! Superstar! Richard Herring - Son of Keith! Impressive high score on Yahtzee. Star of a poker based chat show on a satellite channel which subsequently closed down! At first sight they have little in common. Or do they? Following up on his critically acclaimed show 'Hitler Moustache', Herring now turns his attention to religion. "Last year the show was about Hitler. This year it's about Jesus. I guess I am following the career path of Pope Benedict". As a committed atheist why is Herring so obsessed with Christ? Is he scared he might be wrong to be so dismissive? Does he feel that Christ's true intentions and message have been subverted by his followers? Or does he secretly hope, in his heart that he might be Jesus, back at last, just like he promised, only about 2000 years later than planned? "I'm not saying I'm Jesus... that is for other people to say". Combining child-like guile with rigorous academic research, Herring attempts to discover the true historical Jesus, find out why he is all things to all men, discovers a mistake on the very first page of the New Testament and tries to ascertain if Jesus ever really did walk like a lady and wear a bra. It's funny and thought-provoking, blasphemous and reverential and it's a much better Christmas present than some Myrrh.
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