The stunning debut from Scottish writer-director Charlotte Wells, 'Aftersun' juxtaposes a hopeful coming-of-age story with a poignant, intimate family portrait that leaves an indelible impression. At a fading vacation resort in the late 1990's, 11-year-old Sophie (Frankie Corio) treasures rare time together with her loving and idealistic father, Calum (Paul Mescal). As a world of adolescence creeps into view, beyond her eye Calum struggles under the weight of life outside of fatherhood. Twenty years later, Sophie's tender recollections of their last holiday become a powerful and heartrending portrait of their relationship, as she tries to reconcile the father, she knew with the man she didn't, in Charlotte Wells' superb and searingly emotional debut film.
What happens when an object of suspicion becomes a case of obsession? When detective Hae-joon (Park Hae-il) arrives on the murder scene, he begins to suspect the dead man's wife Seo-rae (Tang Wei) may know more than she initially lets on. But as he digs deeper into the investigation, Hae-joon finds himself trapped in a web of deception and desire, proving that the darkest mysteries lurk inside the human heart.
This outrageous comedy finds a rogues' gallery of wealthy guests (from business tycoons to heiresses) aboard a hyper-luxury yacht, whose downtrodden staff - under the command of their captain and avowed Marxist (Woody Harrelson) - must respond to their every belittling whim in the hope of winning tips. Among the super-rich patrons are the oh-sobeautiful couple Carl (Harris Dickinson) and Yaya (Charlbi Dean), two models and social-media influencers who have been invited on a free trip to show off the kind of lavish lifestyle many could only dream of.
From writer-director Martin McDonagh (Three Billboards Outside Ebbing, Missouri) comes a unique film starring Colin Farrell and Brendan Gleeson. Although Padraic (Farrell) and CoIm (Gleeson) have been lifelong friends, they find themselves at an impasse when one abruptly ends their relationship, bringing alarming consequences for both of them.
"Brian and Charles" follows Brian (David Earl), a lonely inventor in rural Wales, who spends his days building quirky, unconventional contraptions that seldom work. Undeterred by his lack of success, Brian attempts his biggest project yet. Three days, a washing machine, and various spare parts later, he's invented Charles (Chris Hayward), an artificially intelligent robot who learns English from a dictionary and has an obsession with cabbages. What follows is a humorous and entirely heartwarming story about loneliness, friendship, family, finding love, and letting go.
The visionary director of 'Gomorrah', Matteo Garrone, combines the magical and the macabre in this visually dazzling tale of brutal ogres, deadly sea monsters and three noble kingdoms. An extravagant, luscious and profoundly beautiful cinematic spectacle that has been acclaimed as a masterpiece, 'Tale of Tales' is adapted from 17th-century writer Giambattista Basile's dark fantasy fables...
"Final Account" is an urgent portrait of the last living generation of everyday people to participate in Adolf Hitler's Third Reich. Over a decade in the making, the film raises vital, timely questions about authority, conformity, complicity and perpetration, national identity, and responsibility, as men and women ranging from former SS members to civilians in never-before-seen interviews reckon with - in very different ways - their memories, perceptions and personal appraisals of their own roles in the greatest human crimes in history.
Willem Dafoe stars in a career defining performance as a reluctant father figure to the residents of a motel set against the backdrop of a Disneyland resort. From critically acclaimed director Sean Baker (Tangerine) 'The Florida Project' is a wonderful film about the innocence of childhood and the social divide that often touches all sides of humanity.
On a hot summer day, a bicycle is found in a wheat field, and nearby, the body of a young girl. The killer is never found. 23 years later. Same date. Same place. Another bicycle. Another girl. This time round, an ageing detective convinced that history is repeating itself, comes out of retirement determined to track down the perpetrator with the help of his young colleague. Spanning a week in the investigation, both of them will begin a journey that will see intact worlds shatter apart.
Kirsty is a young woman living with her sister and widowed mother. Prior to his untimely death, Kirsty's father had encouraged her to seek a life beyond the island, and when romance burgeons between her and local lad Murdo, the opportunity to see the world seems within reach. When the young men must leave the island for the war, a road dance is held in their honour, and on that night Kirsty's life takes a dramatic and tragic turn.
Fourteen-year-old Joe (Ed Oxenbould) is the only child of Jeanette (Carey Mulligan) and Jerry (Jake Gyllenhaal) - a housewife and a golf pro - living a seemingly idyllic life in 1960's Montana. His family's carefully constructed façade is about to come crashing spectacularly down, however, when Jerry loses his job - and his sense of purpose. In an attempt to restore his pride, Jerry takes off for the summer to help fight the wildfires raging near the Canadian border, a life-threatening job, for very little pay. An angry and bereft Jeanette must quickly learn to fend for herself, and does so with gusty, challenging cultural expectations and taking a quietly bewildered Joe along for the ride.
Winner of numerous festival prizes all over the world, 'When I Saw You' is the second film from the Jordan-based Palestinian film-maker Annemarie Jacir, (and Palestine's 2012 Oscar' entry) and is set in 1967 when thousands of Palestinian refugees fled to camps in Jordan in the wake of the June War. The 11 year-old Tarek, along with his mother Ghaydaa, has been separated from his father in the general chaos. Stifled and bored in the refugee camp, Tarek goes in search of his father in the forest around and ends up with a group of fedayeen who adopt him as a kind of mascot. Soon his mother arrives too, and they try to make their way home, leaving behind victimhood with a new-found sense of hope and freedom.
Stationed on the Helmand frontline in Camp Armadillo, the platoon fights increasingly fierce battles with an enemy that is nearby but rarely seen. Metz captures life on the frontline with an uncompromising and intense vision, bearing witness to the realities of the combat zone. As the fighting intensifies, the effect of modern warfare is gradually realised as exhaustion, fear and adrenaline set in. Idealism meets paranoia in an authentic gun battle and decisions are made that can never be reversed. Gripping, thought provoking and visceral, this is as close as you get to battle action from the edge of your seat.
In 1944 the Battle of Tannenberg would become one of the bloodiest conflicts of World War II, second only to the Battle Of Stalingrad. The Waffen-SS are repelling the Red Army's invasion of Germany and many men join the German forces, in fear of being sent to Siberian Labour camps where families and friends were sent by Stalin years earlier, and many are forced to fight their own brothers in bloody battle. "1944: Forced to Fight" is the incredible and harrowing true story of one the darkest periods of World War II.
After their isolated house is destroyed by a wildfire, John (Paul Higgins) and Karen (Kate Dickie) take refuge in the nearby forest and eke out a feral existence, staying away from the villagers in the valley below. As the couples backstory unfolds, the reasons for their self-imposed isolation and their grief become apparent. When an overly concerned local farmer Andre (Jerome Kircher) tries to help them, the couple's relationship becomes ever more fragile and unstable leading to a violent and emotional climax.
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