Britain 2007, Bryant (Sean Bean) arrives back to Britain from Iraq. The soldier finds a country he no longer recognises; violent crime, drugs, rape and murder rule the streets. He decides enough-is-enough, it's time to fight back. Soon a small group of men gravitate to him and his cause, and together they take the law into their own hands. Their aim, to punish the guilty with violence.
After moving to an idyllic home in the countryside, life seems perfect for the Creed family... but not for long. Louis (Dale Midkiff) and Rachel (Denise Crosby) Creed and their two young children settle into a house that sits next door to a pet cemetery - built on an ancient Indian burial ground. Their mysterious new neighbour, Jud Crandall (Fred Gwynne), hides the cemetery's darkest secret...until a family tragedy brings the secret to life. Now, an unthinkable evil is about to be resurrected.
After Cameron Post (Chloe Grace Moretz) is caught with another girl in the back seat of a car on prom night, she's quickly shipped off to a conversion therapy centre that treats teens "struggling with same-sex attraction". At the facility, Cameron is subjected to outlandish discipline, dubious "de-gaying" methods, and earnest Christian rock songs - but this unusual setting also provides her with an unlikely gay community. For the first time, Cameron connects with peers, and she's able to find her place among fellow outcasts.
Jeff Bridges, Cynthia Erivo, Dakota Johnson, Jon Hamm and Chris Hemsworth lead an all-star cast in this powerful thriller filled with gripping suspense and startling revelations. Seven strangers, each with a secret to bury, meet at Lake Tahoe's El Royale, a rundown hotel with a dark past. Over the course of one fateful night, everyone will have a last shot at redemption...before everything goes to hell.
Twenty years ago, a tragic accident in a mine on St. Valentine's day took the lives of five miners. The disaster occurred while supervisors left their posts to attend the town's annual Valentine's Day dance. The only survivor, Harry Warden, was confined to a mental institution after the ordeal. On the disaster's first anniversary, he returned to the town for bloody revenge. That was nineteen years ago, and memories have dimmed. Young lovers T.J. (Paul Kelman) and Sarah (Lori Hallier) and friend Axel (Neil Affleck) are among the townspeople attending another Valentine's party. Then, a box of Valentine candy arrives, containing an ominous message and a blood-soaked heart. Before the night is over, terror will strike again and again and again...
Based on Peter Rock's novel 'My Abandonment', 'Leave No Trace' revolves around a teenage girl (Thomasin McKenzie) and her father (Ben Foster) who have lived undetected for years in Forest Park, a vast wood on the edge of Portland, Oregon. A chance encounter leads to their discovery and removal from the park and into the charge of a social service agency. They try to adapt to their new surroundings until a sudden decision sets them on a perilous journey into the wilderness seeking complete independence and forcing them to confront their conflicting desire to be part of a community or a fierce need to live apart.
Blumhouse produces this original and inventive rewinding thriller in which a blissfully self-centered co-ed (Jessica Rothe) is doomed to relive the day of her murder unless she can identify her masked assailant and hopefully stop the madness. If she can't, she will be stuck in an insane loop, reliving a ghoulish nightmare that has become her death day.
Ada (Holly Hunter) - mute since birth - her nine year old daughter and her piano arrive to an arranged marriage in the remote bush of nineteenth century New Zealand. Of all her belongings her husband refuses to transport the piano and it is left behind on the beach. Unable to bear its certain destruction, Ada strikes a bargain with an illiterate tattooed neighbour (Harvey Keitel). She may earn her piano back if she allows him to do certain things while she plays; one black key for every lesson.
"The Boys from Brazil" is a terrifying film about the perpetuation of a new race of Hitlers, based on Ira Levin's thrilling book of the same title. In the setting of 1970's South America, a notorious Nazi War criminal, Dr. Josef Mengele (Gregory Peck), gathers a group of former Nazis to work on a covert project to establish a Fourth Reich. But when famed Nazi-hunter Ezra Lieberman (Laurence Olivier) is enlightened to Mengele's bone-chilling scheme - to clone 94 young Hitlers and cause horror on a global scale - he attempts to unravel the conspiracy.
Robert Wagner gambled with his clean-cut image to play the ruthless, conniving killer in this unrelenting thriller co-starring Jeffrey Hunter, Virginia Leith, Joanne Woodward and Mary Astor. Based on the novel by suspense master Ira Levin "Deathtrap", A Kiss Before Dying is riveting, sure-fire entertainment you can't miss! Wagner is Bud Corliss, a darkly handsome college boy so obsessed with wealth that he'll do anything to get it. When his rich girlfriend Dorothy (Woodward) gets pregnant and is threatened with disinheritance, Bud stages her suicide, sending her plummeting from the roof of a high-rise. It's the perfect crime...until Dorothy's sister Ellen (Leith) begins to unravel Bud's deadly scheme.
Assistant District Attorney, Adam Bonner (Spencer Tracy) loves his wife Amanda (Katharine Hepburn), but doesn't care much for his opposing counsel in a sensational attempted-murder trial - an opponent who happens to be Amanda. Spencer Tracey and Katharine Hepburn were never more evenly matched than when they brought their sharpened wits and prickly affection to this George Cukor-directed comedy written by Ruth Gordon and Garson Kanin. Judy Holliday co-stars as the woman whose shooting of her philandering spouse becomes a feminist cause for Amanda. Hepburn generously saw Holliday's' work as a screen test for casting the film of Holliday's stage vehicle Born Yesterday. Hepburn's ploy worked. So does this fine, funny movie.
Writer/director/producer M. Night Shyamalan returns with an original thriller that delves mysterious recesses of one man's fractured, gifted mind. Though Kevin (James McAvoy) has revealed 23 personalities to his psychiatrist, there remains one still submerged who is set to materialise and dominate all the others. Compelled to abduct three teenage girls, Kevin reaches a war for survival among all of those contained within him - as well as everyone around him - as the walls between his compartments shatter apart.
It's going to be the slumber party to end all slumber parties. With her parents away, Trish (Michelle Michaels) is planning a weekend of high jinx fun for her high school basketball team friends - a slumber party at her house. She's not sure if she wants to invite the newly arrived and talented Valerie (Robin Stille) but someone who's definitely coming is Russ Thorn. Locked up in a mental institution since 1969, Thorn, the nastiest of driller killer psychos, has escaped and is heading back to town intent on more bloody mayhem. This night no one's going to get much sleep - there's potato chips, drinks, dope, severed heads, blood and gore a-plenty. Even the pizza delivery boy ends up a yucky mess (just like his pizzas!).
Montag the Magnificent (Ray Sager) is a travelling magician whose stomach-churning illusion act culminates in the public killing and disembowel-ling of young women in front of a seemingly bloodthirsty audience before magically returning them to their seats unharmed. However, when the women in question start to turn up dead, apparently victims of some random violent crime, questions start to be asked of Montag, who must try ever harder to maintain the illusion.
A tantalizing memorial to what could have been that comes right from the very heart of the action, the hugely acclaimed Lost in La Mancha offers a frank, often hilarious and frequently painful account of some of the disasters, natural and otherwise, that befell director Terry Gilliam's attempt to film The Man who killed Don Quixote. Despite an all-star cast including Johnny Depp, Vanessa Paradis and Jean Rochefort, and one of cinema's most inventive directors at the helm (Brazil, The Fisher King, Twelve Monkeys), Gilliam's ambitious project was forced to shut down after only six days of production.
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