French director, screenwriter, actor and producer Bertrand Tavernier looks at the rich history of French cinema and its impact on his life, from his youth as a movie buff to his own career as a filmmaker. Along the way, he explores the works of acclaimed French directors such as Jacques Becker, Jean-Pierre Melville, Claude Sautet, Frangois Truffaut, and Jean-Luc Godard.
John Thunderbolt Doherty (Clint Eastwood) is a former thief whose razor-sharp wits and steely nerves made him a monster of his profession, but he's about to to enter the criminal world with a new partner. Lightfoot (Jeff Bridges), a brash young drifter whose energy and exuberance give the veteran a new outlook on life. Their target: the seemingly impenetrable Montana Armored Depository. After forming an uneasy alliance with Thunderbolt's former partners in crime (George Kennedy and Geoffrey Lewis), they launch an amazing scheme that will test the limits of their endurance...and the power of their friendship.
In the latest film from the director of the Cannes Palme d'Or winning 'Uncle Boonmee who can Recall his Past Lines', soldiers with a mysterious sleeping sickness are transferred to a temporary clinic in a former school.The memory-filled space becomes a revelatory world for volunteer Jenjira, as she watches over Itt, a handsome soldier with no family visitors. Jen befriends Keng who uses her psychic powers to help loved ones communicate with the comatose men. Doctors explore ways, including coloured light therapy, to ease the mens' troubled dreams.There may be a connection between the soldiers' enigmatic syndrome and the mythic ancient site that lies beneath the clinic. Magic, healing, romance and dreams are all part of Jen's tender path to a deeper awareness of herself and the world around her.
In the ruins of post-war Poland, Wiktor (Tomasz Kot) and Zula (Joanna Kulig) fall deeply, obsessively and destructively in love. As performing musicians forced to play into the Soviet propaganda machine, they dream of escaping to the creative freedom of the West. But one day, as they spot their chance to make a break for Paris, both make a split decision that will mark their lives forever. Pawel Pawlikowski follows his Oscar-winning 'Ida' with the stunning 'Cold War', an epic romance set against the backdrop of Europe after World War II. Sumptuously shot in luminous black and white, it spans decades and nations to tell a love story that is as tragic as it is moving, and as transportive as it is honest.
With a screenplay adapted by Leonard Gardner from his own novel, John Huston's drama examines the meager hopes and resigned dreams of small-time boxers. In limbo between retirement and his youthful prime, alcoholic farm laborer Tully (Stacy Keach) shacks up with fellow outcast Oma (Susan Tyrrell) and keeps trying to make a boxing comeback, but his personal demons repeatedly overpower his ambitions. Meanwhile, fellow Stockton, CA resident and budding fighter Ernie (Jeff Bridges) takes Tully's advice to join trainer Ruben (Nicholas Colasanto)'s gym and make something of himself. Learning the tough lesson that winning is not as easy as it sounds, Ernie is still determined to get what he can out of boxing and, unlike Tully, not let disappointments get the best of him.
Wrong Move (1975)Falsche Bewegung / The Wrong Move / The Wrong Movement
Wilhelm (Rüdiger Vogler) embarks on a journey across Germany in order to find his voice as a writer. Introspective and seemingly without personality, he encounters a series of eccentric characters, including a beautiful and enigmatic actress and a mute girl, who draw Wilhelm into their worlds. Loosely based on Goethe's landmark novel, Wilhelm Meister's Apprenticeship, Wim Wenders once again shows his mastery over the road movie genre and creates a brilliant character study of one man's alienation from the world around him.
Two years after his star-making role in Five Easy Pieces, Nicholson reunited with director Bob Rafelson for this gritty story of small-time losers and big-time dreamers. Dern co-stars as Nicholson's older brother, a scam artist who's all style and no substance, and Burstyn excels as an aging beauty who has prostituted herself for an elusive shot at happiness.
Perhaps his most famous film, La Dolce Vita slices into the decadent amoral core of Roman society with Fellini's trademark attention to detail and spectacular photography. Marcello Mastroianni plays a gossip columnist (the term 'paparazzi' derives from the in a film) who aspires to be a more serious writer but knows he never will be, because like society, he is fascinated by the decadent hedonist pursuits which are seemingly everywhere. The Vatican was appalled by the film, but the public adored it, relishing the images Fellini fed them, most notably the now infamous scene of Mastroianni and Anita Ekberg frolicking in the Trevi Fountain.
Set in beautiful 14th century Sweden, the film tells a sombre, powerful fable of peasant parents (Max Von Sydow and Birgitta Valberg) whose daughter, a young virgin (Birgitta Petterson), is brutally raped and murdered by swineherds after her half sister (Gunnel Lindblom) has invoked a pagan curse. By a bizarre twist of fate, the murderers ask for food and shelter from the dead girl's parents, who, upon discovering the truth about their erstwhile lodgers, exact a chilling revenge.
During the final hours before a nuclear war threatens to wipe out humanity, Alexander, surrounded by his family and friends as they descend into fear and turmoil, makes a deal with God: he will sacrifice all he holds dear to avoid the impending apocalypse. Tarkovsky's final film, 'The Sacrifice' is a visually breathtaking meditation on existential terror and a melancholic swansong from one of cinema's true auteurs.
Francois (Philippe Marlaud) loves Anne (Marie Rivière). However, his night-shift job at the post office means they rarely get to spend much time together. One day, he sees her leaving home with her ex, Christian (Mathieu Carrière), who had come to break up with her for good. Reeling from the news, Anne lets Francois fall prey to his jealous imagination. Obsessed with the idea that she may have cheated on him, Francois decides to stay up all night. As he wanders, desolate, through the streets of Paris, he comes across his rival sitting in a cafe with a blonde-haired woman. Intrigued, he follows them. A young woman catches on to what he's up to and accosts him in an alley of the Buttes-Chaumont.
When entrepreneur Craig Blake (Jeff Bridges) buys a small gym, he fully expects to demolish the place to make room for a high rise. Instead, he finds himself drawn into a world he never knew existed. From a perky gymnast (Sally Field) who wears her heart on her leotard to a philosophising Mr. Universe hopeful (Arnold Schwarzenegger), the freewheeling spirit of the gym touches Craig in a way he never expected - and plunges him into a hilarious off-the-wall plot to stop his high rise... from ever rising!
The goalkeeper Josef Bloch is sent off after committing a foul during an away game. Losing his bearings, he wanders aimlessly through the unfamiliar town, spends the night with the box-office attendant of a movie theatre and commits a crime. But instead of turning himself in or fleeing, Bloch goes to his exgirlfriend's place in the country and passively waits for the police to catch him. The visual idiom of Hitchcock's films provided the model for Wenders' debut feature and he adheres minutely to the thoroughly "cinematic"' source, a novella by Peter Handke. With his cameraman Robby Muller and his editor Peter Przygodda, in 'The Goalie's Anxiety at the Penalty Kick' Wenders set forth a collaboration that would weld this team together for years.
"If in our century there are still sacred things, if there were something like a sacred treasure of the cinema, then for me that would have to be the work of the Japanese director Yasujiro Ozu". In 'Tokyo-Ga', Wim Wenders travels to the city of his cinematic hero, Yasujiro Ozu, hoping to still find the spirit of the director in the twenty years since his death. What he discovers is a city consuming itself through material desire. The age of Ozu and the simplicity with which he filmed the world around him has disappeared. In its place is a society driven by constant change. Accepting that the cinematic medium has also changed, Wim Wenders transforms his film into a treatise on the nature of recording everyday life.
Although a brilliant, classical pianist from an intellectual, well-to-do family - Robert Dupea (Jack Nicholson) has made a career out of running from job to job and woman to woman. Presently working in an oil field, Dupea spends most of his free time downing beers, playing poker and being noncommittal with his sexy but witless girlfriend Rayette (Karen Black). But when he is summoned to his father's deathbed, Dupea returns home with Rayette, where he meets and falls for a sophisticated woman. Now caught between his conflicting lifestyles, the gifted but troubled Dupea must face issues that will change his life forever.
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