Welcome to Steve's film reviews page. Steve has written 1064 reviews and rated 8280 films.
A film of such soporific aimlessness and self indulgence that it could only have been made by a stoned six former. A small cast of poshos in boating shoes, cream slacks and pretty frocks wander around a nice old house, occasionally visited by visions of a Victorian doll.
I would say it shows no signs of talent at any level, if only because it doesn't. (The director did make the distinctly ok, I Monster.) Though someone clearly has an interesting dressing up box. A cult classic for some. For others, a bewildering waste of time.
Three Edwardian men (odd trio Jimmy Edwards, David Tomlinson and Laurence Harvey) seek to escape their domestic woes, by whiling away some hours on a boat...
Many fine films have hung on flimsier hooks than this. It is the idiotic slapstick, the relentless jolliness, the faux hyper-poshness, the bonnets and all the cringeworthy cherchez-la-femming that make this such an ordeal.
A prostitute is killed in Nazi occupied Warsaw. One of three high ranking Generals is responsible...
A dud, all the more disappointing in that it was directed by the respected Anatole Litvak. An international cast competes to deliver the most misjudged performance; Tom Courtney wins for his cowardly, diffident womaniser.
With particularly poor script and editing, this unfocused film is way too long, and not quite weird enough to be fun.
This isn't a great film , but is easily the best of the old black and white Saint films, with Hayward a charismatic and ambiguous hero. Much better than George Sanders. Paul Guilfoyle and a startlingly young Jack Carson are great as a pair of idiot hoods.
At one time, Hitchcock was down to make this his first American film.
A remarkable and unusual looking film about a group of rich, intellectual and beautiful, but rootless and shallow young Italians who lose one of their party during a trip top an island. The film follows their increasingly desultory attempts to find he as they become lost in their own concerns.
Antonioni was no doubt a cerebral man with esoteric interests. But also a talented and original film maker.
So-so period piece stolen by a cameo by John McGiver as a banking dullard with a fascination for ornithology; particularly in a scene where he teaches James Stewart how to walk... Otherwise, few laughs, but blandly inoffensive typical late Stewart harassed-dad farce.
Black character comedy in the style of Mike Leigh. Quite funny, though I can imagine some may find its casual violence offensive. A dull caravaner dispenses sudden, brutal justice against the trivial thoughtlessness he encounters; his lonely, pliant girlfriend joins him, in a desire to be whatever it takes to keep him.
Travels close to the intolerance and anger and bitter humour at the heart of the UK. And the beauty of its countryside.
Typical Hollywood bio-hokum. With a poor sense of (20s) period. But it looks a million dollars and the gorgeous widescreen b&w gleams. A young Paul Newman is wasted in an unremarkable role as a prohibition bootlegger.
Problem in costuming when a number of the female cast mostly resemble Tony Curtis and Jack Lemmon in Some Like it Hot.
No budget C Movie. Great title. The aliens could have been created by scouts for the Gang Show. But still watchable and reasonably acted.
Heartbreaking, devastating Louis Malle WWII story of Jewish children hidden from the Nazis in a Christian school. Sensitive and detailed film also lands all its big punches.
Gorgeously shot, existential, truck driver suspense drama! Tough guys drive nitro-glycerine over rocky tracks in death traps... Fantastic.
Intimate, adult and risque early Louis Malle gem. Philosophical, and quite erotic. Which is what you want from a French film.
One of Paul Newman's better eighties roles. Typical liberal and sincere Lumet expose of US medicine versus the little guy. Coming your way soon...
Coppola makes a European style arthouse fantasy on a soundstage, and lets Tom Waits sing all over it. The 80s' Citizen Kane... Tremendously appealing performances, particularly Nastassja Kinski's sexy Circus Girl.
Great dialogue. Fantastic brain troubling concept. Proper pre-CGI effects and sets. And incredible stunts. The intense final sequence of the film is as exhilarating as the action film gets.