Film Reviews by CM

...but limp direction, poor camera-work, lack of characterisation, sluggish pace, & stretching out a plot like an episode of Tales Of The (not so) Unexpected do no-one any good.

Good acting, marvellous scenery & atmosphere, a sense of place, yet TKI is overstuffed with mysteries, & some scenes give the sense of being written by the yard to fill the episode. After one disc, I felt no enthusiasm for investing the time to watch two more, & opted for an online synopsis. I didn't help that I was expecting a normal cops & civilians mystery.

Not a comedy stuffed with gags, this is a charming coming of age comedy/drama which showcases Bloomington, Indiana - the scenes in & around one town give an impression of authenticity. Growing up in changing times, family, friendships, aspirations, & romance are all handled with a sweet touch which avoids gooey sentiment.

The story starts out full of promise, & suggesting interesting questions, eg, what do marriage vows mean when one partner changes entirely & suddenly, who are we without our memories? By the second half, it loses its nerve, & spins out into candyfloss romantic fare, avoiding any questions of money problems or practical hardships, as so often with US films.

Too many ingredients with too little depth, so it wasn't as interesting as it should have been, & the images, albeit beautiful, were too briefly shown, often cropped. I watched it all through, but the effect was too much like flicking through an album which needed to be perused.

Terrible, but fun. It might have been better with the leading men's roles reversed so that the villain had the baby face, & a tad more inventive comedy injected, but the nonsensical tone is consistent throughout, & the plot is stuffed with cinema clichés: the scatty/idiotic genius, the career woman who needs a little boy lost for a boyfriend, the villain full of irrational evil, the sceptical cops, the fabulous invention with knobs on & trashy décor.

A really interesting story - look out for Jackie Paris on You Tube, etc., - but I missed a lot of the narrative, because it was ruined by having loud music played most of the time over the commentary, & no subtitles.

If you're a Pratchett fan, you may be taken by the spectacle, but I found it tedious & laboured. Ludicrous plot - & I'm not averse to fantasy tales - which groans under the weight of its own conceit.

Patchy, but well worth watching, with good performances conveying dramatic strength; would have been better without the Hollywooden touch, where 'poor neighbourhoods' look well-heeled. Best quote: 'My Momma didn't send to to Catholic school to learn how to pray!'

This would have been an excellent watch, with its wide ranging tales from early 20th century history & old film clips, but was ruined by too-brief subtitles.

A good intro to Netherlands history in the 17th Century - they kept reminding us of the century - & an interesting story where the English aren't automatically the good guys, but it would have benefitted from being five or ten minutes longer, so the headlong rush to tell the tale could have been slowed to a rate where the viewer can absorb better-drawn characters. Marvellous sets & costumes were too often ruined by the frantic camera effect, shots of only 3 or 4 seconds, zooming & cutting away.

Actors are pretty much obliged to take parts just to stay in the public eye, & this has some excellent ones, but the preposterous plot just can't be salvaged, despite great sets & costumes, & being roughly accurate on the Anarchy of Stephen & Matilda. This got ordered because of who's in it, & because I'd enjoyed Wm Golding's 'The Spire', & we managed to watch it all, but it gets a single star rating because of a lack of making sense, & a clunky script.

Some enjoyable interviews, especially Lou Adler, many of which are on other films, but far too much of Jakob Dylan's tribute band, & too little of Laurel Canyon's original performers. Excellent as JD's band & singers are, the originals are still fresh & more interesting than tributes.

Amazing how poor this film is, given that Arkin & Falk are both brilliant in a lot of other material, but it creaks along predictably with sledgehammer humour.

More a collection of anonymous clips from old feature films & documentaries - it wouldn't have been difficult to have labelled them & given the film some continuity, since many appeared worth looking up - & the soundtrack was good in parts.