Film Reviews by PV

To call this a bit sentimental would be like calling Hitler a bit extreme. This is PURE schmaltz - slushy, baked to tooth-rotting sweetness with social issues and a wickle child to make it even more cutesy.

I was willing to give it a go and knew it'd be a bit like this, having watched the first film, a Dog's Purpose, but this is really full-on schmaltz, so much so it becomes unbearable.

Probably this appeals more to American audiences, women, and anyone who's so spiritual they seriously believe in reincarnation.

It is based on a best-selling book BUT I dislike the first person narrative, and simply do not believe it is the dog speaking or the dog's thoughts - some cutesy observations in it but would a dog really know the names of people or words like cup, house etc. I like books like A CAT CALLED DOG where cleverly animals make up their own words for things - like wheel-box for car, or smoke-stick for cigarette.

It all depends what you like, I suppose - but movies and books like this really do not deserve their massive success, imho.

I also disliked the predictable political correctness here - the #MeToo movement seems to have created a situation where every single movie has main female characters now, which is a real new stereotype and cliche, and one which is not progress at all.

This is a watchable movie, for sure. The thing is, after watching it, I found I had almost forgotten it - unlike the classic first Toy Story which is memorable.

Having said that, there are some great new characters especially a Canadian motorbike man and some scary dolls.

Forky the spork (what used to be called a runcible spoon in Britain in the 19th century, mentioned in the poem The Owl and the Pussycat), is an odd new character but starts off well and is interesting. I liked the first plot point, as usual around the 24th or 25th minute. The entire movie starts strongly, but the second half gets a bit gloopy and romantic really, for me anyway.

I suppose it was predictable in this post-MeToo age that so many female characters would be to the fore, and the child not Andy as in the first, but a cutesy young girl. There is the required ethnic diversity too ticking boxes. BUT the movie is WOODY'S to steal and he does - though I couldn't get Jessie the cow girl's resemblance to Greta Thurnberg out of my head, which was a little disturbing... The ever-dim BUZZ had a funny routine with his buttons too.

The characters have their arcs and develop, if a little predictably., and it's all schmaltzy romantic in the end - which I disliked, but many audiences will go AHHHH! at.

Two questions: 1) why are cats in Hollywood movies, even decent CGI ones as in this, always portrayed as evil baddies (dogs are usually goodies); 2) How can such a big budget movie made by thousands over years have a MASSIVE continuity error in it (look around the 1 hour mark in the case of the antiques shop to see a character just vanish after moving towards Woody).

But a good watch and I enjoyed it. 3.5 stars rounded up BUT not as totally profound as some gushing critics claimed.

Stay watching over the end credits for some funny character scenes.

One thing which makes this TV drama enjoyable is the wonderful classic songs from Music Hall - some real classic which have lasted. The songs steal the show, basically.

However, this also feels padded out and you can almost hear it ticking the pc boxes - it makes Marie Lloyd almost a cartoon character victim of a series of selfish man, so removes from her agency which, paradoxically, makes it all rather sexist. People make choices, as did she - always presenting women as victims of men infantlises them. The actress playing her is great, though.

Some plotholes here - characters come and go, and we never find out what happened to them - some more biographical detail at the end would have been a help (eg how old was she at the end?)

A totally unnecessary token black music hall narrator adds nothing at all, merely pads it all out. It just doesn't work. Ticking pc boxes often doesn't. Reminded me of the great video for ATOMIC by BLONDIE - watch from the start to see how a ringmaster can introduce a song or drama well. Here,. the character is just a 2-D token to tick boxes and adds nothing. But this is a BBC drama...

So not too bad - could have been done in an hour not 90 minutes though. 3 stars.

This generally enjoyable series has strength and weaknesses.

It's well-filmed and acted, esp the Floki and monk characters, and has lots of battle action etc. Easy-to-follow plot, though NOT historically accurate at all, for sure. It;s all imagined. I do worry some younger viewers will watch such dramas and think it all fact.

However, we yet again see 'Wonder Woman' scenes - to placate the #MeToo demands. The fact is that Viking warriors were men, not women, and a woman defeating several armed male attackers is absurd. BUT this series does not indulge in such pc casting and scenes as much as some virtue-signalling TV dramas, which absurdly cast black actors as 16th century English dukes!

The strength for me in this drama is seen through the eyes of the Lindisfarne monk taken as a slave - the moral questioning of barbaric 8th century Viking traditions which he struggles with but which the Nordic communities accept as absolutely normal. That moral ambiguity is interesting, as if the Vikings are aliens to be understood for traditions which would disgust and horrify more 'civilised' people in England (France is mentioned as wealthy here so I expect the Vikings will rock up there in future series).

Just a note: this is set in late 8th century when Britain and England was indeed prosperous with resources and Christian BUT England was not united until Alfred the Great (who died in 900 AD) and his son.

However, I suspect the portrayal of English warriors as rubbish fighters compared to Vikings is silly as ALL warriors back then would have assumed heaven awaited them if they died in battle.

I expect future series to show the Vikings as peaceful farmers which most were - many years ago I went to a British Museum exhibition about the Vikings which made that clear.

People should remember that the Vikings influenced the development of Britain - it's in the place names, for a start, all over Britain, Wales, Scotland and England.

I watched this after the absurd series Britannia, and this is not quite as OTT or fantastic as that, though some of it is clearly designed to appeal to a Game of Thrones audience who like blood and violence and sex scenes. Sometimes the tropes are pure horror movie.

Overall 3 stars.

This is all what it says on the tin. A spin-off of a teen TV show I have never seen, or maybe a tweenager show, as fans seem mostly 10/11 year ols girls. Anyway, it's standard Haunted House teen caper stuff - so many movies like that. And then there was the Double Deckers of the early 70s.

The Vamps are a good band/ Bars and Melody were a flash in the X-factor pan and this is now 5 years old, so no doubt the little rapper doesn't look like an angel any more (prob the blond singer should go solo as he can sing!)

All predictable and watchable. Not awful. A wafer-thin plot which probably makes little sense if you analyse it, so don't, or you may well fall down a hole, a rabbit one or not...

Some obvious comedy and visual gags. A Pythoneque polieman sketch with David Mitchell (not the literary author...)

Filmed at Bay Studios Swansea and Margam Park (like Da Vinci's Demons).

Almost gave it 2 stars but it has some charm so 3 stars.

This is a classic movie from 1973 - pure 1970s. With the flares and polo-necked sweaters, the slo-mo filming, the Sam Pekinpah fake red blood and gore, the zooms to close up and the huge computers with reels of tape! Nothing ages so fast as a vision of the future. It is as 70s as movies like The Towering Inferno or The Poseidon Adventure - an utter classic of the time.

Yul Bynner is perfectly cast as a killer robot black-hatted gunslinger in is best role other than The King and I (stage and screen). Utterly fixed stare and a killer-mission walk and completely believable.

This Theme-Park-Gone-Wrong story was used by the writer and director here Michael Crichton for his novel Jurassic Park - and, interesting, the movie (not the book) also steals a 'stay still and he won't see you' scene.

The special effects may make some laugh BUT they are damn good actually and much preferable to the omnipresent CGI-fests of now which resembles computer games. This movie won the first ever Oscar for special effects, I believe, too.

I watched this as a kid in late 70s or early 80s, and remember clearly the snake scene and Yul Brynner's brilliant killer robot cowboy. That is the mark of a great iconic movie - it stays in the memory. I enjoyed it more than most movies released now, and this film is thankfully short - these days it'd be 2 and a half hours not 88 minutes - and they'd ruin it with token female and black characters, you just know it. Thankfully we have this to treasure and love.

The TV series Westworld is worth a watch and develops this idea with a more metaphysical and philosophical edge. However, for a succinct and entertaining ride, watch this.

5 stars. Classic, iconic, brilliant.

OK so here's the thing, do NOT in any way think this portrays reality, or real early British history, or the reality of what women and men did in Early British tribes - this is a massive pc fantasy, a sort of Iron Age Wonder Woman, with so many 'strong and confident' women behaving like men in roles men would have filled, not usually women, who would have been back the huts having babies, caring for kids and doing domestic tasks. BUT the pc BBC's Bodyguard and most TV drama is equally absurd on this sexist virtue-signalling level these days too, and as for Hollywood metoo movies...

The technique of using a girl character (who is aggressive, confident, rude and swears) is a big misfire. In fact all women characters here are straight out of a 21st century metoo meeting - no woman then or even 50 years ago would have been so mouthy, aggressive, pushy, forceful BUT NOW that is a new stereotype and every movie and TV drama simply must have its sassy 'strong' women. Yawn.

The Druids trained up BOYS only, actually, AND were not the weirdos portrayed here, but priests and also they controlled trade - why the Romans massacred 30,000 of em in Wales (Anglesey/Mon) because they controlled the gold trade. The Romans came to Britain itself as it was rich, prosperous and PEACEFUL - with gold, tin, lead, iron, freshwater pearls AND fertile land to grow grain to feed the Roman army. That is historical fact. This is less historically accurate than Star Trek. AND REMEMBER TOO the English language did not exist until 600AD approx. and England is named after it; these people would have spoken BRYTHONIC (early Welsh really).

There are also of course black characters in main roles, despite no evidence for that in any Roman history of Britain, though Roman soliders did come from everywhere (but not Jamaica...). This therefore looks like the new diverse series of Midsomer Murders and about as realistic a portrayal of the British countryside. If this had been made 20+ years ago without all the pc metoo diversity worship and ethnic quotas, and shoehorning of issues, it would have been better. Think Lawrence of Arabia (NO women in that movie AT ALL).

It's also filled with lots of mystic nonsense. But that is done way better in DA VINCI'S DEMONS and Roman life portrayed far better in old BBC2 TV series ROME (also HBO I think?). That was much more entertaining with better fight scenes too.

The directing is rather plodding. Some dialogue and scenes are laugh-out-loud unintentionally funny!

Moderately entertaining and amusing in parts, but in the 2nd division. 2 stars.

This is one of the few films I failed to finish - got halfway through then ejected. Maybe because I HATE all the WWE wrestling nonsense - it bores me senseless. Maybe if I were a fan I'd think it was all CHAVTASTIC? Who knows.

Predictable film, with a few top lines - and Nick Frost always worth a watch, but Stephen Merchant always irritatingly smug.

The whole thing was also a bit depressing in a chavvy way - that people get so obsessed about this awful faked 'sport'. Lots of Norwich jokes - I wouldn't be happy if I were from there!

Lost interest. So 2 stars- 1 for a couple of funny lines (the one about Nazis in films made me laugh) and set-ups/scenes; 1 for Nick Frost.

I remember this happening when doing my A levels and even remember having a dream that a big grey cloud was heading to the UK from the Chernobyl! Remember that even sheep on Welsh hills were affected by this awful radiation.

It's all very tense and I think accurate, with some great acting and scenes. Some horrific scenes of radiation burns. I watched this in 2 sessions as even though I am not squeamish, it was all just to grey and heavy and gruesomely depressing at times to watch in one go.

Some very brave men portrayed here. Thank goodness the BBC pc machine did not get its diversity-worshipping hands on this story first.

Not sure whether to give this 2 or 3. Some bits 2 (miscast 'strong' actresses to play Edwardian women; silly claims Tolkien's childhood bits magically created his stories rather than hard graft, or that he has a genius memory; the absurd claim that he was poor); Some bits 3 ( the 4 teen boys and the childhood bits; the WWI scenes in part).

Anyway 2.5 rounded up.

Way too much flitting around in flashbacks for my liking, and everyone looks too modern - the faces are of our age not Edwardian England, the women too 'girlpower #metoo' - this is often the case in modern pc movies. Derek Jacobi great as usual.

Not sure re Hoult as Tolkein - he looks far too young later on.

I have never been a fan of boring fantasy novels like The Hobbit etc. No mention here either that Tolkien based his made-up Lord of the Rings language on Welsh.

Most interesting bit for me with the club of 4 boys and what happened to them, esp the poet and the last one to die.

This film made me angry? Why? Well because it's based on a true story - though I blame the author of the novel, rather than the film-makers. The novelist simply took a true story, and sort-of fictionalised it (so basically stole everything, no imagination needed), poshed up the story thereby making it into a feminist hero tale too - it is so easy and lazy and wrong. Just like that awful film/novel 'Room' - just steal a news story and write it up. Tss.

The TRUE story is far better - the lady who was NOT a 1st class Cambridge physics graduate but a mere secretary who was a KGB agent and then esposed in 1999 in the London boring-bungalow suburb of Bexleyheath: https://en.wikipedia.org/wiki/Melita_Norwood

BUT of course, making her a proto-feminist pioneer and a 1st class physics graduate at Cambridge (where the lawyer authoress went) ticks all the pc boxes and as per usual in modern movies, all women shown are 'strong' and WAY too modern in looks, behaviour, speech and attitudes for the time. IN REALITY hardly ANY studying physics at university are women - due to innate reasons, it seems, not sexist barriers.

It's all so-so and Dench phones it in as per usual - the emotional love affair stuff is ALL fictional; in real life the woman was happily married. All to satisfy the author's female readership base, I expect. In real life, the spy's dad was a leftwing Latvian immigrant and her husband a Russian immigrant, and she was suspected in 1965 but M15 did not want to show their hand, then exposed in 1999 after a Russian defector came here in the early 90s and published a book naming her in 1999. That is the truth. NO head of M15 spy nonsense in real life. Pure fiction.

SO, a very irritating movie indeed, despite being a so-so story, and the actor (Hughes) who plays Leo is excellent at least.

BUT I'd be MUCH more interested in a TRUE film or a documentary about Melita Norwood, the woman on whose life this pc box-ticking movie is based.

2 stars.

Whether you like this film or not probably depends on your age. I am no prude, but find the adolescent humour and sex gags just unfunny - no doubt teens shocked at such things for the first time will find them 'cool'. No need for it though - take that stuff out, cut half an hour off this 2 hour movie, and you'd have a better film.

A basic plot, fish out of water type thing, 2 different worlds collide blah blah, love conquers all. Didn't believe it though for a minute, esp the ending - and this supposed journalist's journalism was AWFUL - no way would ANY paper employ someone who just ranted away like that. So couldn't suspend disbelief.

Also, I never think Seth Rogen is really acting, he's just playing himself. All mildly amusing; I laughed out loud once. Some nice silly visuals and costumes. I liked the Republican/racism routine at the end.

I dislike Charlize Theron as an actress not to mention her recent decision to bring her 8 year old son up a girl because he said he wanted to be one (if he'd said he was a dog would you have put a lead on him and taken him down the park to chase squirrels?)

Anyway, I dislike the pc virtue-signalling going on. We GET that lots in Hollywood hate Trump - but that sort of political stuff just does not work in a movie and shouldn't be there (aimed at any party) - it also dates REALLY badly (cf Monty Python early 70s UK politics references).

Not DREADFUL but nowhere near as good as all the 4 out of 5 star reviews this got from most critics. Maybe their brains have rotted eh watching too much gross-out teen comedy movies?

2 stars.

I hated this movie, the first half hour I saw of it before I could not take any more.

I am wondering why I hated it so much. Was it the obvious product placement - of eBay and most online companies EXCEPT GOOGLE, noted? Basically this is ONE big advert pushing online companies and computer games at kids.

Or was it the awfully pc 'woke' casting - hardly any white males at all; Lots of girly racing drivers behaving like boys though. And the usually large ethnic percentage of Hollywood dross these days. Nothing against diverse casting BUT WHEN white males are UNDER-REPRESENTED deliberately to a massive extent, then yes, I CALL OUT that as the racism and sexism it is.

Or was it the violence and crudeness? In a kids' film I do not expect characters to push and shove and hit each other, or be so crude in behaviour - just disgusting.

Or maybe it was the poor 2-D animation and stupid unfunny 'jokes' and uninteresting characters.

One star, if that. AWFUL.

As so many series (incl Breaking Bad, Peaky Blinders), the early series are WAY superior - series 1 and maybe 2 too are great, edge-of-seat experiences, very violent, some sex scenes, but really imaginative. Filmed in the UK in South Wales - Margam Park, I know. Series 1 has a documentary re THE MAKING OF on the final DVD.

GREAT sets and fantasy inventions. ALL total hokum and tosh of course - Leo Da Vinci was nothing like this and nor was Florence/Firenze in Italy, a city I know well.

The main characters of Leo, Zo. Niko are great and well-cast. When they are on screen, or Vlad, it's riveting stuff. The stuff in the New World is a bit weak as is series 3. I find you can always sense a series is coming to the end of its natural when they start using flashbacks or silly fantasies, OR casting more women in roles and discussing family matters and starting families. Breaking Bad was just like that - brilliant to begin with, then too much domestic stuff. Ditto Peaky Blinders, first 3 series the best.

Woefully miscast is a black actor in the role of Claudio Medici though - and also too many lookalikey young women in unbelievable macho leadership roles - easy to mix em up too.

I hated some modern references and language - eg reference in on character's speech to 'down the rabbit hole' (from 19th C Alice in Wonderland) and much other stuff.

BUT so long as you are prepared to go along for a fantasy ride, it's a good fun watch - utter nonsense historically and it actually reminds me of cliffhanger TV shows like Dr Who from the 1970s or Flash Gordon, but with WAY more violence and some sex. The blood-splattering gut-spilling grand guignol seems quite the thing these days, as well as nakedness - and as these TV series are made by Amazon Prime or Netflix, they can do that. Maybe not for the kids though.

Series 1 and 2 are 4 stars - except series 3 which is 3 stars

The problem with this is the same as affected the dire LOST TV series - it eventually got so philosophical and ponderous, it slithered up its own fundament and disappeared in a puff of indifference. There's no getting away from it - these 10 episodes can be excruciatingly padded and stretched out and, frankly, boring. Clock-watching stuff, esp as some parts are 50 minutes and some up to and hour and 15 minutes!

I was also getting increasingly annoyed at the 'woke' diversity casting - same with all movies these days, the heroes just have to be women or 'people of colour'. And yet there is NO colourblind approach when casting red indians or Japanses samurai - I didn't notice a single white ginger bloke amongst the monocultural one-skin-toneness idealised ethnic communities. Such hypocrisy. AND a real issue when there are 3 young photofit-attractive women 'of colour' who look almost identical! The same used to happen in Hollywood movies when they cast 3 white blonde actresses who looked alike. ANY producer should know that characters must LOOK different in a visual medium and sound different too. Far too much ONE NOTE stuff going on here, with 2D 'representative' characters.

Anyone who's read Jospeh Campbell's Hero with 1000 Faces know a hero much be male or act in a male way. These women heroines are basically men, they act as men (and there are NO female snipers at all in the British army of M15/6. Not one. 97% soldiers male too).

The plot is nonsense of course - reminds me of a Quatermass movie that ended at Stone Henge (maybe early 70s). All very postmodern and silly, like an expensive Dr Who (though nowhere near as awful and pc too).

Watchable though, for the wonderful scenery (Ohio and California) which reminds me of the truly great old Western movies.

But watch the original movie: WESTWORLD (1973) to see how you do not need CGI or constant extreme and gruesome violence to make a truly great film. You need 1) a great script, which tells a simple story well (not with multiple confusing flashbacks and tricksy plots as here); 2) a great script; 3) a great script. The rest is detail.

I could easily rewrite this as a 4 part series, but it pads out to 10 parts - the most interesting are with the red indians and the samurai in Japan (absurdly led by a woman - more woke #metoo nonsense). The costumes and sets are wonderful, I have to say, and the Ghost Nation's facepaint!

Anthony Hopkins is always worth watching - but he must have done this for the big fat cheque, I think - he'd know the script had 'jumped the shark'. Time to put this series out of its misery.

2.5 stars rounded up. Please no series 3 if it's more of the same!