Film Reviews by PV

The first thing to remember about this movie is that it's based on a book written by a women for women - i.e. an emotional tale designed to connect emotionally to female readers who tend to like soapy, weepy, family stories - which is what this is.

The second thing to remember is that it won an Oscar for Julieanne Moore who stars as the smug academic whose hubris is rewarded/punished by a sad descent into early onset Alzheimer's disease - which used to be called, going doolally and senile (which was much easier to spell, frankly).

And that's it! How much you like this will depend on your gender, I suspect. All about family relationships and how they alter after a diagnosis. Thankfully though this movie is short at just over 90 minutes, so that's a big plus really.

Me - I thought it was so-so, and just reminded me of all those cancer/medical films they sometimes play on daytime TV (I remember one from the late 70s/early 80s about a woman singing downtown who gets cancer. The film never said if crooning the song causes her condition...)

It's also a teeny bit offensive in putting forward the idea that a 50 year old female academic who gets Alzheimer's is a tragedy far greater than an old person getting it. Nonsense. This academic ain't Einstein or Marie Curie - she's a so-so academic who's written a text book, like millions of others. I didn't buy the 'what a great loss to humanity' shtick really. Quite frankly, judging by some of the academics I have known, you wouldn't be able to tell all that much difference if they did get Alzheimer's...

If you want to see Julieanne Moore's best ever performance (which should have won an Oscar), then rent out Map to the Stars, not this.

In a word: 'meh'....

OK, so this is the 2nd sequel (I think) BUT it is still funny. I watched it with an 80-something lady who also laughed out loud at certain points (though disliked some crude visual jokes).

It works because the characters are strong, and the script is tight (the UK just does not seem able to make 90 minute funny film comedies like this for some reason).

OK, so De Niro, Hoffman and Streisand are phoning it I (and coining it!) - but hey, that's Hollywood.

A good fun comedy which, unusually, touches on the much-hidden US class system (where those in lowly jobs are looked down on).

This movie is a bit long and perhaps too reliant on CGI - the list of hundreds of names of digital artists at the end are a sign of just how much of this is create in a computer.

All in all, it's a bigged up version of the bible, which takes liberties and dramatic licence, but why not (the old testament is hardly a documentary!).

There are some fun parts - and in the tale of friends/brothers who fall out it aims to mirror Gladiator and Ben Hur etc I suppose.

The plagues are done well - you can have fun trying to guess what's next.

Most stupid scenes involve the pharaoh's advisor trying to explain the plagues by logic. For some reason, he has a strong Scottish accent! The other accents used are neutral, maybe mid-Atlantic. So why the SNP accent half-way through? Very odd. I was glad when he met his fate...

I do not have an issue with the race of the actors - ancient Egypt, after all, was populated by north Africans (not those with negroid features). The pharaohs were NOT black like Kanye West, no matter what certain race consciousness groups in the USA claim.

So all in all, worth a watch. But not a patch on Gladiator.

Ridley Scott is 75 years old though...so maybe time to pass the baton?

Watching this film, which resembles a pop video, I was reminded of 'Nice video, shame about the song.' This could be 'nice visuals, shame about the script.'

It's so-so - and from the school of independent US films and novels focusing on down-at-heel communities, so we know where the writer/director got his ideas from.

The story takes place run-down town, where work is scarce and which is in effect dying. Some very od scenes of a circus with unbelievable characters make this even more surreal and like a pop video. The director clears like shots of houses on fire too... I almost expected Bonnie Tyler to drive through the flames at one point.

All a bit nonsensical really.

Two stars for trying.

How much you like this film will depend on how much you like tricksy time-travel plots which don't, if you think about them, don't make much sense.

It's a bit like a Spanish time travel movie whose name I forget, or one of many Dr Who episodes.

It's a bit slow in starting and wordy (though the first scene gives massive clues re the rest of the plot). But it soon gets going and is highly watchable.

The gender issue is a weak point (men do look like men and women like women) but suspend your disbelief and you'll enjoy it.

Acting is fine - lots of Aussies doing American accents (it's an Australian movie set in the USA).

Clever, tricksy, a bit nuts and not overlong, with a pulsing soundtrack to drive things along.

I enjoyed it so 4 stars.

This movie is based around 2 common tropes used countless times in so many stories: 1) the country mouse visiting the city, and 2) a main character suffering memory loss.

Having said that, who said every movie had to break new ground with original ideas?

The film is suitable for all ages (not just little kids) and there are some clever jokes in there for grown-ups too.

The animation is, as to be expected, first class. The sheep characters and the dog ones are good fun.

It's all very sweet and funny, so 4 stars.

2 gripes: 1) why oh why is a sheep called Sean when, by definition, all sheep are female? Sean the Ram maybe? Ronald the Ram? 2) I got a bit sick of the UK portrayed as a place where 60% of people are black/Asian and was offended that they used a woman with a headscarf in this. A shame political 'correctness' even has to infect cartoons these days.

I loved this film before I even saw it, quite simply because it is a film about drumming and I have never ever seen a film about that before.

Of course, it's not really about drumming per se. It's a movie about obsession and specifically male obsession.

I would compare it to a film such as Raging Bull perhaps, maybe some scientific quest movie.

The script is tight and the performances excellent too, not only the Oscar-winning turn by the terrifying music teacher. The subplots (usual girl interest; family with competitive brothers) are limp as lettuce, but have to be - because the main plot and characters suck all the oxygen out of the story leaving no time for anything else.

By the way, it is all utterly unrealistic - no teacher would last one lesson spewing the sport of insults this teacher does, and to actually slap a student or cause them physical harm would possibly lead to arrest in the USA and maybe even the UK. Teachers such as this really do only exist in the movies. (Ditto Robin Wiliiams in Dead Poets Society).

But, so long as you can suspend your disbelief on this point, the movie is a joy, especially for anyone musically-minded.

I loved this film - which follows psychiatrist Hector as he travels the world in a search for what makes people happy.

A philosophical concept, so no surprise that it is based on a French novel. It is, I suppose, a modern-day version of Voltaire's Candide.

Anyway, this globe-trotting technique keeps up the pace and means that, if you dislike one section, there'll soon be another in another country.

Personally, I liked all the scenes but probably liked the ones set in London and LA least. The ones in China are fascinating, and those in Africa just wonderful and realistic (and how different from sentimentalist fiction such as Africa United).

The end drags just slightly, but not enough to spoil the film.

Great plot, lots of laugh out loud moments, interesting characters + good acting and direction. What more do you want from a film?

Five stars.

I really enjoyed this film. If you dislike French-style slow films about 19th C artists, you won't like it though; if you love art and know about Renoir, you will.

Interesting to see the set-up Renoir had in 1915 - as an old man aged 74 who has kids with a variety of female followers. The characters of the old man and his sons are well-drawn, as is that of the artist's model and the maids. The youngest son's feral and depressive character is especially well-drawn.

Of course, the Jean Renoir (the painter's son) in the film became a famous film director in the mid-20th century.

The subtitles are good and the visuals are painterly.

I enjoyed this so give it 4 stars. It ends a bit abruptly, but it has to end somewhere!

One reviewer says this is not a film for 'the little ones'. I absolutely disagree - hiding bad things from children is silly. War exists and kids could and should watch this film (force feeding them pink fluffy fantasies of the world is wrong IMHO).

Anyway, this is a very depressing movie - all about Japan towards the end of World War II. It works not because of wonderful animation (which looks basic in parts) but because the characters are so well-drawn. It is utterly believable.

One thing that impressed me was the was the writer of the story was prepared to show Japanese people in wartime being horrible and nasty, even to their own people and families. It destroys the myths promoted by both East and West.

It's a sad film but that does not mean adults or children should avoid it. Quite the reverse, actually - people of all ages need educating about things like this because so many are so ignorant.

If you want gormless dumb fantasy cartoons to rot your brain there are plenty to choose from. This movie makes you think. Brave for the story to develop as it does - no Hollywood studio would ever allow such a thing due to that old obsession with a happy ending and heroics!

Good too that it has both subtitles AND dubbing into English if you want - the film is from 1988; the English version from 1998.

One thing REALLY annoyed me about this film: the use of modern and American language spoken by characters in the 1960s and 70s. People in the UK did NOT say 'all good' in 1963, and nor did they say 'I like to shop' (they said I like shopping). Pronunciation too - the stress on formidable is on the first syllable NOT the Americanised stress later on in the word. These things matter!

But then, this is aimed squarely at a USA audience. Hawking is world famous (largely because of his disability, it has to be said) and a household name. Thus the movie serves up exactly the sort of 'becoming a winner against the odds' story the Americans so adore.

The cinematic tropes are American too - yet again, the slow handclap rising to huge applause one sees in FAR too many Hollywood movies (and accurately satirised all those years ago in Comic Strip's The Strike). And of course the Americans love idea that all Brits are posh and upper middle class like David Niven (or Colin Firth, Daniel Day Lewis, Eddie Redmayne) and they adore the royal family so get the scenes in the palace in quick at the start of the film. UK film makers (and TV drama makers) pander to that international taste - and the UK film/TV industry is much worse for it too.

Did Redmayne deserve an Oscar? Well, I have long thought that 1) Academy voters vote for the person portrayed perhaps more than the actor doing the portraying, and 2) the Academy voters always vote for any actor playing someone with a disability especially if they also age (eg My Left Foot, and this years Dementia best actress Oscar too, and Matthew M for Dallas Buyers Club - another mediocre movie - when Leonardo di Caprio should have been a clear winner for the Wolf of Wall Street).

So all in all, not a bad movie but now a great one either. Hence, 3 stars max.

This is a so-so film which passes the time - not great but not awful. However, it BADLY needs subtitles and NO subtitles were available on the DVD we were sent. Therefore, some dialogue with unintelligible.

This movie starts OK, then descends onto girly psychobabble territory with group hugs aplenty.

As a curiosity piece it's worth watching, just for Colin Firth. No doubt some will like the sight of him 'in flagrante' too...

But the plot is silly and not really believable, and the film seems to lose its way a bit - wondering how to end and progress.

Also, I think very many viewers will not buy the idea that a rich successful man with a girlfriend and a son and his health would want to fake his own death and escape to another life. Doesn't cut it really, and I could never suspend disbelief.

2 stars.

This is a very slight film and rather stagey. It is more like a BBC2 drama, and is not cinematic really.

Eddie Marsan is excellent as usual, though I could never really believe the character or job role either - both seem over-calculated by the writer, as a framework on which to hang a rather unbelievable plot.

Some very wooden acting in this film, esp from some of the Asian actors. Couldn't work out the ages of ex-soldiers too - some look about 80 years apparently served in the army in 1981-2. Odd.

Hated the ending, though the religious may choose to differ.

Some good scenes but a very little curiosity piece all in all. Not nearly as profound or good as it thinks it is. C grade stuff.

Just about 3 stars at a push. Without Eddie Marsan, 1-2 stars.

I really loved this movie - which is just the right side of 'feelgood' and 'American schmaltz'.

Often I dislike Bill Murray, mainly because of the movies he is in (many of which I think over-rated, like that Japanese advert movie).

But here he is excellent in a neatly plotted movie that never sags and has some genuinely interesting and believable characters.

Full marks too to this film for daring to state that a boy needs his father and not always siding with the mother - which is the pc propaganda of most Hollywood films (and all BBC drama!).

A comedian well-known in the UK, Chris O'Dowd, is hilarious as the mad funny teacher at the private Catholic school the boy goes to (there being no religious state schools in the USA).

The boy too is good - but arguably too small for his supposed age (12). But then movies always like em little...

The film really works, however, because of the writing - and a neat plot with subplots which allow Bill Murray to make the most of his old grouch role. Minor characters are great fun too - like the Russian 'lady of the night', the try-to-be-nice mum, the local bar flies etc. The music is great too.

To my surprise, I absolutely loved this movie (and wonder why we Brits just cannot seem to make such efficient film comedies).

5 stars.